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Avaliação das concentrações de fibrinogênio plasmático em equinos da raça Mangalarga Marchador: efeito do exercício, do gênero e da idade.
Muitas variáveis fisiológicas foram estudadas ao longo dos anos visando a investigação dos efeitos do exercício sobre o corpo equino. O exercício é conhecido por causar alterações fisiológicas no corpo e muitas vezes, quando excessivo, pode resultar em lesão. O fibrinogênio é uma proteína de fase aguda produzida pelo fígado cujas concentrações podem aumentar rapidamente em decorrência de processo inflamatório. Este estudo avaliou as concentrações de fibrinogênio em equinos Mangalarga Marchador, investigando a possibilidade de que o exercício inicia uma resposta inflamatória como parte do processo de adaptação que leva ao condicionamento físico. Sangue venoso foi coletado de 17 equinos hígidos antes e após o exercício e o fibrinogênio foi aferido por precipitação pelo calor. Foram realizados questionários respondidos pelos proprietários e eram referentes ao manejo sanitário dos equinos participantes do estudo. Foi observada diferença nos valores médios de fibrinogênio plasmático obtido antes e após o exercício. Quando se comparou animais que trabalhavam 3 dias por semana com o grupo que era exercitado 7 dias por semana observou-se diferença nos valores médios de fibrinogênio plasmático apenas após o exercício. Os resultados deste estudo indicam que o exercício causou uma resposta inflamatória leve, resultando em aumento do fibrinogênio após o exercício. Parece ser possível a utilização do fibrinogénio como biomarcador para a inflamação resultante do treinamento esportivo em equinos saudáveis e monitoramento da resposta fisiológica dos animais a fim de prevenir o treinamento excessivo
He Tangata Kei Tua: Guidelines for Biobanking with Māori
Māori ethical frameworks recognise that all research in New Zealand is of interest to Māori and outline community expectations of appropriate behavior in research to deliver the best outcomes for Māori. Research contributes to the
broader development objectives of society and this endeavor is being supported by biobanking infrastructure. Ethics has a specific role in guiding key behaviours, processes and methodologies used in research.
This document outlines a framework for addressing Māori ethical issues within the context of biobanking. It draws on a foundation of mātauranga (Indigenous knowledge) and tikanga Māori (Māori protocols and practices) and will be useful for researchers, ethics committee members and those who engage in consultation or advice about biobanking with Māori in local, regional, national or international
settings
Art House Tour: Mainstreet Plc and Te Ngae Rd
Various NZ artists were approached by Auckland Grammar School to participate in the 2016 Art House Tour and Art Auction.Artworks were shown to the public in 10 large private houses in Central Auckland City. Around 40 artists participated by contributing works
Urban Parallels
Urban Parallels, is a type of visual conversa on. As brothers, ar sts and researchers living on opposite sides of the world, Xavier and Reo Meade both nd themselves drawn to urban gra and poster art as they travel. Urban Parallels brings together photographic images taken by each of them over 5 con nents, highligh ng their con nued connec on.
One photograph presented, the archive rummaged, one placed in response. This back and forward that occurs creates links and connec ons between the giver and receiver. As a viewer to the resul ng pairs, connec ons are made bouncing between countries and con nents, and referring us back to our own experiences and memories. We are reminded of the poli cal and socially conscious poten al of these images and the need for a public space to be heard
Gender identity, the queer gaze, and female singer-songwriters
Gender Identity, the Queer Gaze and Female Singer-Songwriters
This chapter focuses on the gender identity of female singer-songwriters. The construction and representation of the gender identities of singer-songwriters KT Tunstall (UK), Missy Higgins (Australia) and Bic Runga (New Zealand), artists who destabilise typical binary notions of gender in their media output (specifically their music videos), are analysed in order to argue that female masculinity is a means for singer-songwriters to negotiate a dichotomously gendered mainstream, constructed to appeal the ‘male gaze’. It discusses the role of the singer-songwriter in the folk tradition as a vehicle for destabilising heteronormative gender binaries, where female musicians perform roles both reaffirming femininity (singer), and signifying masculinity through it’s link to authorship (songwriter). This chapter contends that blurring the lines of ‘cultural differentiation of females from males allows for multidimensional readings that appeal to a queer gaze, particularly from the perspective of a female spectator. The effect of this is arguably a wider mainstream appeal, inclusive of heterosexual and queer female spectators, increasing cultural and economic capital and artistic credibility
Overview the the Viticulture and Aquaculture Industries in NZ
A summary of data concerning these two industries in NZ is presented, including historical and statistical overview, issues and challenges and key contacts and players in both viticulture and aquaculture
The expectations and experiences of Korean international students in New Zealand Tertiary education
Korea remains the fourth largest source of international students in New Zealand, yet their numbers have halved since 2007 (Ministry of Education, 2014), raising concerns as to whether the needs and expectations of this group have been consistently met by education providers. To date, there has been little research to explore this issue, particularly in relation to tertiary study. The present study explores the reasons for Korean students coming to study in New Zealand and reports on their particular expectations and needs. The research also explores the extent to which former Korean International students in tertiary institutions have fulfilled their stated expectations.
Findings are reported from face to face interviews, distance interviews and a survey of current and former international students, both male and female, in Hamilton and Auckland and in Korea. Preliminary findings indicate a general satisfaction with the quality of education and life experiences in New Zealand although some cultural adjustments presented difficulties. However, in terms of fulfilling their career goals, many reported that achieving a NZ qualification did not meet their expectations of employability. This was true for finding a job both in NZ and in Korea, with many reporting that NZ institutions had a low profile among Korean employers.
The findings highlight the distinctiveness of Korean students and their particular expectations for their study and life in New Zealand. Recommendations are given for ways in which NZ tertiary providers could improve the experience and outcomes for students from this important international market. Awareness of these may help tertiary institutions in New Zealand attract and support Korean students more successfully
Art NZ 158, 2016: Exhibition review - Pauline Rhodes; Maddie Leach; Ash Kilmartin
Edward Hanfling, review of exhibitions Pauline Rhodes, "Dark Watch"; Maddie Leach, "From where she was standing"; Ash Kilmartin, "Light Sleeper", St Paul St Gallery, 19 February - 24 March 2016