Journal of Architecture, Planning and Construction Management
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No full textThe Journal of Architecture, Planning and Construction Management is original, peer-reviewed and international in coverage and outlook. It aims to report current research work and latest development in the specialized areas of architecture, landscape architecture, applied arts and design, urban and regional planning, quantity surveying, building technology and engineering, construction management and other scholarly works related to the built environment
REFLECTION ON THE NATIONAL ARCHITECTURAL IDENTITY OF MALAYSIA: A QUALITATIVE STUDY BASED ON THE THOUGHTS OF ACHMAD MOERDIJAT
Get PDFThis paper aims to document the finding on the national architecture identity of Malaysia based on the thoughts of renowned architect Achmad Moerdijat. Malaysian architecture today is a synthesis of architectural languages in which many are strongly influenced by western ideas, ranging from the Neo-Classical to the International Style and Post Modernism. The primary issue concerning Malaysian architecture is that Many architects today realized Malaysia lacks an identity if its own in terms of architecture. The lack of discourses, research, and documentation on Malaysian architectural identity are among the factors that contributed to a persistent misunderstanding of architecture identity and its association with the political, economic, and socio-cultural context of Malaysia. Ar. Ir. Achmad Moerdijat was selected to gain more insight into this issue considering his attachment period and architectural practice in the Malaysian context to find out his philosophy and principle in design and further upon his opinion of the subject matter of national architecture identity of Malaysia. The research proceeded through an exclusive interviewing session with the architect, where he shared his opinion on National Architectural in Malaysia. The findings showed that Malaysia is still in search of the architectural identity itself. This is due to the lack of research in terms of culture in Malaysia by the architects. The next issue is that the client only looks forward to the aesthetics looks rather than implying the National Architectural Malaysia style in the design. The aesthetics looks will increase the demands of profit, but the value of our architectural style is not there. Further research on this topic is recommended to gain a holistic view of the issue of the national architectural identity of Malaysia
ASSESSMENT OF WAQF MODELS FOR PROVISION OF AFFORDABLE HOUSING IN MALAYSIA: A CASE STUDY OF MAJLIS AGAMA ISLAM WILAYAH (MAIWP)
Get PDFHousing is one of the basic needs of human beings. Despite its importance, housing prices have continued to increase beyond the reach of the masses. Realizing the fact, the government has made different attempts to ensure the provision of affordable and decent housing for the masses through many initiatives such as the enactment of the Perumahan Rakyat 1Malaysia Act 2012 (Act 739); implementation of My First Home Scheme and other and other social schemes, however, there is still a wide gap in the supply and demand for housing. Consequently, this study assessed the different Waqf financing models towards the provision of affordable Waqf housing in the country. Data were gathered from primary and secondary sources. Primary data was gathered through interviews with the Majlis Agama Islam Wilayah Persekutuan (MAIWP), while secondary data was gathered from the review of the literature. The findings indicate that MAIWP adopts the BOT (Built Operate and Transfer) model in its property development programme, and this model could help in the development of Waqf real estate. Despite operating in the most expensive city in the country, MAIWP has thus been able to provide affordable housing for the beneficiaries
QUANTUM MERUIT CLAIM IN CONSERVATION PROJECTS
Get PDFQuantum meruit claim is an ordinary claim that arises in the construction industry which is compensated for works and labor where no price has been agreed in the contract. Most of the quantum meruit claim cases drawn by the court rulings were focusing on the practice of new construction projects only. Currently, the quantum meruit claim is little known in the construction industry especially for the conservation projects. Conserving an existing building involvesinaccurate pre-determined works in terms of extent, specifications, duration, and cost. There are many major drawbacks and limitations of conserving a heritage or old building which will thwart the process of quantum meruit claim. This systematic review article focuses on the use of quantum meruit claim in conservation projects. The objective of this study is to investigate the limitation factors of quantum meruit claim in conservation projects. This study adopted Preferred Reporting Items for Systematic Reviews and Meta-Analyses (PRISMA) by utilizing an online database. Accordingly, 20 articles and 23 precedent court cases were resulted to be analysed systematically. This study managed to develop 4 limitation factors of quantum meruit claim for conservation projects which are (i) nonavailability of contract, (ii) undetermined price, (iii) lack of experiences and skillful parties, and (iv) improper documentation provided for conservation projects. Eventually, two recommendations for the use of future researchers were presented at the end of this research
RETHINKING ‘ISLAMIC HERITAGE’: TWO CASE STUDIES TO PONDER
Get PDFArchitecture played an instrumental role in spreading ideas of different civilizations around the world. Hence, through documenting heritage we could document the facets of different cultural Diaspora through time and spaces. The objective of the heritage study program at the department of Architecture of IIUM is to capture the facets of Islamic Diaspora around the world. As the very concept of Islamic architecture is problematic in today’s architectural discourse, whether the buildings that the students are documenting during their visit are true representative of Islamic architecture is an issue to be discussed. During the Heritage Study trip 2011, the students of architecture of IIUM have recorded two interesting buildings, Haghighi house in Esfahan, Iran and the Diwan-i-Aam of Lalbagh fort, Dhaka, Bangladesh that are apparently ‘secular’ in terms of their function. Whether they could be able to elucidate the variegated expressions of Islamic architecture at two seemingly opposite geo￾temporal locations is the central research question of this article. By using these two examples, this paper critically reexamines the stereotypical but popular conceptions of ‘Islamic Architectural Style’ that obscured the historical processes of hybridization and its diverse morphological outcomes, and comprehend the process of resilience and assimilation through which architecture is shaped in a particular context
The tangible and intangible values of river towards sustainable urban landscape development
Get PDFThis paper presents a review on the tangible and intangible values of river towards sustainable urban landscape development. The framework incorporated ecological knowledge related to river and sustainable planning and design process, rivers as an urban greenways corridor and green patches, river as urban heritage conservation, rivers and riverfront development and theory from the Islamic perspectives. The objective of the paper is to identify the functional and spatial structure of the existing river with respect to the requirements for harmonious development, protection and improvement of the sustainable urban landscape. It is also to provide important ecological and aesthetic benefits of river in urban setting. This study presents an understanding for facilitating protection, preservation, restoration, ecological enhancement of the river into a more comprehensive land-use planning process
The Application Of Islamic Arts Decoration In Mosque Interior: A Case Study Of The Traditional Mosque In Melaka
Get PDFThis research discussed the concept of ‘Tawhid’ as the doctrine in Islam; and the way Islam perceives Beauty in its decorative arts as a mean of contemplation and Remembering Allah. In order to understand these hidden functions and messages, the overall approach, roles, functions and typologies of decoration are explained. The uniqueness of Islamic Arts’ characteristics, roles, meanings and principles are governed universally by the Islamic doctrine – ‘Tawhid’ which expressed Oneness and Unity towards Contemplation to the One God – Allah. By looking at these aspects, one can truly assess whether the current usage of decorative motifs in mosque is in full success or not. A cross-reference of these usages is established with the true roles and functions of these decoration motifs as decoration in relation to Islamic Art as a whole. Successful applications of the interior decorative motifs can then be established and recommended for future applications. It is the intention of the study to be as an impetus for other broader and more critical analyses which can be made by others to fully comprehend the underlying concepts of the decorative motifs in the mosque interiors. A base reference study was made onto the oldest traditional mosque in the South East Asia region- Masjid Agung Demak in Central Java, Indonesia. Field studies were made to cover eight selected traditional mosques in Melaka: Masjid Peringgit, Masjid Kampung Hulu, Masjid Tengkera, Masjid Kampung Keling, Masjid Kampung Duyong, Masjid Serkam Pantai, Masjid Alai and Masjid Al Azim. These mosques were chosen based on their built age – on two separate eras – the old traditional mosques: Masjid Peringgit, Masjid Kampung Keling, Masjid Kampung Hulu, Masjid Kampung Duyong, Masjid Tengkera, Masjid Serkam Pantai and Masjid Alai have been built since the 18th and 19th Century and been treated as community mosques. These mosques are still in use, well maintained and conserved. The new traditional mosque, Masjid Al Azim is of the 20th Century, is a new and larger scale mosque, treated as the State Mosque in Melaka. Surveys were done to record and identify the decorative motifs in these mosques and to evaluate the users’ awareness and the effectiveness of these decorations. The aesthetic criteria of the decoration elements which have profound impacts onto the users are also identified. Furthermore, a close examination and analyses regarding certain aspects of the physical characteristics of the decorative motifs are presented. Through the survey and observation study of these decorations, various physical and aesthetic factors were identified. These factors were then referred to formulate the general design criterion in relation to the application of decoration in mosque. By fully understanding the role of decoration, further improvements can be recommended to ensure better and effective usage of decoration particularly in mosques
THE ROLES AND RESPONSIBILITIES OF ADIGURU KRAF IN SUSTAINING THE HERITAGE OF MALAY WOOD CARVING WITH RESILIENT PRACTICES
Get PDFThis paper aims to elaborate on how the roles, responsibilities and good practices can join in the enterprise of sustaining the heritage of Malay wood carving as reflected in the case of Adiguru kraf (master craftsman), Abd. Muhaimin Hasbollah from Temerloh, Pahang. The rationale is that virtues of research in understanding the roles and responsibilities of Adiguru Kraf, through his craft practices in sustaining the heritage of Malay wood carving is relatively novel and vital for recognition. Therefore, the main objective of this research was to identify the key components of his involvements in sustaining the wood carving industry. This is essential as the Malay wood carving is traditionally associated with the making of craft that requires manual skill and craftsmanship, while its production is to exercise skill based on knowledge and experiences. A qualitative interview with Abd. Muhaimin was conducted and it has set out the context of a master craftsman, an inheritor of heritage carving and practices, in relation to his roles and responsibilities that reflect his title as Adiguru Kraf. The investigation has led to the understanding of his characteristics and how he produced his works with some levels of exclusiveness, peacefulness, and purposefulness. The outcome and contribution of the paper is a better understanding of the roles of the master craftsman, which may become inspiration for the younger generation of woodcarvers to excel in their profession. Understanding of his roles in relation to the professional virtues and craft production is essential because of the potential and value of eliciting and transmitting of his knowledge and skill for the development of wood carving craft and industry
CHILDREN FRIENDLY MASJID: A GLIMPSE ON JAMAAH’S PERCEPTIONS TOWARDS CHILDREN AT MASJID
Get PDFThe role of the masjid was diverse during the era of the Prophet Muhammad SAW, and it continued for decades by his (SAW) companions and the following caliphs. The diverseness of masjid's role reflected the people that were being served by this institution and reflected the criteria of inclusiveness. As time goes by and as the government developed, various ministries were established. This establishment witnessed the taking over of various roles by masjid to thepeople by these ministries and their agencies. Thus, masjid seems to be seen as a sacred place to perform specific ibadah and that it should pose a tranquil environment to the effect that children may not be welcome as they are seen as the 'agent' that 'disrupt' the tranquillity and sacredness of masjid. This initial study is carried out to identify the public's perception towards the presence of children at the masjid. An online survey form was distributed via the social media that is the WhatsApp application to various groups established by the administration of Masjid Al Ridhuan, Hulu Kelang. Based on the response of 90 respondents, the result reveals the excellent level of acceptance of children at masjid among the jamaah. They also provided their opinion on the spaces where they felt would be suitable for children based on their age range. Children between the age of 7 to 9 years old seemed to be well accepted in the main prayer hall while the rest are perceived to be more suitable to be at other sub-spaces of the masjid