Journal of Jungian Scholarly Studies
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    Jung and the Neurobiology of the Creative Unconscious

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    The Jungian theories of creativity, like much of Jungian psychology, emphasize the relationship between the conscious mind and the unconscious. This paper explores and elucidates the intriguing parallels between this Jungian framework and recent models that have emerged in the neuroscience of creativity

    General Editor\u27s Introduction to Volume 13

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    Welcome to the 2018 issue of the Journal of Jungian Scholarly Studies. This year, my first as General Editor, confirmed for me the sweetness of respectful collaboration. The expertise of the editorial staff; the gracious mentorship by my predecessor, Inez Martinez; and the authors’ and reviewers’ dedication to excellence, made it possible to produce a peer-reviewed publication that demonstrates the relevance of Jungian thought in a tumultuous world. Essays in this collection reflect the theme of the 15th annual conference held in Arlington, Virginia: “Complexity, Creativity, Action.” The significance of our location—across the Potomac from the White House—was not lost on the individuals who gathered to hear papers in June 2017. Jungians, like other serious intellectuals, are challenged to engage in the heated and often dissonant cultural discourse that has only intensified since the presidential election of November 2016. As depth psychologists, we are obligated to reject simple explanations bounded by the spirit of the times. The prevailing social and political chaos is complex and requires creative thought and action—in prose, poetry, and art. The first essay, entitled “Trump’s Base, Ahab, and the American Dream” by Inez Martinez, is a compelling transdisciplinary study that uses Jungian complex theory and Herman Melville’s Moby-Dick to analyze the fury and rage of Trump supporters. The erosion of white-male dominance in America has produced a victim complex, Martinez argues, that bears strong similarities to Ahab’s sense of victimization by the white whale. Ahab is trapped in a losing struggle for dominance and meets his end forever bound to the thing he vowed to kill. Ishmael, on the other hand, survives by embracing diversity and interdependence. His survival, Martinez says, suggests a creative possibility for all US citizens: to re-vision the American dream so that the individual pursuit of happiness is modulated by concern for the common good. Concern for a common good is also a theme of Jonathan Vaughn’s essay, “SoulSearching at Standing Rock.” Like Martinez, Vaughn uses Jungian complex theory to explore the conflict between members of over 300 Native American tribes and the private company, Energy Transfer Partners, hired to build the Dakota Access Pipeline. Vaughn argues that two cultural complexes, a Native Complex and a Pilgrim Complex, which have been continuously functioning since the nation’s founding, manifested in the Standing Rock controversy. Whereas the Native Complex is characterized by the perceived invisibility of indigenous peoples, the Pilgrim Complex is characterized by a separatist drive that demands freedom at all costs (even death) and justifies destructive, genocidal behavior as a means of preserving colonial culture and community. Vaughn points out that both complexes intersect at a place where each group intensely seeks freedom, relevance, and acceptance. The complex political conflict that Martinez and Vaughn address in their essays is the subject of Joli Hamilton’s analysis of the drug abuse, sexual manipulation, and murder dramatized in the television series House of Cards. The power-obsessed central characters, Frank and Claire Underwood, are morally repugnant yet strangely enticing; audiences flock to the show’s grotesque imagery. To explain this phenomenon, Hamilton creates a dialogue between Jacques Lacan’s theory of the phallus and Thomas Moore’s  discussion of the sadistic aspect of psyche. The intense dramatic events in the series, she argues, are the necessary sacrifice of innocence required to increase consciousness. House of Cards ravishes American political ideals and depicts a multitude of perversions possible in the bureaucratic shadows of its fictional world. Hamilton concludes that it is dangerously naïve to focus exclusively on the light aspects of psyche or passively enjoy the darkness depicted in the series as mere entertainment. She suggests instead an active and creative response to the multitude of perversions evident in fiction and in reality: the intentional psychological digestion of darkness, as necessary today as it was in the time of the Marquis de Sade. The theme of an inclusive psyche featured in Hamilton’s essay is central to Matthew Fike’s analysis of Gloria Anzaldúa’s Borderlands. Although Borderlands aligns with Jungian psychological concepts and is particularly indebted to James Hillman’s Revisioning Psychology, Fike demonstrates how Anzaldúan thought re-visions that work by emphasizing expanded states of awareness, body wisdom, and the spirit world. For Anzaldúa, a more inclusive vision of the psyche is reflected in El Mundo Zurdo (the Other World) of the personal and collective unconscious, dreams, and creative imagination. El Mundo Zurdo is real, and Anzaldúa accesses it in the writing process through becoming a conduit for imagery from the collective unconscious. Fike concludes his sophisticated analysis by arguing that Anzaldúa and her text embody and enact the change that she seeks to inspire in her readers: dwelling in a third thing, a Borderland, that acknowledges but transcends binary points of view. Anzaldúa’s writing process, in which she places her conscious mind in service to imagery arising from unconsciousness, expresses a theory of creativity that Jonathan Erickson explores in his essay “Jung and the Neurobiology of the Creative Unconscious.” Creativity, which has always been a mystery, has attracted numerous theories to explain it. There has been explosive interest in the interdisciplinary field of creativity studies, with more than 10,000 papers published in a single decade (1999 to 2009). The essay begins with a brief excursion on C. G. Jung, who asserts an inextricable link between creativity and the unconscious, then segues into a discussion of recent neurobiological accounts of conscious creativity. While noting our understandable cultural fascination with the brain, Erickson warns against the reductive materialism inherent in the biological perspective. We of the depth psychological persuasion, he concludes, should be mindful not to allow the current prominence of neuroscientific models to eclipse or, or even worse, devour our field. We continue the innovative practice, begun last year, of including poetry and art in the Journal since they too furnish a creative response to complexity. A separate section includes all of the art selected for this year’s issue, accompanied by the artist’s statements about the work. Selected works have been paired with the essays and poems to create a conversation between image and text. On behalf of the editorial team, wonderful collaborators all, I welcome you to Volume 13 of the Journal of Jungian Scholarly Studies. Elizabeth Èowyn Nelson,General Edito

    Trump’s Base, Ahab, and the American Dream

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    This transdisciplinary study argues that the fury of President Trump’s base can be understood as a victim complex, one caused by the erosion of the dominance of white males that existed at the founding of America. The preamble of the Declaration of Independence became an iconic articulation of the American dream, unintentionally establishing a contradiction between the ideas that all people are created equal and that individuals have an unlimited right to pursue happiness. Analysis of Ahab of Herman Melville’s Moby-Dick reveals connections between Ahab’s victim complex and the behavior and attitudes of Trump’s base. Analysis of Ishmael’s survival suggests ways the American dream as articulated in the Declaration of Independence needs to be dreamed forward. His survival through interdependence and an embrace of diversity suggests a way to re-vision the American dream so as to incorporate psychological determinants, including the limitations of the ego, in the understanding of freedom and happiness. Revisioning the individual pursuit of happiness as limited by the common good furthers the dream of equality under the law and could help free white supremacists from their entrapment in a victim complex convincing them of their entitlement to dominate others

    Depth Psychology in Gloria Anzaldúa’s Borderlands/La Frontera: The New Mestiza

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    The essay first shows that Gloria Anzaldúa’s Borderlands aligns with many Jungian psychological concepts, including the shadow, the collective unconscious, the unus mundus, and active imagination. It then reads the text through the lens provided by James Hillman’s Re-Visioning Psychology, a book she considers “instrumental.” His personifying, pathologizing, psychologizing, and soul-making or dehumanizing—a reworking of the Jungian individuation process—provide relevant analogies for Anzaldúan thought, particularly her conocimiento process. Using Hillman as a lens helps to schematize her broad array of subjects. Despite depth psychology’s relevance to Borderlands, however, the essay argues that Anzaldúa’s Borderlands re-visions Re-Visioning Psychology by emphasizing expanded states of awareness, body wisdom, and the spirit world in order to provide a more inclusive vision of the psyche than Hillman puts forth. Thus, the essay demonstrates that Jung—as well as Jung-via-Hillman—contributes more to the hybridity of Anzaldúa’s work than has been previously recognized

    Soul-Searching at Standing Rock

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    This paper proposes the existence of two cultural complexes—a Native Complex and a Pilgrim Complex—active in the United States today. Continuously functioning since the nation’s founding, these complexes recently manifested in the #NoDAPL actions at the Standing Rock reservation and can be seen constellating with and in opposition to each other

    House of Cards: Reflection on Dark Eros as Creative Action

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    This essay turns a depth-psychological lens upon the drug abuse, sexual manipulation, and murder scenes in the American television rendition of House of Cards. The Underwoods, who are obsessed with power, yet strangely enticing, invite the viewer to upend their moralistic perspective challenging notions of innocence and evil. By applying post-Freudian Lacan’s Phallus theory, the unconscious and persistent desire for power in some individuals is explored. Then, in a move toward understanding why audiences flock to such grotesque imagery, post-Jungian Moore’s notion of dark eros is extended to argue for the necessity of accepting the sadistic aspect of psyche. The notion of libertine consciousness is used to illuminate why the darkness draws us in even as it is repulsive and suggest the cautious, reflective digestion of these grotesque images as a creative action for those challenged by current political darkness. Bringing Lacan and Moore into dialogue, it is suggested that sexually toned darkness may necessarily balance the pull toward light aspects of psyche. Through close reading, intense scenes are reimagined as more than just Jungian shadow material. They also illustrate the sacrifice of innocence required as one attempts to increase consciousness

    The Imagination: A Path to Personal and Planetary Individuation

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    This paper draws on Jungian psychology, neuroscience, and cosmology to explore the role of the imagination in facilitating individuation at personal and planetary levels. It proposes that the imaginative faculties are essential to overcoming not only the divisions within an individual’s psyche but also the alienating sense of disconnection that much of humanity currently experiences from the planet, a severance that paves the way for the continued destruction of the biosphere. If we can truly acknowledge that humankind was birthed by Earth, that we are in fact Earth in human form, then through us the planet acquires the capacity to imagine radically new futures for itself. In this symbiotic process, we too are gifted the possibility of living into our potential as the very heart and mind of our sacred planet

    Editor\u27s Introduction to Volume 12

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    Volume 12 of the Journal of Jungian Scholarly Studies (JJSS) introduces a grounding initiative: the inclusion of poems and visual art as forms of knowing that exist in conversation with the article form of scholarship. The proposal for this innovation emerged from reflection by members of the editorial board upon the presentations at the Jungian Society of Scholarly Studies’ (JSSS) conference on the theme of Earth/Psyche held in Santa Fe, New Mexico, in 2016. The conference began with JSSS President Susan Rowland hosting an evening of poetry featuring the cosmology poems of Joel Weishaus and including poems written and read by a few attendees. During the body of the conference, a remarkable number of the speakers included either poems or visual art or both in their talks. To communicate their research concerning Earth’s relations to psyche, presenters repeatedly turned to art to share their knowledge. This volume harvests developed versions of eight of those presentations as articles and publishes them juxtaposed with poems and visual art selected by our journal’s new poetry and art editors. The juxtaposition is intended to spark connections—conceptual, emotional, kinesthetic, and aesthetic—between the complex analyses offered in the articles and the levels of consciousness stirred by the art. Perceiving such connections will affirm the overarching theme that the authors of the articles independently of one another claim as premise: the interconnectedness of being. In that spirit, I offer in this introduction a ample of points of connection between the articles. The topics of the articles address a range of subject matter: the impact of imagination, particularly the practice of active imagination, in transforming human consciousness and behavior, thus advancing planetary individuation; the synchronous relationships between body and earth in the healing modality of Biodynamic Craniosacral Therapy; the existence of a salt daemon working to increase harmonious relations between material, alchemical, and psychic levels of being; Christianity’s evolving relations to Earth and reclaimed approaches to scripture that enable Christians to participate in divinized creation; the psyche of a specific place, Cornwall, England, and the psychic image of a place, Santa Fe, New Mexico, including the shadow aspects caused by colonization; and the possibility of utilizing the common characteristics of large-group identities to integrate difference so as to develop conscience enabling constructive political action. Themes that resonate with one another in the various articles include imagination, the psychoid, the feminine, the body, and transformation. Not only is the present volume distinguished by the inclusion of poems and visual art; it also contains more narratives of personal experience than in the past. It has been the policy of JJSS only to publish personal experience if it supports a new idea, not merely illustrates an established one. That policy partially continues, but it turns out that examining the relations of Earth/Psyche has elicited the experiential in research in ways more numerous than illustration or support. Personal experience as numinous encounter initiates Susan Courtney’s discovery of the salt daemon and her subsequent research into parallels between physical salts, alchemical salts, and the psychoid nature of earth and psyche, research leading to her contributing to Jungian theory the idea of a salt daemon as an inherent movement of multi-faceted being toward bringing coherence to the ever unfolding series of incoherent states. Personal experience as numinous dreams leading to an understanding of his calling to speak for the psyche of a place motivates Guy Dargert’s exploration of the folklore and colonized history of the inhabitants of Cornwall and of the psychological dangers in the allurement of Cornwall’s beguiling beauty. Personal experience as numinous dreams, but also as embodied practices of active imagination, animates Ciuin Doherty’s call for collective understanding that all that exists, including each human being, is the current realization of over 13 billion years of the evolution of the universe. The ramifications of that understanding include reconceiving the import of individuation, recognizing that humans individuate not only for themselves, but also as expressions of planet Earth’s individuating through them. Understanding the permeability of personal experience, its unconscious connections with other beings and the environment through synchronicities capable of being made conscious enough for healing to occur, is given life in Jane Shaw’s article on the therapeutic power of Biodynamic Craniosacral Therapy. Other authors refer to personal experience in more traditional ways. David Barton, in his article on the psychic image of Santa Fe, reports on experiencing the profound alterity of the Laguna Pueblo culture as he listened to Leslie Marmon Silko speak of rescuing a rattlesnake. Like Dargert, Barton acknowledges the shadow of centuries of colonization. He reports being told by young natives of their despairing sense of entrapment in New Mexico. Johnathan Erickson, concerned about negative attitudes toward Christianity’s teachings about the Earth, shares that his efforts to underscore the vein in Christian teachings that counters the scripture about human dominance over nature are motivated by his being the son of a Christian minister and of a mother with pagan leanings. Peter Dunlap offers his experience as an illustration of the psychocultural work he is hoping Jungian clinicians will engage in to bring the healing power of psychological understanding to cultural dilemmas. And while Nanette Walsh does not share personal experience of her own, she calls on the scholarship concerning the personal experience of women in Jesus’s time to argue for interpreting scripture in a way that divinizes the experience of female persons, a step toward knowing the divine in all creation. Writing about the psychological relations of Earth/Psyche apparently elicits the grounding of thought in personal experience, a grounding typically invisible in abstract scholarly communications. Personal experience obviously is the ground for art. Our journal’s call for visual art related to Earth/Psyche invited artists to submit commentary along with their work. Judging from the responses that we received, the artists whose work is published here experience artistic creation as transformation of matter with abstract implications: turning clay into a holding vessel like that of analysis (Kristine Anthis), turning chance happenings into a creation (Marilyn DeMario), turning disparate materials into an integrated piece (Diane Miller), turning reversals into continuity (S. Sowbel), turning visual metaphor into ensouling symbol (Heather Taylor-Zimmerman), and turning the relation of abstract numbers/concrete matter into paintings echoing the composition of our world (Lucia Grossberger-Morales). The poems on the theme of Earth/Psyche selected for this volume reflect the distinguishing power of individuation in their range of subject and style. Margaret Blanchard’s poems address the changing nature of the poet’s relation to the Earth over time; Judith Capurso’s not only challenge human assertion of dominance over the Earth, but also liberate people from the inflation of that dominance; Ursula Shields-Huemer’s haiku grace imaginings of the natural word through presence; Brown Dove’s poem juxtaposes shifting evaluations of idols and continuity of Earth’s rhythms; and S. Sowbel’s focuses attention on what does not get reborn in her rendering of generativity. Certain concepts are explored in more than one of the articles which suggests their inherent significance in considering the relations of Earth/Psyche. In particular, Jung’s relatively neglected concept of the psychoid receives thoughtful elaboration, especially in the articles by Courtney and Shaw. Shaw applies the concept in her explanation of the healing power of the Biodynamic Craniosacral Therapy treatment (BCST). Courtney provides scientific data connecting rhythms of the body to the environment. Shaw’s account of the intelligence of the body during the giving and receiving of a BCST treatment resonates with Courtney’s account of electrolytic solution and of rhythmic entrainment. Doherty also contributes to reevaluating the body in terms of its knowingness through his exploration of the perspective of right-brain knowing. The theme of the body’s intelligence flows directly from the premise of interconnectedness attributing psyche to Earth. Another thread through the articles concerns the way the interconnectedness of being is conceived. Courtney references Jung’s concept or Eros as well as British anthropologist Timothy Ingold’s conception of humans as a “‘relational constitution of being’ enmeshed in a planetary ‘domain of entanglement’ of ‘interlaced lines of relationship.’” Doherty connects Eckhart’s description of the divine as emptiness with the quantum physics description of the emergence and disappearance of elementary particles from and into nothingness to assert that creative intelligence is inherent in all being. Dargert proposes that places are infused with their own form of psyche through the existence of an enveloping continuum. Dunlap points to Jung’s idea of a superconsciousness in the unconscious. The authors writing about religion, Erickson and Walsh, see God as the source of being’s interconnectedness. Erickson traces the evolution in Western Christianity of an understanding that the Earth as God’s creation deserves care, an understanding receiving recent expression in Pope Francis’s Laudato Si’: On Care for our Common Home. Walsh through the concept of practical divinization attempts to rectify the omission of ecology, women, and psychology in traditional Christian practice of divinization. She links aspects of the historical lineage of the idea of person and Jung’s articulation of individuation to argue for knowing divine wisdom in all that exists. Most of the authors assert that integration of the feminine is key to addressing ecological crises, often specifying that by the feminine they are referring to Eros. Walsh, however, argues for redefining what the feminine is in terms of women’s experience and for using women’s imaginative works to understand the feminine. For example, she cites Annis Pratt who, after surveying over 300 novels written by women, concludes that transformation for women occurs through the “green epiphany,” that is, through their relationship with nature. Walsh’s article provides a significant counterpoint to traditional Jungian understanding of the feminine and of what it would mean to integrate it for the purpose of addressing our ecological crises. Finally, Peter Dunlap’s article grapples with how to bring Jung’s understanding of the collective unconscious to a psychocultural practice of confronting the capacity of large groups to degenerate into mass-mindedness. He argues for confronting that tendency by consciously applying techniques to help large groups develop a sense of shared identity capable of integrating difference, thus making possible development of conscience about relations to the rest of the world. His article shares recent social science research about how to attempt that process, including an illustration of his own experience of applying some of those techniques. His essay gestures toward the goal of bringing psychological knowledge into civic life to enable constructive political action, a goal implicit in the conference on the relations of Earth/Psyche and in this volume of JJSS issuing from it. Inez MartinezEdito

    Introducing Biodynamic Craniosacral Therapy (BCST) into the Landscape of Jungian Thought

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    Whereas research in the craniosacral field tends to focus on the benefits for the individual, in this paper I go a step further to argue that because of its psychoid nature, biodynamic craniosacral therapy (BCST) acts as an embodied practice to raise earth consciousness at both the collective and individual levels. The therapy is a light-touch practice grounded in empathetic presence in which practitioners work to attune the subtle rhythms of their own body, the client’s body, and the “body” of the environment and natural world in which they meet. Referencing my clinical experience, the essay proposes that craniosacral biodynamics, bringing consciousness to the human organism, may offer a felt experience of the interconnectedness of all being, even bringing to consciousness our relationship with the earth itself. This essay highlights where Jungian theory and BCST not only overlap but also where they might support each other to revision our relationship to the planet

    Practical Divinization in Ecologically Threatened Times

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    Practical divinization describes the practice of connecting our spiritual and psychological development to conscious participation with the earth. This essay investigates the concept of Christian divinization in dialogue with Jung’s conception of individuation. Historically, the idea of divinization emerged from new concepts of personhood synthesized in the 1st century CE. Examining the ancient roots of personhood illuminates concepts of self and divinization within a contemporary theological and psychological context. Annis Pratt’s analysis of the archetype of “green-world epiphany,” evident in much of the literature written by women in the past three centuries, exemplifies the ethos inherent in practical divinization. A new interpretation of Matthew’s “Worry Not Gospel” imagines a female orientation of the text and further confirms the need for an embodied and fully participatory wisdom in relation to the earth. Practical divinization issues forth a call to action and a cause for hope in the face of ecological crisis

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