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Tenet Vocal Artists
No full textTenet Vocal Artists: Vocalists with chamber orchestra: trumpets, tympani, flutes, oboes, bassoon, violins, violas, cello, violone, chamber organ performing J.S. Bach: Christmas Oratorio (Weihnachts Oratorium), BWV 248. Excerpts from Parts I, V and VI. Robert Mealy, guest music director. Jolle Greenleaf, artistic director.https://digitalcommons.rockefeller.edu/tri-institutional-noon-recitals/1012/thumbnail.jp
Zoltán Fejérvári, Piano
No full text2019, November 15
Zoltán Fejérvári, piano performing Janácek: Piano Sonata 1.X.1905 “From the Street,” In the Mists; Schubert: Drei Klavierstücke, D. 946; Chopin: Sonata No. 2 in B-flat Minor, Op. 35https://digitalcommons.rockefeller.edu/tri-institutional-noon-recitals/1016/thumbnail.jp
Asiya Korepanova, Piano
No full text2019, November 22
Asiya Korepanova, pianist, composer, transcriber performing Mussorgsky-Korepanova: Songs and Dances of Death; Mussorgsky: Pictures at an Exhibitionhttps://digitalcommons.rockefeller.edu/tri-institutional-noon-recitals/1015/thumbnail.jp
Anna Han, Piano
No full text2019, September 27
Anna Han, piano, performed Beethoven: Sonata No. 24 in F-sharp Major, Op. 78 (“à Thérèse”); Schumann: Three Romances, Op. 28; Ravel: Sonatine; J. S. Bach: French Suite No. 2 in C Minor, BWV 813; Schumann: Arabesque in C Major, Op. 18; Saint-Saëns/Liszt/Vladimir Horowitz: Danse Macabre
Photo Credit: Dan Chmielinskihttps://digitalcommons.rockefeller.edu/tri-institutional-noon-recitals/1023/thumbnail.jp
Berlin Counterpoint
No full text2019, October 18
Berlin Counterpoint, wind and piano sextet: Aaron Dan, flute; Sacha Rattle, clarinet; Melanie Rothman, oboe; Lionel Speciale, horn; Joost Bosdjik, bassoon; Zeynep Özsuca, piano performing Johann Strauss II /arr. Aaron Dan: Die Fledermaus Overture; György Ligeti: 6 Bagatelles; Francis Poulenc: Sextuor, Op.100; Ludwig van Beethoven: Quintet for Piano and Winds in E flat Major, Op.16; Richard Strauss: Till Eulenspiegel′s Merry Prank.https://digitalcommons.rockefeller.edu/tri-institutional-noon-recitals/1020/thumbnail.jp
Sam Boutris, Clarinet and Attacca Quartet
No full text2019, June 7
Sam Boutris, clarinet and Attacca Quartet: Amy Schroeder and Keiko Tokunaga, violins; Nathan Schram, viola; Andrew Yee, cello, performed Mozart: Clarinet Quintet in A Major, K. 581; Brahms: Clarinet Quintet in B Minor, Op. 115.https://digitalcommons.rockefeller.edu/tri-institutional-noon-recitals/1026/thumbnail.jp
Aleksandra Kasman, Piano
No full text2019, October 4
Aleksandra Kasman, piano, performed Schumann: Allegro in B Minor, Op. 8; Sviridov: from Partita No. 2 – Prelude, Fugue; Prokofiev: from Ten Pieces from Romeo and Juliet, Op. 75 - Dance of the Lily Maids, Montagues and Capulets, Mercutio; Rachmaninov: Eight Preludes from Thirteen Preludes, Op. 32; Medtner: from Forgotten Melodies - Canzona Serenata, Danza Festiva.
Photo © 2022 Sasha Kasman Laudehttps://digitalcommons.rockefeller.edu/tri-institutional-noon-recitals/1022/thumbnail.jp
Argus Quartet
No full text2019, May 3
Argus Quartet, string quartet: Clara Kim and Jason Issokson, violins; Dana Kelley, viola; Joann Whang, cello performed Joseph Haydn: String Quartet in B Minor, Op. 33, No. 1; Katherine Balch: drip music (2019); Tan Dun: Eight Colors, for string quartet; Debussy: String Quartet in G Major.https://digitalcommons.rockefeller.edu/tri-institutional-noon-recitals/1030/thumbnail.jp
Jenny Q. Chai, Piano
No full text2019, February 22
Jenny Q. Chai, contemporary Chinese-American pianist, performed a multi-sensory program that features the first two movements of Schumann’s Kreisleriana and two audio-visual works by Polish composer and Stanford University Music Department Chair, Jarosław Kapuściński: Side Effects – features complex relationships between people and nature as seen from 150 meters above ground; and Where is Chopin? – a performance installation that examines the perceptions and emotions on the faces of people around the world as they listen to Chopin’s Preludes, Op. 28.https://digitalcommons.rockefeller.edu/tri-institutional-noon-recitals/1040/thumbnail.jp
The Skin Remembers: Epigenetic Memories of Inflammation Past
Get PDFAs one of the body\u27s largest environmental interfaces, the skin is routinely exposed to a myriad of inflammatory stimuli. It functions as a barrier acting as the first line of defense against pathogens, while simultaneously protecting the organism from dehydration. Maintaining an intact barrier is therefore paramount to organismal survival, and the foremost torchbearers of this task are skin epithelial stem cells (EpSCs). EpSCs reside in the basal layer of the skin, survive long-term, and are capable of both self-renewing and differentiating into multiple skin lineages. To efficaciously maintain the barrier, EpSCs must be able to sense and respond to environmental cues. Here, I unearth an adaptive mechanism whereby EpSCs retain an epigenetic memory of prior inflammatory exposure that endows them with enhanced sensitivity and responsiveness to subsequent tissue damage. During secondary injury, inflammatory memory is mediated by cytosolic dsDNA sensor and activator of the inflammasome AIM2, and its downstream effectors caspase-1 and interleukin-1β. Characterization of the chromatin landscape in inflammation-experienced EpSCs reveals specific retention of monomethylation of histone 3 on lysine 4 in memory chromatin domains primed for reactivation. Altogether, this body of work identifies a novel mechanism by which EpSCs cope with and adapt to environmental stress in preparation for the next inflammatory trigger