3501 research outputs found
Sort by
ALANZ 2018
Get PDF1st December 2018
Waikato Institute of Technology (Wintec) Hamilton
We are pleased to announce that the Call for Papers for the ALANZ SYMPOSIUM 2018 is now open. We invite proposals for paper presentations, interactive sessions and posters.
The landscape of English language teaching is constantly changing and as teachers contemplate new cohorts of learners, they face this question: Is business as usual enough?
In today’s settings there are new technologies to incorporate into learning and teaching, different teaching spaces becoming available, a need to balance fostering learner autonomy with the pastoral care of students, as well as ensuring that our teaching is relevant to the world our students face.
We would like to adopt a collegial approach to this question and so invite abstracts from members and non-members of ALANZ and in particular from new and emerging researchers.
Presentation types:
* Oral Presentations: These will be allocated 20 minutes and 5 minutes for questions (25 minutes total) usually supported with visual aids.
* Interactive sessions: These could be workshops or informal discussions around points of interest in Applied Linguistics (45 minutes) and could be supported by visual aids or activities.
* Posters: Often some research projects can be best presented in a visual manner in the form of a poster.
Abstracts (250 words max.) can be submitted to one of two committee members: * Anthea Fester email: [email protected] or * Celine Kearney email: [email protected]
Deadline for abstract submission: 7th September 2018
Notification of acceptance: 28th September 201
Collaborative approaches breaking tradition in art and design: In conversation with Photographer Mark Purdom and Designer Alan Deare. Published on-line on the Design Assembly website.
No full textDesign strategies and a to-and-fro approach towards collaboration saw Photographer Mark Purdom and Designer Alan Deare produce Mimetic, an award winning entry to this years’ New Zealand Photobook of the year. With an exhibition at Ramp Gallery as their starting point, the duo looked to capture the gallery experience in a publication form. Embracing experimentation throughout the creation process has allowed both photographer and designer to push boundaries and pair conceptual art with a readable narrative
Performance of original New Zealand themed choral work 'Summer Christmas' composed by Wayne Senior
Get PDF'Summer Christmas' was chosen to be performed in Camerata Chamber Choir's November 14, 2018 Christmas program which was subsequently titled 'Summer Christmas’
About the work: (dur. 6:20) with music and lyrics composed by Wayne Senior, speaks in evocative settings of things relevant to New Zealand referencing beach scenes, the warmth of the summer sun, native birds, the mighty Kauri and ‘our very own Christmas tree’ the iconic Pohutukawa, whilst drawing comparisons with winter Christmas in ‘cooler climes’ (e.g. 'no chestnuts roasting on an open fire’ and a new setting of ‘O Magnum Mysterium’) closing with a choral representation of church bells.
My original text is a combination of English, Te reo Māori and Latin, incorporating translations by Honi Rawhiti (George Lusty). The setting of ‘O Magnum Mysterium’ is in Latin with alternating lines in English and Te Reo Māori.
Scored for choir and piano, it is envisioned that an enhanced accompaniment will be added for possible future performances with orchestral resources if and when required.
Also that it will be re-scored in other versions for young students' choir and a less advanced version for community choir
Now: Music from the musicals 1975 - 2018
Get PDFMusical Theatre performance at The Meteor Theatre
Gwen is an opera singer and is joined for an evening of song, by special guests; Courteney Mayall, Alex Pelham-Waerea, Scot Hall, Hannah MacFarlane and Michaela Gilling
Accompanied by the incomparable David Sidwell, Gwen and guests will be singing from musical theatre canon of 1975 through to 2018
Let them take you on a journey through the best pieces Broadway has to offer
Shift exhibition : Work implements for the legal immigrant (2018)
Get PDFExhibition: Shift. This exhibition is one of two that comprise a collaborative project between Blue Roof Museum, Chengdu, China and Wintec researchers, Hamilton, NZ.
Wintec artists and Chengdu artists made up this exhibition and was curated by Ding Fenqi, Blue Roof Museum and Eliza Webster, Wallace Gallery , Morrinsville, NZ. Notions of community, technology and exchange were explored in the exhibition
This sculptural work explores ideas of work, location/relocation and transferable skills
Te Kaahu Atawhai - Developing a framework to support Māori achievement within the Centre for Health and Social Practice at Wintec
Get PDFInequities between Māori and non-Māori are the most consistent and compelling health inequities in Aotearoa. Current evidence supports the notion that increasing Māori workforce in nursing may lead to improved health outcomes for Māori communities, primarily through greater access to care and increased interactions between whānau and practitioners. If we are to achieve greater alignment between workforce and iwi demographics and subsequently improve health outcomes for Māori, more resourcing is needed in Hauora Māori workforce development, and specifically in the advancing of Māori student recruitment and achievement in undergraduate nursing qualifications.
Informed and underpinned by the narratives of Māori nursing students and those working at the front line within Māori communities, Te Kaahu Atawhai draws attention to several separate, yet interwoven areas of significance that shape educational outcomes for Māori undergraduate students studying within the Centre for Health and Social Practice at Wintec
The effect of bundled sticks on sound
Get PDFA short composition for bassoon and FX pedals.
The Effect of Bundled Sticks on Sound
Programme Note:
“if something has an interesting enough sound, you don’t have to play as much on the instrument … the sound takes over… [It’s] part of the composition.” – Marcus Miller
This piece was originally written as a sonic exploration of the bassoon – but to move beyond the repertoire for acoustic solo bassoon, and to extend the sound world of the instrument by including a microphone and FX pedals. The main motif is constructed from two fragments: a rising tone, and a falling 7th then 6th . These fragments are rearranged, reversed, stretched and manipulated throughout the piece. Also, of particular interest to the listener, the influence of funk and blues music should be quite clear throughout the piece. But at its essence this piece is an exploration of sound
There's not enough walrus in it
Get PDFA short composition for solo bassoon.
World Premiere - This new work for solo bassoonist is inspired by a moment of sleep-talk/nighttime delirium with Jeremy’s son Wolfgang.
Performed by Ben Hoadle
Dispersive prism
Get PDFA structured improvisation for bassoon, piano and taonga puoro.
a new improvised work exploring ideas of colour and the interconnections of sound.
Created and performed by Ben Hoadley, Horomona Horo and Jeremy Mayal
déconstruction électronique du son
Get PDFMacpherson and Mayall: déconstruction électronique du son
world premiere - Here the performer/composers present a new
electroacoustic work utilising software and hardware controllers to
manipulate sounds from within the piano.
Created and performed by Jeremy Mayall and Kent Macpherso