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Book of Hours (France, 15th century)
No full textLeaf from a book of hours (text on recto only), with a prayer for the deceased: Domine exaudi. Inclina aures [corrected to m] tuam ad preces nostras quibus misericordiam tuam supplices deprecamur ut animas famulorum tuorum quas de hoc migrare iussisti in pacis ac lucis regione constituas et sanctorum tuorum iubeas esse consortes per Christum.
Single folio with a single column of fifteen lines ruled in red. Nine lines of text in faded brown ink on the recto side. Two illuminated initials: D (line 1, recto) is red with blue decoration and gold highlighting on a gold leaf ground; I (lines 2-3, recto) is blue on a red background with gold highlighting in a gold leaf frame, inhabited by a person wearing a white cowl looking downward. Decorative illuminated red and blue line fillers on lines 1 and 9. Top, bottom, and inner margins have thin borders of floral decoration: red flowers with blue stems outlined in black and detailed in white, on a background of gold paint. The border in the outer margin on both sides is much wider, with gold and white bands (which suggest a Loire origin): blue and gold acanthus-leaf decoration on a white background interrupted by triangles of gold-paint decorated with fairly realistic flowers.https://digitalcommons.ncf.edu/manu/1003/thumbnail.jp
Book of Hours (England, mid-14th century), Folio 1 of 2
No full textLeaf from the same psalter or book of hours as LJS 104.1; this folio contains votive prayers. 1) Explicit of prayer to Sts Peter and Paul: ...exaudi nos propicius et concede ut amborum meritis eternitatis gloriam consequamur. 2) Antiphon, response, and prayer to St John the Evangelist: Iohannes apostolus et evangelista virgo est electus... (CAO 3494), vel (or) alternate antiphon: Valde honorandus est beatus Iohannes (CAO 5309). Response: Qui supra pectus domini in sena [should be cena] recubuit (not in CAO). Prayer: Ecclesiam tuam quesumus domine benignus illustra beati Iohannes apostoli tui et / evangeliste... 5) Antiphon, response, and prayer to St Nicholas: Oremus. Beatus Nicholaus ad huc puerulus... (CAO 1651); vel (or) alternate antiphon: Ora pro nobis beate Nicholae... (CAO 4169). Response: Ut digni efficiamur... Prayer: Deus qui beatum Nicholaum pium pontificem tuum innumeris decorasti miracu-.
Single parchment folio ruled in red ink, written in a single column of twelve lines in black ink. Rubrication but no initials or pen flourishing as on 104.1, except for a small amount of faded purple flourishing (originally blue) around a paraph mark (¶) on the verso. Each side contains a single 2-line illuminated initial (recto: E; verso: D) on a field of pink and blue with white detailing.https://digitalcommons.ncf.edu/manu/1008/thumbnail.jp
Still Life with Bottles
No full textA mixed media painting with glasses and bottles cut out from paper and applied to the canvas.https://digitalcommons.ncf.edu/pubart/1035/thumbnail.jp
Frank Lloyd Wright Architectural Panel
No full textAn architectural frieze cast from a panel in the Dana House, Springfield, Illinois (built 1902).https://digitalcommons.ncf.edu/pubart/1073/thumbnail.jp
NC Commencement
No full textThree undated black and white photographs from a New College commencement
Student Catalog 1966-1967
No full textTwenty two page student catalog featuring photographs of students who were entering their first year at New College
Facebook 1980
No full textEight page student catalog (known as the Facebook) featuring photographs of students who were entering their first year at New College
Book of Hours (France, 15th century)
No full textLeaf from a book of hours, containing part of the “Obsecro te,” from “[hu-]manam carnem” through “et requestis meis, Et in omnibus [angustiis].”
Single folio with a single column of 18 lines of text on each side, ruled in pale red and written in black ink, surrounded by generous margins. Striking contrast between the plainness of the folio (i.e., its utter lack of decoration), and the high quality of the parchment, the size of the margins, and the extremely high quality of the calligraphy; these suggest that marginal decoration was originally intended, but never added.https://digitalcommons.ncf.edu/manu/1006/thumbnail.jp
