2199 research outputs found
Sort by
Fusion Spring 2006
No full texthttps://kent-islandora.s3.us-east-2.amazonaws.com/fusion/8/thumbnail.jp
Forest, Observation, Antiquity: 3 Artists in the Cuyahoga Valley National Park
No full texthttps://kent-islandora.s3.us-east-2.amazonaws.com/soacatalogs/21/thumbnail.jp
The Kent Trumbull Gander, Vol. 4, Issue 17
No full texthttps://kent-islandora.s3.us-east-2.amazonaws.com/node/10063/10098-thumbnail.jpgVolume 4, Issue 17
Dated May 3, 2006</p
The Bones of the Others
No full texthttps://kent-islandora.s3.us-east-2.amazonaws.com/hemingway/6/thumbnail.jpg“There is no work that competes with this. . . . Every chapter is fresh—and always interesting. The Bones of the Others is a strikingly contemporary way to approach this never-dated modernist. Justice shows how Hemingway got where he was trying to go, perhaps even before he knew the direction himself.”—Linda Wagner-Martin, Frank Borden Hanes Professor of English and Comparative Literature, University of North Carolina at Chapel Hill
In this work of literary archaeology and criticism, Hilary Justice tells the narrative of Ernest Hemingway’s creative process using published and archival texts to articulate the connections between his life and writing.
In what became The Garden of Eden, Hemingway’s character David Bourne identifies his writing process as the creation of a new, forbidden country, asking himself the questions that drove Hemingway’s own writing, “So where do you go? I don’t know. And what will you find? I don’t know. The bones of the others I suppose.” Justice’s investigations into Hemingway’s creative method illuminate the map of Hemingway’s forbidden country, revealing his writing as a lifelong simultaneous expression of present and past. Justice locates the power of Hemingway’s fiction in this duality—in the paradoxical compulsions toward destruction and creation, lamentation and hope, and fear and love.
Tracing his personal writing from the 1920s through the 1950s, Justice restores the lost manuscripts to their rightful place in the Hemingway canon and answers the question of the writer’s suicide.</p
Writing Center Review Volume 11 Spring 2006
No full texthttps://kent-islandora.s3.us-east-2.amazonaws.com/wcr/vol11/iss1/1/thumbnail.jp
The Burr Fall 2006
No full texthttps://kent-islandora.s3.us-east-2.amazonaws.com/theburr/41/thumbnail.jp
An Extension of the ASC Language Compiler to Support Multiple Instruction Streams in the MASC Model Using the Manager-Worker Paradigm
No full texthttps://kent-islandora.s3.us-east-2.amazonaws.com/node/16808/87557-thumbnail.jpgIn this paper, we describe and implement compiler extension for a parallel computer language called Associative Computing (ASC) language to support multiple instruction streams in a Multiple Associative Computing (MASC) model using manager-worker paradigm. A user directed MASC directive is used to enable concurrent executions of the THEN part and the ELSE part in a parallel IF- THEN-ELSE statement by using two different worker- instruction streams. For most applications, this technique should substantially improves the performance of the system over its performance using only one instruction stream; moreover it is more effective than using multiple instruction streams to execute every parallel IF-THEN-ELSE statements found in a program. When the overhead outweighs the benefit gained from using multiple instruction streams, a user can choose to use only one instruction stream to execute the IF-THEN-ELSE statement. While not explicitly covered here, parallel CASE statements can be handled similarly.</p
Canto 2006
No full texthttps://kent-islandora.s3.us-east-2.amazonaws.com/node/18341/88357-thumbnail.jpgEditor: Marianne Thomas-Jackson
Co-Editor: Charity Gingerich
Art & Production Editor: Jeff Leadbetter
Assistant Editor: Timothy M. Yates
Faculty Advisor: Jayne A. Moneysmith
Art Department Faculty Advisor: Jack McWhorter</p
Mambo Italiano (2006)
No full texthttps://kent-islandora.s3.us-east-2.amazonaws.com/theatregallery/12/thumbnail.jpgDirected by: Daniel-Raymond Nadon
Set Design: Michelle Harvey
Costume Design: Mary Harvey
Actors: Rick Haldi, Maria Wright, Eric Colbourne, Donnagene Palmer</p
TechKNOW Volume 12, Issue 3
No full texthttps://kent-islandora.s3.us-east-2.amazonaws.com/techknow/11/thumbnail.jp