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    WARM Journal Volume 2 Issue 3

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    This journal issue includes art, poetry, art reviews, exhibition listings, the WARM calendar and articles with a focus on displaying art by WARM members. The articles are on a variety of art related topics, including the impact of federal funding on art, criticism and developments in organizing in art. Keywords: Works Progress Administration, Federal Art Project, Feminist criticism, criticism, national endowment for the arts, anti-patriarchy, abstract art Creators included: Greta Berman, Pat Aufderheide, Nancy Paddock, Nancy Robinson, Meridel Le Seuer, Joyce Lyon, Sally Brown, Susan Mundale, Elizabeth Erickson, Patricia Olson, Diane Hellekson, Mary Anne Schutte, Sylvia Paine, Gail W. Bamber, John F. Steffi, Helen Smith, Jean Murakami, Maria Mazzara, Marty Nash, Judith Roode, Sandra Menefee Taylor, Hazel Belvo, Mari Lyn Ampe, Harriet Bart, Beth Bergman, Sally Krug, Cherie Doyle, Lynn Ball, Georgiana Kettler, Gemma Rossini, Marilynn R. Anderson, Sandra Taylor, Judy Stone Nunneley, Dorothy Odland, Jackie Kielkopf, Jantje Visscher, Susan McDonald, Joan Tangen Carlson, Alice Towle, Jane Bassuk, Beth Brenner, Sandra Kraskin, Mary Walker, Carole Fisher, Quimetta Perle, Susan Pleissner Cover Committee notes, policy, announcements and table of contents A letter “New York WPA Artists, Then And Now” by Greta Berman Two page spread of artwork by Judith Roode “The Inside·Story: Small Sighs of Relief at the Endowments” by Pat Aufderheide Response to “The Inside·Story: Small Sighs of Relief at the Endowments” by Don Adams and Arlene Goldbard Poetry by Nancy Paddock Two page spread “At the Beach” by Nancy Robinson “A Letter from Meridel Le Sueur” Feminist Perspectives “An Evening with Nor Hall and Sandra Taylor April 9, 1981” “Feminist Criticism: What Would It Be?” By Joyce Lyon Reviews “Sally Brown\u27s Rooms at WARM” by Susan McDonald “Sally Krug, Julia Barkley, Itoda Reiko” by Susan Mundale “Minnesota Women \u2781: A Juried Exhibition at WARM” by Susan McDonald Patchwork by Elizabeth Erickson and Patricia Olson Reviews continued “Nancy Graves: A Survey 1969-1980 Walker Art Center” by Diane Hellekson “Jordan, Kiland, Mason, and Perle at the Glen Hanson Gallery” by Mary Anne Schutte “Front Range” by Sylvia Paine “Drawings by Marcia Milner” by Gail Bamber “Gloria Defilipps-Brush Time Sheets Tweed Museum” by John F. Steffi “Lake Superior Fifth Biennial National Craft Exhibition Tweed Museum” by Helen Smith Warm Exhibitions Patricia Olson Jean Murakami Maria Mazzara, Marty Nash, Nancy Robinson Judith Roode Sandra Menefee Taylor Members’ Recent Work Advertisements Calenda

    WARM Journal Volume 2 Issue 2

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    In a more literary edition of WARM, a number of short stories and poetry selections have been published by a variety of authors. Anita Mills also recounts her Intensive Studio Workshop with Judy Chicago. The workshop tackled issues of motherhood and birth in a group setting. As usual for WARM, there were also book reviews and artists submitting recent pieces for display in the journal

    WARM Journal: Special Issue on Competition Volume 1 Issue 3

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    WARM’s focus in this issue is on competition and its impacts on personal and professional life. Within this issue is a conversation between the women on the WARM Journal Committee entitled “Dividing the Pie” which discusses women and societal images. There were compositions on competition, artwork, and poems followed by a calendar of events. Also found is information on WARM Exhibitions and a piece about Jaci Schacht’s work authored by Fran Addington. This issue concludes with reviews of local displays, an open letter to Sam Sachs, and details about WARM members and membership

    WARM Journal Volume 1 Issue 2

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    This issue contains two interviews, one with Pat Olson about her graphic design work and life as an artist, and one with B.J. Shigaki about her life and being the director of the Rochester Art Center. There is a collection of poetry by Jill Breckenridge-Haldeman, and a review of Obstacle Race by Germaine Greer, a book on women’s “fine art” from the Middle Ages to the mid-20th century. Also included in the issue were submissions of artistry with descriptions from members of WARM

    WARM Journal Volume 1 Issue 1

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    The main articles of this issue concern Julia Barkley’s trip to China, Taiwan, and Japan, an interview with Sally Brown, an art instructor in the Twin Cities, and a review of the Women’s Art Weekend by Roseanne Sullivan. Barkley’s travelogue, although it contains language dated by modern standards, is an insightful exposé of what life was like for female artists in East Asia at the start of the 1980s. Brown’s interview provides a window into the development of women’s artistry in the 1960s. The Women’s Art Weekend documented women speaking about their struggles against racism and sexism at MCAD, and the empowerment they felt connecting with each other in an intersectional space. Also included in the issue were submissions of artistry with descriptions from members of WARM

    WARM Newsletter 1979 April-June

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    This newsletter’s focus is on Sandra Kraskin’s paper adapted from her slide presentation, The American Abstract Artists: Women’s Contributions to the Avant-Garde of the 1930s and ’40s. Kraskin provides background information on the AAA (American Abstract Artists), their work, and the reception and reflection of this art form. We learn about the ARC Exchange between WARM and ARC Gallery in Chicago artists. The reader learns about the Visiting Artist Program, WARM shows/exhibitions/speakers, Judy Chicago’s Dinner Party, Women’s Art Weekend, and MCAD courses taught by gallery members. More information is given about the slide registry along with a review of a presentation given by Chris T. Martens. WARM hosted a National Photography Invitational; we get details and learn more about women in photography. WARM recommends sending proposals in for the Minnesota Artists Exhibition Program and concludes with a membership form and a continuation from the front cover calendar of events

    WARM Newsletter 1978 January-March

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    WARM provides a newsletter for January-March of 1978. Its contents include meetings, announcements, openings, and membership information. The coordinator provides congratulations to grant winners, grants given for Women Invite Women and Visiting Artist Program, and thanks for work on grant proposals. Readers are given information about membership fees, the annual meeting, and an invitation to the open discussion during the annual meeting. Article 1: Membership amendment (includes levels of membership) to the by-laws of WARM has been revised and clarified within this newsletter. The letter concludes with upcoming events of Joan Snyder and Marcia Tucker, a Wild Rice television date, and “a women’s collective art space” tagline

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