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My World Of Pics and Welcome To My World - Detail
No full texthttps://lux.lawrence.edu/artgallery_se2024/1024/thumbnail.jp
Bee Boxes from Bella\u27s Blooms and Bees
No full texthttps://lux.lawrence.edu/artgallery_se2024/1000/thumbnail.jp
Volume 1 (1844-1849), Typewritten Copies of Original Letters from the Correspondence of Amos A. Lawrence Relating to the Establishment of Lawrence College
Full text linkThis item is one of four transcribed, typewritten volumes corresponding to four volumes of original correspondence sent and received by Amos Adams Lawrence. The typescript volumes were likely completed circa 1959.
Cover image: Amos Lawrence drawing, 1859, ARC2007-028,https://lux.lawrence.edu/archives_selections/1009/thumbnail.jp
Inner Child - Installation View
No full texthttps://lux.lawrence.edu/artgallery_se2024/1034/thumbnail.jp
Technology and the Human Body in the Films of David Cronenberg
Full text linkSince David Cronenberg seemingly broke from the genres of science fiction and body horror, scholarship surrounding his work has shifted away from questions of the body and technology. However, his recent return to the conventions of these genres in the film Crimes of the Future (2022) requires us to return to these questions. Through the work of Deleuze and Guattari, I analyze the ways in which technology interacts with the body as a factor of technological development, along with the ramifications of technology for the production of subjectivity and organization of sexuality. I use this to demonstrate one possible political function which Cronenberg\u27s films can serve through the CCRU and Steven Shaviro\u27s conceptions of an accelerationist aesthetics. I conclude by demonstrating the relevance of my analysis for Cronenberg\u27s work outside of the science fiction and body horror genres
