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    Visit our LaDonna Harris Native American Collection.

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    Activist and AIO founder.https://digitalrepository.unm.edu/featured/1001/thumbnail.jp

    Powering Up Clinical Scholarship

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    This presentation provides practical strategies to empower clinical scholarship among nurse residents. Content includes research question development (PICOT, FAC rubric), resource navigation (databases, BrowZine, health statistics), literature search techniques (Boolean, truncation, phrase/proximity, subject headings), review and publishing processes, and HSLIC services overview. Aimed at inspiring and equipping new nurses to actively engage in evidence-based scholarship and professional development.https://digitalrepository.unm.edu/hslic-posters-presentations/1201/thumbnail.jp

    Film Screening and Q&A: Return to the Andes

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    Thursday, April 17, 2025 2:00-4:00 pm Student Union Building Theater UNM Join us for a film screening of Return to the Andes and a Q&A with the film director, Mitch Teplitsky. After 20 years in New York City, Nelida Silva (title character of Soy Andina) returns again to her Andean birthplace with a dream to help rural women launch small businesses. Then the unexpected happens - she\u27s invited to run for mayor by a new political party. Fed up with the region\u27s decline and corruption, she accepts the challenge. Can she become the first woman to win, campaigning on a platform of sustainable development and anti-corruption against eight men who call her an outsider?https://digitalrepository.unm.edu/laii_events/1464/thumbnail.jp

    Nahuatl Club: Poetry

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    Friday, October 03, 2025 | 03:30 pm Latin American and Iberian Institute (801 Yale Blvd NE) & Zoom Join us for Nahuatl Club: Poetry at the LAII or on Zoom. Everyone is welcome! No previous experience with the language is required. This is a hybrid event. Please see the flyer for the Zoom link.https://digitalrepository.unm.edu/laii_events/1490/thumbnail.jp

    Jar Seminar: Iconohistory by Dr. Severin Fowles

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    Friday, October 24 at 12:00 PM Anthropology 248 The history of colonialism in the American West is not just the story of how European people, animals, and technologies invaded Indigenous worlds but also of how these things were engaged, redeployed, countered, rejected, and, in some cases, embraced by native communities. In this paper, I look beyond the horses, guns, germs, and steel that have dominated materialist analyses of the colonial encounter to consider the circulation of images—or more precisely, the circulation of new understandings of what images are and how they function. My focus is on the “Biographic Tradition,” an Indigenous mode of iconographic production that rapidly spread across the Great Plains and parts of New Mexico during the early colonial period. The Biographic Tradition had a strongly archival sensibility, dominated by graphic illustrations of the exploits of specific Plains warriors. In my account of the origins and development of this tradition, two arguments are advanced: first, that the Biographic Tradition was the child of colonialism, directly influenced by European aesthetics and logics of historical depiction, and second, that such images quickly developed into their own theater of war, enacting rather than merely representing violence. Dr. Fowles will give the JAR lecture on Thursday, October 23 at 5:30 PM at Hibben 105. He will also give a specialized seminar on Friday, October 24 at 12:00 PM at Anthropology 248. This seminar will explore the history of the image in New Mexico and lay out a theoretical framework for the study of rock art as iconography.https://digitalrepository.unm.edu/laii_events/1493/thumbnail.jp

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