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Zürich, Braginsky Collection, S102 : Megillah Esther (מגילת אסתר) / Esther scroll
No full textThis work is dated to the 3rd Adar of the year 5324 (15 February 1564) in Venice and is thus the earliest dated example of a fully decorated Esther scroll. It was made by Stellina and therefore contains the only early modern megillah that we know to have been created by a woman. The scroll begins with blessings. These are followed by the text, which is placed between arcades. The columns of text are flanked by caryatids carrying antique vases, urn vessels or oil lamps on their heads. In the seventh, thirteenth and nineteenth arcade, the caryatids are replaced by a satyr and a woman with animal paws. All illustrations include gold highlights. The style and motifs correspond to the visual language of contemporary mannerism.Online Since: 2020-12-1
St. Gallen, Stiftsbibliothek, Cod. Sang. 443 : Ritual; preface to Manfred Barbarini Lupus’ compositions for several voices in Cod. Sang. 542 and 543
No full textThis manuscript consists of two-parts bound together; the first part (pp. 3-26) contains a 15th century ritual with instructions for visits to the sick, for spiritual care for the dying, and for burial (this is cut off in the prayer at the coffin on p. 26). The second part (pp. 27-86) consists of two discourses in defense of polyphonic music, composed by St. Gall monk Mauritius Enck († 1575) at the behest of Abbot Diethelm Blarer (1530-1564). These discourses are meant as prefaces to Manfred Barbarini Lupus’ compositions for several voices in Cod. Sang. 542 and 543. Enck defends polyphonic music against widespread criticism, for example for its presumed lascivia (wantonness), and postulates an ideal for church music consisting of a combination with a chorale as the foundation and figural music as embellishment. Thus he describes precisely the compositions of Barbarini Lupus. At the end of the first discourse (pp. 47-48), Enck names the artists who contributed to Cod. Sang. 542 and 543 as well as the time period of their work on the manuscripts (from 1561 to 1563).Online Since: 2014-09-2
Mairengo, Archivio parrocchiale, s. n. : "Martirologio-calendario" (obituary) of the Parish of S. Siro of Mairengo
No full textObituary of the Parish of S. Siro of Mairengo (Ticino), written by the priest Ambrogio Rossi of Chironico, who copied an older obituary that was probably damaged or had no more space. The Ambrosian type calendar lists the stipends for annual masses or for anniversaries, the solemnities, the indulgences and notes regarding the pledges to the parish and to the entire valley. On December 28, the Feast of the Holy Innocents, the commemoration of the Battle of Giornico (Battaglia dei Sassi Grossi, 1479) is recorded.Online Since: 2016-06-2
St. Gallen, Stiftsbibliothek, Cod. Sang. 543 : Manfred Barbarini Lupus, Chants in four parts for the Liturgy of the Hours for the principal feast days of the liturgical year
No full textLarge-format antiphonary with chants in four parts, written and illuminated between 1562 and 1564. By order of Prince-Abbot Diethelm Blarer (1530-1564), the Italian Manfred Barbarini Lupus from Correggio composed the pieces for four voices - antiphons, responsories, hymns and psalms for the principal feast days of the liturgical year as well as passions according to Matthew, Mark and Luke. Father Heinrich Keller (1518-1567) wrote the text and the illuminator Kaspar Härtli from Lindau on Lake Constance created a full-page All Saints picture with Christ on the cross (f. IVr), as well as a donor portrait with the coats of arms of the then-living members of the St. Gall monastic community (f. 1r).Online Since: 2014-06-2
St. Gallen, Stiftsbibliothek, Cod. Sang. 542 : Manfred Barbarini Lupus, Four-part vocal pieces for holy days of the church year
No full textAn opulently illustrated large-format gradual containing four-part vocal pieces, from the Cloister of St. Gall, written and illuminated in the year 1562. By order of Prince-Bishop Diethelm Blarer, the Italian Manfred Barbarini Lupus from Correggio composed these challenging vocal pieces, Father Heinrich Keller (1518-1567) wrote the text, and the manuscript illustrator Kaspar Härtli from Lindau on the Bodensee illuminated the first pages with the important holy days of the church year. The volume has richly ornamented borders and numerous miniatures, among them five of full-page size, and contains the heraldic shields of St. Gall monks living at that time; the ornamented pages include many depictions of musical instruments of the period (some of which are no longer known).Online Since: 2008-12-0
Utopia, armarium codicum bibliophilorum, Cod. 7 : Cudesch da Estems (Register of appraisals and taxes) 1562-1669
No full textRegister of the assets of the inhabitants of the communities Bergün, Filisur, Latsch and Stuls, compiled by the public notary and chancellor at the time, later Landammann (magistrate) and pastor Tumesch Zeuth; it was updated about every ten years, first in German and, towards the end, also in Romansh. Its significance is not well documented; perhaps originally it served as a basis for financing the communities’ buying their freedom from the Bishop of Chur in 1537, later perhaps it served as a key for distributing the communities’ income from, among other things, the Valtellina districts, from pensions, from tariffs on goods and tolls on roads, etc. Currently this is the oldest known manuscript from Bergün; it is the property of Werner Dübendorfer of Eglisau. The book containing its continuation, probably up to 1799, has been lost.Online Since: 2017-12-1
Chur, Staatsarchiv Graubünden, A 295 : [Las dysch æteds]
No full textThis manuscript contains the translation into Puter (the dialect of the Upper Engadine) of the drama “Die zehn Alter dieser Welt.“ As of now, it is the oldest known manuscript of a Romansh drama. At the end, it contains a translation of song number 85 by Durich Chiampel[l]; although the original was not published until 1562, the song is written here after the date at the end of the piece (43r-46r). At the end of the manuscript, barely legible, there is a Decalogue (46v). The scribe signed as bartolomeus ulderici zauarit (42v).Online Since: 2018-03-2
Appenzell, Landesarchiv Appenzell Innerrhoden, LAAI, C.II.13 : Book of accounts 1560-1571
No full textOn 974 paper pages, this volume contains the income and expenditures of the territory of Appenzell from April 1560 to April 1571. These accounts are among the most important sources for researching the history of the yet undivided region.Online Since: 2023-04-2
Zürich, Schweizerisches Nationalmuseum, LM 22737 : Portraits of the Habsburg family and of knights killed in the Battle of Sempach (1386)
No full textThe first part (1-XX) of this illuminated manuscript on paper contains images of members of the House of Habsburg, kneeling in pious posture, represented with their respective coats of arms. These images reproduce those of the stained glass windows (1325-1340), now partially lost, of the church of Königsfelden Monastery (AG), donated in honor of Albert I of Habsburg (murdered in 1308) by his widow Elizabeth. The prototype of this dynastic cycle of pictures is the Ehrenspiegel des Hauses Österreich, which was commissioned between 1555 and 1559 by Johann Jakob Fugger in Augsburg. Several other copies thereof exist in Vienna (ÖNB, Cod. 8614), Munich (BSB, Cgm 895 and Cod. icon. 330) and Lucerne (ZHB Ms. 124 fol.). The second part (XXI-203) contains portraits of knights in armor with their respective coats of arms, who, along with Leopold III, died in the Battle of Sempach (1386).Online Since: 2014-04-0
Solothurn, Zentralbibliothek, Cod. S 398 : Composite manuscript
No full textThis composite manuscript was compiled around 1560 in Obwalden; a Hans Werb is named as writer. In addition to medieval mystical texts (Rulman Merswin, Neunfelsenbuch; Henry Suso, Büchlein der ewigen Weisheit), it contains other spiritual texts such as prayers, meditations, prophecies, legends (among others about Nicholas of Flüe) and copies of contemporary pamphlets.Online Since: 2016-03-1