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A Second Chance at Happiness: Exhibition View
Project Advisor: John Shimon
Year of Graduation: 2022https://lux.lawrence.edu/artgallery_se2022/1055/thumbnail.jp
Tony Kushner’s Angels in America, Part 1: Millennium Approaches
This lecture on Tony Kushner’s Angels in America, Part 1: Millennium Approaches was recorded in January 2022. The lecture was designed for students and faculty in the First-Year Studies program. This program, a multidisciplinary introduction to liberal learning, has been a cornerstone of the Lawrence curriculum since 1945.
The lecturer, Copeland Woodruff, is Associate Professor and Director of Opera Studies at Lawrence. His professional credits include work on productions for New York City Opera, Santa Fe Opera, and Michigan Opera Theatre. He has also held teaching appointments and directed for The Juilliard School, Oberlin Conservatory, Temple University, the University of Memphis, and the Academy of Vocal Arts in Philadelphia.
Since his arrival at Lawrence in 2014, Professor Woodruff’s productions have won fourteen national awards and citations. In 2018, he received the Charles Nelson Reilly Prize for stage directing in the American Prize competition, where his productions of The Beggar’s Opera and Hydrogen Jukebox tied for first place. In its announcement of these awards, the American Prize hailed Professor Woodruff as “a champion of improvisation, musical and physical, in the operatic medium as a tool for education, creation and performance.
Shell Architectural Model and Tile Example
Materials: Ceramic
Dimensions: 10 x 12 x 8.5 inches
Advisors: Meghan Sullivan
Year of Graduation: 2022https://lux.lawrence.edu/artgallery_se2022/1044/thumbnail.jp
Shell Architectural Fountain Model
Materials: Ceramic
Dimensions: 10 x 12 x 8.5 inches
Advisors: Meghan Sullivan
Year of Graduation: 2022https://lux.lawrence.edu/artgallery_se2022/1045/thumbnail.jp
Untitled (Girl)
Materials: Silver gelatin print on archival fiber paper
Dimensions: 11 x 14 inches
Project Advisor: John Shimon
Year of graduation: 2023https://lux.lawrence.edu/artgallery_se2023/1027/thumbnail.jp
Knowing the Strangers in the Shogun\u27s City
This lecture on Amy Stanley\u27s Stranger in the Shogun’s City was recorded in October 2022. The lecture was designed for students and faculty in the First-Year Studies program. This program, a multidisciplinary introduction to liberal learning, has been a cornerstone of the Lawrence curriculum since 1945.
The lecturer, Brigid Vance, focuses her research on the intellectual and cultural history of dreams and dream divination in late Ming China. She also has research and teaching interests in early modern Japan, the history of psychology and psychoanalysis, cross-cultural interactions along the Silk Roads, and innovative and inclusive pedagogy. In 2020, Brigid was awarded Lawrence University’s Award for Excellent Teaching by an Early Career Faculty Member. Brigid completed the Further Education in Analytical Psychology Program at the CG Jung Institute in Zürich, Switzerland in 2017
Communication and Collective Goods - Jeremy Waldron: The Harm in Hate Speech
We begin the term with the second new work for First-Year Studies. This is a book that provides a philosophical and legal framework for understanding the contemporary question of hate speech. One of the goals of a liberal arts education is to gain facility entering into close written argumentation about contemporary issues, and this work is a model of argument building. It also marks a turn in our approach to thinking about community. In this book, we examine a direct threat to any ideal community, and consider how words sometimes act more like bricks than as reasoned statements. (Adopted Winter 2022
Counternarratives
Alexandra Bell is telling stories, perhaps differently than she once envisioned.
She studied journalism as a graduate student at Columbia University, on track for what she thought would be a career in journalism. But along the way her interests drifted toward art, and her eye on newspapers began to zero in how stories were being told and presented and how much of that was shaped by biases and stereotypes.
Those revelations led her in a new, creative direction. For much of the past five years, the New York-based multidisciplinary artist has used her Counternarratives art exhibits as a form of commentary on media storytelling.
“A lot of what this is about is the ways in which you can kind of disrupt dominant narratives and what it means to kind of draw from the news to tell a different story,” Bell said as she delivered the Winter Term Convocation Friday afternoon in Lawrence University’s Memorial Chapel.
Counternarratives began as a public art exhibit in 2017, her redacted pages of the New York Times hanging on walls at intersections across Brooklyn, drawing attention to how the 2014 death of Michael Brown at the hands of a police officer in Ferguson, Missouri, was covered. Her work began to draw attention to media coverage involving people of color, and the clandestine exhibit, initially hung with homemade wheatpaste, eventually brought Bell into art galleries.
Some of her works are now on exhibit at Lawrence’s Wriston Art Center and will remain there through March 11, 2022
Mixed Up: Inside Page
Material: Digital Book
Dimensions: 6 x 9.5 inches
Project Advisor: Tony Conrad
Year of Graduation: 2022https://lux.lawrence.edu/artgallery_se2022/1017/thumbnail.jp