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Zürich, Braginsky Collection, B242 : Juspa (Jousep), <i>Sefer Likkutei Yosef</i> ("Joseph’s Compilation")
No full textJoseph (Juspa), shammes of Worms (1604-1678), recorded the everyday life, the rites and the customs of the Jewish community in Worms, one of the oldest and most important in all of Europe. This autograph manuscript contains commentaries on the prayer book, on the Birkat Hamason ("Grace after Meals"), on the Haggadah and on the Pirkei Avot ("Sayings of the Fathers") as well as prayer-related customs and autobiographical remarks. The comments on Minhagim ("customs") were incorporated into the printed edition of the Wormser Minhagbuch, but large parts of this manuscript remain unpublished and serve as an important source for the religious history of one of the most significant Jewish communities in Europe. This manuscript belonged to, among others, Rabbi Michael Scheyer; later it was part of the private library of Salman Schocken in Jerusalem.Online Since: 2015-03-1
Cologny, Fondation Martin Bodmer, Cod. Bodmer 601/2 : Tale of Ise, second book (Ise Monogatari, ge)
No full textThe Tale of Ise is one of the earliest and most well-known example of uta monogatari, a subgenre of the monogatari, which focuses on waka poetry with the narrative evolving around the poetry. Its authorship, as well as the exact date of composition remain unclear, but it is today dated to the early Heian period. It is also known by the title "Zaigo chūjō nikki", or "Diaries of the Prince Ariwara no Narihira". The main character in the Tale of Ise is understood as being the historical prince and poet Ariwara no Narihira (9th century), whose waka feature in the tale. Yet due to the existence of narratives that clearly date to later periods, Narihira himself cannot be regarded as the author. The tale is generally concerned with human affection of many kinds, from amorous affairs to parental affection. Whilst many chapters do have a strong aristocratic notion, it is not limited to the world of nobility, but also includes the commoner’s fate, such as Chapter 23 Tsutsuizutsu. The characters often remain unnamed and are only referred to as ‘the girl’, or ‘the man’. Thus, the tale is interpretable as an effort to generally address the topic of human relationship and affection. This example bound in silk is adorned with illustrations executed in ink, polychromy and gold.Online Since: 2016-06-2
Basel, Universitätsbibliothek, AN II 11 : Album studiosorum peregrinorum philosophiae, 1599-1837
No full textList of foreign students registered between 1599 and 1837 at the theological faculty in Basel for basic (undergraduate) studies in artes liberales as a preliminary stage for graduate study in theology, law or medicine. The list ist divided by deans; from 1665-1800 it also gives the names of the “Corregens” of the Alumneum, the residence hall of scholarship holders. In addition, the volume contains regulations concerning admission to the faculty and the text of the oath upon matriculation.Online Since: 2016-12-2
St. Gallen, Stiftsbibliothek, Cod. Sang. 1398a.1 : 1st folder of the fragment collection Cod. Sang. 1398a: Fragments of biblical texts
No full textCod. Sang. 1398a is one of eight fragment volumes (that is, volumes that contain exclusively fragments) of the Abbey Library of St. Gall. Between 1774 and 1785, the St. Gall monks Johann Nepomuk Hauntinger (1756–1823) and Ildefons von Arx (1755–1833) detached numerous fragments from bindings in which they had served for centuries as pastedowns, flyleaves, spine linings, and endleaf guards. At an advanced age, Ildefons von Arx had the fragments bound in eight thematically-organized bindings and dedicated these in 1822 to his friend Johann Nepomuk Hauntinger. Chiefly in the twentieth century, researchers found additional, small fragments in bindings, from which they were then removed and added to the existing fragment volumes or into the collection of fragments. Before 1875, 121 folios were removed from Cod. Sang. 1398 and bound in a separate volume, Cod. Sang. 1398b. The old volume with the remaining folios received the shelfmark Cod. Sang. 1398a. From 2003 to 2004 the extensive fragment volume Cod. Sang. 1398a was disbound for conservation reasons. The fragments were rebound (in the same sequence) in 14 folders (“Ganzpapierbroschuren”). The new, now authoritative pagination begins with 1 in each folder and includes only the fragments (and not the empty paper leaves). To be cited (for example): St. Gallen, Stiftsbibliothek, Cod. Sang. 1398a.1, pp. 1-2 (= Cod. Sang. 1398a, Folder 1, pages 1-2). The first folder of Cod. Sang. 1398a contains nine fragments from biblical texts and one document (p. 25-26). The fragments date from the eighth to the fifteenth/sixteenth century.Online Since: 2023-09-0
Basel, Universitätsbibliothek, AN II 18 : Catalogus alumnorum inferioris Collegii, 1599-1623, 1733-1789
No full textIn addition to the new statutes of 1594 and various decrees, this volume lists the students from Basel as well as the foreign students of the lower college from 1599-1623 and from 1733-1789. During restoration, the original simple limp binding made of parchment manuscript waste was reused as endpapers.Online Since: 2016-12-2
Einsiedeln, Stiftsbibliothek, Codex 319(645) : Composite manuscript
No full textThis composite manuscript is datable to the second half of the 10th century. It contains, among other items, the Annales Einsidlenses, Priscian’s De grammatica, a fragment of a text on the game of chess, and a calendar with obituary entries up to the 16th century.Online Since: 2011-12-1
St. Gallen, Stiftsbibliothek, Cod. Sang. 1727 : Alchemy Compendium: Aureum Vellus oder Guldin Schatz und Kunstkammer, Books I–III
No full textVerbatim copy of Books I-III of the Alchemy Compendium Aureum Vellus oder Guldin Schatz und Kunstkammer printed in 1598/99 by Georg Straub in Rorschach. The woodcuts in the third part (Splendor Solis, pp. 219–270) are executed as colored watercolors and, except for a small number of differences, are copied exactly from the print version. A pen and wash drawing on p. 116 depicts Paracelsus.Online Since: 2018-12-1
St. Gallen, Stiftsarchiv (Abtei Pfäfers), Cod. Fab. XXVIII : Family register of Jakob Hygel
No full textThe family register of the Feldkirch student Jakob Hygel, which was established in Dillingen in 1598, was later continued at Lake Constance and in Grisons. The entries contain colored coats of arms with inscriptions in poetry and prose, some of them full-page miniatures. Between 1622 and 1645 entries were made for the Ragaz parish priest Petrus Higelius, a relative (brother?) of Jakob Hygel. Locally this family register is considered a first-rate cultural-historical showpiece (“erstrangiges kulturgeschichtliches Schaustück”) (Burmeister).Online Since: 2020-12-1
Cologny, Fondation Martin Bodmer, Cod. Bodmer 600/2 : The Life of Buddha, second book (Shaka no Honji, ge)
No full textThe book belongs to the category of nara ehon, a type of polychrome, illustrated narratives published from the Muromachi period though to the first half of the Edo period. The term nara ehon has been widely applied to all illustrated books from these periods since the Meiji era, but its origin is unclear. The format of nara ehon differs, depending on the period. Early examples from the Momoyama to the very early Edo period are tall, measuring about 30 cm in height, a vertical format similar to a European quarto. The examples produced from the Kanei era onwards, within the first half of the Edo period were more of a horizontal proportion. They were also generally based on the genre of otogizōshi, short stories that emerged from the Kamakura period onwards, a majority of them focusing on the Muromachi period. During the latter half of the 17th century, the topic shifted to stories about the aristocracy or the wealthy merchant class, before the popularity nara ehon began to decline. This example can possibly dated to the Keichō era (1596-1615).Online Since: 2016-06-2
Cologny, Fondation Martin Bodmer, Cod. Bodmer 600/1 : The Life of Buddha, first book (Shaka no Honji, jō)
No full textThe book belongs to the category of nara ehon, a type of polychrome, illustrated narratives published from the Muromachi period though to the first half of the Edo period. The term nara ehon has been widely applied to all illustrated books from these periods since the Meiji era, but its origin is unclear. The format of nara ehon differs, depending on the period. Early examples from the Momoyama to the very early Edo period are tall, measuring about 30 cm in height, a vertical format similar to a European quarto. The examples produced from the Kanei era onwards, within the first half of the Edo period were more of a horizontal proportion. They were also generally based on the genre of otogizōshi, short stories that emerged from the Kamakura period onwards, a majority of them focusing on the Muromachi period. During the latter half of the 17th century, the topic shifted to stories about the aristocracy or the wealthy merchant class, before the popularity nara ehon began to decline. This example can possibly dated to the Keichō era (1596-1615).Online Since: 2016-06-2