CSUDH Gerth Archives & Special Collections
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Takeda, Mr. T.
No full textFamily portrait in front of home. Negative scan.In 1922, Kinso Ninomiya opened the Ninomiya Studio in Little Tokyo, Los Angeles. Due to Executive Order 9066 in 1942, the studio was forced to close but was reopened by Kinso and his son, Elwin Ichiro, in 1949. The studio operated in Little Tokyo until its final closing in 1986. The Ninomiya Studio Collection captures slices of Japanese American life in Los Angeles from the 1950s through the 1980s. The collection contains formal portraiture and candid photography in black and white and color as well as commercial photography for local businesses and reproductions of older photographs. The negatives come in a variety of sizes, including 8 x 10 inch negatives and panoramic negatives on Cirkut film. Each negative scanned has been selected out of multiple negatives and prints from a set. The title of the negative scan reflects the purchaser’s name
Kitagawa, Masayuki
No full textFamily portrait. Negative scan.In 1922, Kinso Ninomiya opened the Ninomiya Studio in Little Tokyo, Los Angeles. Due to Executive Order 9066 in 1942, the studio was forced to close but was reopened by Kinso and his son, Elwin Ichiro, in 1949. The studio operated in Little Tokyo until its final closing in 1986. The Ninomiya Studio Collection captures slices of Japanese American life in Los Angeles from the 1950s through the 1980s. The collection contains formal portraiture and candid photography in black and white and color as well as commercial photography for local businesses and reproductions of older photographs. The negatives come in a variety of sizes, including 8 x 10 inch negatives and panoramic negatives on Cirkut film. Each negative scanned has been selected out of multiple negatives and prints from a set. The title of the negative scan reflects the purchaser’s name
Koshimizo, Yasuo
No full textFamily portrait. Negative scan.In 1922, Kinso Ninomiya opened the Ninomiya Studio in Little Tokyo, Los Angeles. Due to Executive Order 9066 in 1942, the studio was forced to close but was reopened by Kinso and his son, Elwin Ichiro, in 1949. The studio operated in Little Tokyo until its final closing in 1986. The Ninomiya Studio Collection captures slices of Japanese American life in Los Angeles from the 1950s through the 1980s. The collection contains formal portraiture and candid photography in black and white and color as well as commercial photography for local businesses and reproductions of older photographs. The negatives come in a variety of sizes, including 8 x 10 inch negatives and panoramic negatives on Cirkut film. Each negative scanned has been selected out of multiple negatives and prints from a set. The title of the negative scan reflects the purchaser’s name
Pride and a Paycheck, Vol. 26, No. 2
No full textVol. 26, No. 2 issue of Pride and a Paycheck. This issue contains the articles "Her Poetry Writes Tradeswomen's Feelings" by Christina Shah, "Empower" by Anthy Hadjimakos, "Sometimes You Just Have to Say Something" by Molly Martin, and "The Mason" by Stella Cheng. This issue also contains poems by Christina Shah Pat Williams, and Sue Doro, as well as writing and poems from the Blue Jean Pocket Writers Workshop by Donna Becerra, Anthy Hadjimarkos, Nicole Zwiren Galeano, Maggie Cooper Harris, Taylor Koorkas, Emily Morales, and Victoria Hernandez.
Pride and a Paycheck is a free publication for tradeswomen and women who are thinking about entering blue collar trades. Started by Madeline Mixer in 1999, Pride and a Paycheck was initially funded through the San Francisco Foundation from funds created to support tradeswomen projects. Pride and a Paycheck includes photographs, stories, and poetry by tradeswomen themselves as well as tips from advocates who have been working to recruit women into careers. Pride and a Paycheck is edited by Sue Doro, retired Machinist, and author of “Blue Collar Goodbyes” , “Sugar String”, "Heart Home and Hard Hats", "Of Birds and Factories", and other books
Pride and a Paycheck, Vol. 26, No. 1
No full textVol. 26, No. 1 issue of Pride and a Paycheck. This issue contains the articles "Daughter/Dad...Iron Workers Together!" by Tiffany Younk and Rob Younk, "Pride and a Paycheck is Now Archived in the Wisconsin Historical Society" by Francis Steele, "Fuck Me" by Lorrie Potvin, and "Nearly 400 Women Took Part in the Annual Women Building and Protecting California Conference...". This issue also contains poems by Sue Doro, as well as poems and writing from the Blue Jean Pocket Writers Workshop by Deborah Star Reed and Deanna Johnson.
Pride and a Paycheck is a free publication for tradeswomen and women who are thinking about entering blue collar trades. Started by Madeline Mixer in 1999, Pride and a Paycheck was initially funded through the San Francisco Foundation from funds created to support tradeswomen projects. Pride and a Paycheck includes photographs, stories, and poetry by tradeswomen themselves as well as tips from advocates who have been working to recruit women into careers. Pride and a Paycheck is edited by Sue Doro, retired Machinist, and author of “Blue Collar Goodbyes” , “Sugar String”, "Heart Home and Hard Hats", "Of Birds and Factories", and other books
Pride and a Paycheck, Vol. 25, No. 2. 25th Anniversary Issue
No full textVol. 25, No. 2 issue of Pride and a Paycheck. This issue contains the articles "Meet Cary Shaw," "Two Big Things" by Sue Doro, "We Don't Have to Be Friends" by Kristina McMillan, "Book Review: Sisters of the Iron Road" by Shirley Burman, and "Developing and Nurturing Allies" by Ellen Voie. This issue also contains poems from the Blue Jean Pocket Writers Workshop by Sue Doro, Kate Braid, Raequel Papillon Smith, and Joanna Perry-Kujala.
Pride and a Paycheck is a free publication for tradeswomen and women who are thinking about entering blue collar trades. Started by Madeline Mixer in 1999, Pride and a Paycheck was initially funded through the San Francisco Foundation from funds created to support tradeswomen projects. Pride and a Paycheck includes photographs, stories, and poetry by tradeswomen themselves as well as tips from advocates who have been working to recruit women into careers. Pride and a Paycheck is edited by Sue Doro, retired Machinist, and author of “Blue Collar Goodbyes” , “Sugar String”, "Heart Home and Hard Hats", "Of Birds and Factories", and other books
Pride and a Paycheck, Vol. 25, No. 4. 25th Anniversary Issue
No full textVol. 25, No. 4 issue of Pride and a Paycheck. This issue contains the articles "Supporting Women Around the World" by Ellen Voie, "I Was a Pain in the Ass Apprentice" by Kahla Lichti, "Discrimination and African American Women at Charlestown Navy Yard November 1944," "Remember Madeline," and "Our Daily Work/Our Daily Lives" by John Beck. This issue also contains writing and poems from the Blue Jean Pocket Writers Workshop by Selena Young-Padilla, Diana Jimenez, and Patricia Douglas-Joseph.
Pride and a Paycheck is a free publication for tradeswomen and women who are thinking about entering blue collar trades. Started by Madeline Mixer in 1999, Pride and a Paycheck was initially funded through the San Francisco Foundation from funds created to support tradeswomen projects. Pride and a Paycheck includes photographs, stories, and poetry by tradeswomen themselves as well as tips from advocates who have been working to recruit women into careers. Pride and a Paycheck is edited by Sue Doro, retired Machinist, and author of “Blue Collar Goodbyes” , “Sugar String”, "Heart Home and Hard Hats", "Of Birds and Factories", and other books
Postcard from Rose to M. P. Pillard, March 28, 1933
No full textBlack-and-white postcard from Rose, to M. P. Pilblad, of the Stockwell Building following the 1933 earthquake. Two men are pictured standing in front of collapsed building.Back of postcard reads: This is Stockwell Building in Compton where Otis helped pull them out. Stuff cleared out of the streets or you see. Are you seeing any of it in the movies? Rose.The Compton Earthquake Postcards contains 27 postcards featuring black-and-white images taken in Compton, California in 1933. Most of the images were taken in the aftermath of an earthquake that hit Long Beach, California that year. Images featured include the Young Hotel, Stockwell Building, First National Bank, Aranbe Hotel, a drugstore, the view from Main Street; and other buildings and homes
Pride and a Paycheck, Vol. 25, No. 1. 25th Anniversary Issue
No full textVol. 25, No. 1 issue of Pride and a Paycheck. This is the 25h anniversary issue and contains the articles "From the Military to the Skilled Trades: One Woman's Journey," "Queen Bee Syndrome" by Ellen Voie, "Historic Notes from a Sister Rail" by Kathy Lowry Starustka, "How Do I Find the Best Training Program?", "Guts and Principles" by Sue Doro, "Pat Williams Honors Madeline Mixer at the Women Build Conference in LA/Orange County," "Alone in a Crowd" by Jan Couvillon, and "Thick Skin" by Hilary Peach. This issue also contains poems and writings from the Blue Jean Pocket Writers Workshop by Katy Haugland and Melody Church.
Pride and a Paycheck is a free publication for tradeswomen and women who are thinking about entering blue collar trades. Started by Madeline Mixer in 1999, Pride and a Paycheck was initially funded through the San Francisco Foundation from funds created to support tradeswomen projects. Pride and a Paycheck includes photographs, stories, and poetry by tradeswomen themselves as well as tips from advocates who have been working to recruit women into careers. Pride and a Paycheck is edited by Sue Doro, retired Machinist, and author of “Blue Collar Goodbyes” , “Sugar String”, "Heart Home and Hard Hats", "Of Birds and Factories", and other books
Pride and a Paycheck, Vol. 25, No. 3. 25th Anniversary Issue
No full textVol. 25, No. 3 issue of Pride and a Paycheck. This issue contains the articles "Judith Verdin's Story...Her Work Piece" by Judith Verdin, "Civicorps...Oakland CA" by Rachel Eisner, "The Good Old Days" by Ellen Voie, "My Life as a Dirty Old Man" by Molly Martin, "Women in Construction" by Nick Chapital, and "Surviving Night Shift Work. It Can Be Done!" by Sue Doro. This issue also contains poems and writing from the Blue Jean Pocket Writers Workshop by Pam Satterthwaite, Sarah Jones, and Junuen (Juju) Ruiz.
Pride and a Paycheck is a free publication for tradeswomen and women who are thinking about entering blue collar trades. Started by Madeline Mixer in 1999, Pride and a Paycheck was initially funded through the San Francisco Foundation from funds created to support tradeswomen projects. Pride and a Paycheck includes photographs, stories, and poetry by tradeswomen themselves as well as tips from advocates who have been working to recruit women into careers. Pride and a Paycheck is edited by Sue Doro, retired Machinist, and author of “Blue Collar Goodbyes” , “Sugar String”, "Heart Home and Hard Hats", "Of Birds and Factories", and other books