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    Torus knot (3,5) Olivewood. Figure 1

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    A 3,5 torus knot carved from Olivewood. completed four new wooden torus knot sculptures, two from Purpleheart wood and two from Olivewood. One of the Purpleheart pieces came from a 2 x6 x6 block, and all the others were from 2 x4 x4 blocks. I made two (3,5) torus knots, one from the larger Purpleheart block and one from an Olivewood block. The other two smaller blocks were made into torus links, that is, two (2,1) torus knots linked, which happens when you make a (4,2) torus ``knot .https://orb.binghamton.edu/mathematical_sculptures/1623/thumbnail.jp

    Torus knot (3,5) Purpleheart wood. Figure 2

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    A 3,5 torus knot carved from Purpleheart wood. completed four new wooden torus knot sculptures, two from Purpleheart wood and two from Olivewood. One of the Purpleheart pieces came from a 2 x6 x6 block, and all the others were from 2 x4 x4 blocks. I made two (3,5) torus knots, one from the larger Purpleheart block and one from an Olivewood block. The other two smaller blocks were made into torus links, that is, two (2,1) torus knots linked, which happens when you make a (4,2) torus ``knot .https://orb.binghamton.edu/mathematical_sculptures/1627/thumbnail.jp

    Abstract sculpture, Australian Red Coolibah Burl, Figure 4

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    An abstract sculpture carved from a small piece of Australian Red Coolibah Burl. It is about 4.25 x2.75 x1.5 in size.https://orb.binghamton.edu/mathematical_sculptures/1635/thumbnail.jp

    Sustainability Hub Newsletter - October 2022

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    Happy Fall Binghamton University! This month’s issue covers the recent Global Climate Strike in Binghamton, highlights books in our Sustainability Collection written by Indigenous authors, and shares tips for a sustainable Halloween! Also check out a fall recipe, announcements, seed saving tips, and a seed spotlight

    The Strong Female Character and The Fighting Fuck Toy: A Comparative Analysis of Katniss and Glimmer in The Hunger Games

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    Katniss Everdeen has been praised by scholars for empowering of young girls, for instance, in Girl Warriors: Feminist Revisions of the Hero’s Quest in Contemporary Popular Culture (2019), Svenja Hohenstein applauds Katniss for “challeng[ing] the conventions found in traditional quest stories” (78). However, Katniss is not only characterized by and praised for her traditionally masculine traits, but she is also surrounded by numerous female characters who exhibit traditional femininity in order to emphasize the contrast between Katniss and the women in the book. One of the most salient contrasts is Glimmer, a career tribute from District 1 who, according to the rules of the novel, should be one of the most dangerous competitors in the arena. However, Glimmer is is repeatedly portrayed as incredibly incompetent, as well as hyperfeminine and hypersexualized. The novel elevates Katniss for her masculine qualities, while at the same time diminishing other characters such as Glimmer by portraying her as weaker or inferior to Katniss because they embody more traditionally feminine qualities. Thus, although the novel succeeds at presenting an independent and capable young woman in the form of Katniss, it does so by maintaining the idea that traditionally masculine characteristics like stoicism, violence, toughness, and rugged individualism are superior to traditionally feminine characteristics, such as empathy, compassion, emotional intelligence, and community-mindedness

    Hyperspectral Imaging PFM-1 Landmine

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    Up, Up, and Away

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    pages 96-10

    in defense of all my bitches

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    Katrina Agbayani is a former editor with Acta Victoriana and La Mosaic. Her work has been published, or is forthcoming, in SAND, Capsule Stories, Kitchen Table Quarterly, the UC Review, and elsewhere

    I Sold My Birth Control Placebos as Ecstasy

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    Maria Hiers (she/her) is a poet from Tampa, Florida. She is currently pursuing her MFA in Poetry at the University of Houston

    the plumbing is in disrepair

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    A retired carpenter, Ted writes, paints, plays tennis with Amy Lee. Twice nominated for Best of the Net, and twice for the Pushcart Prize, his work appears in Beloit Poetry Review, PANK, Spillway, DIAGRAM, North American Review

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