Journal of Hebrew Scriptures (JHS)
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Review of Kartveit, Magnar, The Origin of the Samaritans (VTSup, 128; Leiden: Brill, 2009). Pp. xiv + 405. Hardcover. US$185.00. ISBN 978-90-04-1-78199-9.
Review of Seitz, Christopher R., The Goodly Fellowship of the Prophets: The Achievement of Association in Canon Formation (Acadia Studies in Bible and Theology; Grand Rapids: Baker Academic, 2009). Pp. 136. Paperback. US$20.00. ISBN 978-0-8010-3883-9.
Review of Linafelt, Tod, Claudia V. Camp, and Timothy Beal, eds., The Fate of King David: The Past and Present of a Biblical Icon (LHBOTS, 500; New York/London: T&T Clark, 2010). Pp. xxxi + 352. US $170.00. Hardcover. ISBN: 978-0-567-51546-9.
Review of Klein, Anja, Schriftauslegung im Ezechielbuch: Redaktionsgeschichtliche Untersuchungen zu Ez 3439 (BZAW, 391; Berlin and New York: Walter de Gruyter, 2008).
Three Sides of a Coin: In Conversation with Ben Zvi And Nogalski, Two Sides of a Coin
This is a response to E. Ben Zvi and J. D. Nogalski, Two Sides of a Coin: Juxtaposing Views on Interpreting the Book of the Twelve/The Twelve Prophetic Books (Gorgias Press, 2009). Nogalski is a major proponent of the thesis that the Twelve Minor Prophets are a redactional unity, while Ben Zvi is its most forthright sceptic. After summarizing the views of both scholars, the author introduces some considerations from his perspective as a literary critic. In particular, he contends that: i) the question of literary unity is an extremely fraught one; ii)arguments for the unity of the Twelve tend to ignore contrast; and iii) the hypothesis that the Twelve were redacted as a book raises acutely not only the methodological difference between redaction-critical and reader-oriented approaches, but also the question of whether prophets were poets, characterized by literary daring. The article concludes with reflections on models of reading in antiquity, and the opposition between metanarratives and marginality
Structure and Meaning in the Third Vision of Amos (7:7–17)
This article argues that meaning in Amos’s third vision is encoded in its structure and poetics. The dynamic of a chiasm in vv 11c–17 simulates the vision’s object and metaphor: the tin wall. Built on concepts from Kings and Jeremiah, the whole text is deuteronomistic. A variety of known difficulties in Amos 7:7–17 are addressed (e.g., the solution to the wordplay, Amos’s denial, the anomaly of the Amaziah narrative, the lack of reference to Assyria, and Jeroboam’s relationship to the sword)