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Estavayer-le-Lac, Paroisse catholique Saint-Laurent, Volume III : Antiphonarium lausannense, pars aestiva, de Tempore (vol. III)
This is the third and last volume of an antiphonary in three volumes that was produced in duplicate for the liturgy of the Collegiate Church of St. Vincent (founded in 1484/85) in the city of Bern. It contains the summer portion of the De Tempore according to the liturgy of the Diocese of Lausanne. Its duplicate is contained in volume IV. The book decoration consists of five illuminated initials, fleuronée initials and cadels, by the same artist who also decorated volume I. After the introduction of the Reformation to Bern in the year 1528 and the subsequent secularization of the chapter, the entire group of six antiphonaries was sold in 1530. Four were sold to the city of Estavayer-le-Lac and were used there for the liturgy of the Collegiate Church of St. Lorenz; the other two reached Vevey under circumstances that remain unexplained; they are currently held in the historical museum there.Online Since: 2014-12-1
Estavayer-le-Lac, Paroisse catholique Saint-Laurent, Volume IV : Antiphonarium lausannense, pars aestiva, de Tempore (vol. IV)
This volume is part of an antiphonary in three volumes that was produced in duplicate for the liturgy of the Collegiate Church of St. Vincent (founded in 1484/85) in the city of Bern. It contains the summer portion of the De Tempore according to the liturgy of the Diocese of Lausanne. Its duplicate is contained in volume III.
The book decoration is by an anonymous artist; it consists of cadels, fleuronée initials and an illuminated initial with a border on f. 1r. After the introduction of the Reformation to Bern in the year 1528 and the subsequent secularization of the chapter, the entire group of six antiphonaries was sold in 1530. Four were sold to the city of Estavayer-le-Lac and were used there for the liturgy of the Collegiate Church of St. Lorenz; the other two reached Vevey under circumstances that remain unexplained; they are currently held in the historical museum there.Online Since: 2014-12-1
Vevey, Musée historique de Vevey, Inv. Nr. 1347 : Antiphonarium lausannense, pars aestiva, de Sanctis (vol. II)
This volume is part of an antiphonary in three volumes that was produced in duplicate for the liturgy of Bern\u27s Collegiate Church of St. Vincent, founded in 1484/85. It contains the Proprium de sanctis and the Commune Sanctorum of the summer portion (March 25 to November 25) according to the liturgy of the Diocese of Lausanne. This volume is the duplicate of volume II, today held in the Catholic parish Saint-Laurent in Estavayer-le-Lac.
The three miniatures (p. 207, p. 271 and p. 397) that still adorn this volume are attributed to an itinerant artist who was active in Switzerland — in Fribourg, Bern, and Sion —, and afterwards in Piedmont and in the Aosta Valley. He is known by the names Master of the Breviary of Jost von Silenen and Miniaturist of Georges de Challant. After the introduction of the Reformation in the year 1528 and the subsequent secularization of the chapter, the entire group of antiphonaries was sold: four were sold to the city of Estavayer-le-Lac and were used there for the liturgy of the Collegiate Church of St. Lorenz; the other two — including this manuscript — reached Vevey under circumstances that remain unexplained. They are currently held in the historical museum there.Online Since: 2016-12-2
Basel, Universitätsbibliothek, B XI 27 : Prayer book for Countess Anna von Montfort-Wasserburg-Rothenfels
This richly illustrated parchment manuscript, a German-language private prayer book, was produced in 1489 in the Lake Constance area. The patron, identified as “H.M.” (78v) is most likely Hugo XV. zu Rothenfels und Wasserburg (ca. 1460-1519), his wife, Countess Anna von Montfort-Wasserburg-Rothenfels (ca. 1470-1531) is the addressee and owner, and she also gives the manuscript its current name. In 1977, the manuscript came to the University Library from the estate of the Basel collector August Meyer (1903-1977). In 2024, the manuscript was extensively restored and rebound.Online Since: 2025-08-2
Utopia, armarium codicum bibliophilorum, Cod. 111 : Book of Hours of King Charles VIII
This book of hours was a present from the Parisian publisher Anthoine Vérard to the French King Charles VIII (1470-1498). The monarch was one of the most important figures for the French book trade from 1480 on. His collecting is inextricably linked with the luxurious printed materials of the bookseller and publisher Anthoine Vérard. Especially remarkable are the borders: the margins of all pages are decorated with a pictorial narrative of eight consecutive images showing events from the Old and New Testament. Also noteworthy is the didactic value of this book of hours, since each pair of images has a commentary of several explanatory verses in Middle French. Stylistically this book is closely related to Cod. 110, which was probably also created for the king and was by the same artist.Online Since: 2016-10-1
Basel, Universitätsbibliothek, A X 14 : Hieronymus Raynerii, Lectura super sententiarum libros 1-4
15th century paper manuscript: During his university studies in theology, the Dominican Wernher von Selden near Aarau — and subsequently the prior of the Basel monastery — in 1487/88 transcribed the lectures of two Dominicans on Peter Lombard, including the Lectura super sententiarum libros by Hieronymus Raynerii.Online Since: 2016-12-2
Fribourg/Freiburg, Couvent des Cordeliers/Franziskanerkloster, Ms. 6 : Antiphonarium
Antiphonary from the Franciscan Monastery of Fribourg, dated 1488 according to the colophon f. 214v. Drolleries are drawn in the margins and by the initials. The manuscript contains a miniature (f. 14v, birth of Christ) and beautiful initials (flowers, fruit, zucchini), attributed to the Master of the breviary of Jost von Silenen.Online Since: 2014-04-0
Basel, Universitätsbibliothek, A X 72 : Petrus Siber, Lectura super Petri Lombardi libros 1 et 2 sententiarum
Lecture by Peter Siber about the first two Books of Sentences by Peter Lombard, whose systematic presentation of the whole of theology by means of carefully chosen quotations from Church Fathers and Doctors of the Church has often been commentated. The volume was copied in 1488 by the Dominican Wernher von Selden from Basel during his studies in Cologne.Online Since: 2017-09-2
Zürich, Schweizerisches Nationalmuseum, LM 2799 : Processional of Münsterlingen (TG)
This Rituale originated in the Monastery of Münsterlingen (Canton of Thurgovia); it contains a collection of sermons and chants sung by the nuns for processions in the monastery, followed by a long requiem (54v-72v). The latter is introduced by a miniature depicting St. Michael weighing the souls of the dead. The rubrics are written partly in German and partly in Latin. The style of the three initials in the text is associated with the area of Lake Constance. During a restoration around 1973, two sheets of parchment, which originally were glued to the inside cover of the binding, were removed; they come from an lectionary in pre-caroline minuscule, that can be dated to the beginning of the 9th century (Mohlberg: 11th. century).Online Since: 2014-04-0
St. Gallen, Stiftsbibliothek, Cod. Sang. 1869 : Sermons and spiritual instructions for the sisters of the Dominican cloister St. Katharinen in St. Gall
Composite manuscript with sermons and spiritual instructions, written around 1487 in the Dominican cloister St. Katharinen in St. Gall by the prioress Angela Varnbüler. Among others, the volume contains a detailed sermon about Saint Clare of Assisi, into which is incorporated her vita; an open letter from a father to his spiritual children, attributed to a Franciscan monk; a sermon about suffering, death and the sacraments (an interpretation of John 16,21); and a meditation Von der Maß des gaistlichen Crutz, falsely attributed to Anselm of Canterbury.Online Since: 2013-10-0