JBC Commons (New College of Florida)
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Printed Book of Hours with Woodcut Illustrations (France, 1498)
No full textLeaf from a early printed book of hours, probably published by Simon Vostre, containing the opening of Terce for the Hours of the Virgin, with extensive woodcut illustrations and borders by Philippe Pigouchet. Text begins on recto, Deus in adiutorium meum intende...Maria Virgo. Psalmus and continues on verso, Ad Dominum cum tribularet clamavi:...Propterea benedixit te deus in eternum. Kyrie eleison. Christe el[eison].
Single folio printed with: on recto, 4 lines of text in a single column, with a 3/4-length woodcut illustration above depicting the Annunciation to the Shepards; also, extensive woodcut borders depicting images from the life of Christ with biblical captions. Verso: 33 lines of text in a single column, also with extensive borders with four scenes of revelation and worship, with captions; also two sibyls at upper left and lower right. Printed text rubricated by hand with illuminated initials (gold letters on alternating blue and red backgrounds).https://digitalcommons.ncf.edu/manu/1004/thumbnail.jp
Gradual ( Germany, mid-12th century)
No full textLeaf from a gradual, containing text and music [heightened neumes] of gradual, alleluia, and offertory for the First Sunday of Advent; also introit for the Second Sunday of Advent.
Single folio with 10 lines of text and music in a single column on each side; written in black ink (now faded to brown) with rubrication in red (now more orange). Above each line of text, heightened St. Gall-style neumes on a blind-ruled four-line staff, with lines labeled in thirds [e.g. CAFD or AFDB], and the F line always ruled in red and the C line in yellow.https://digitalcommons.ncf.edu/manu/1005/thumbnail.jp
Calendar page from a Book of Hours (France, 15th century)
No full textCalendar page from a Book of Hours for the month of October: St. Remigius (“Remy”, 10/1); St. Leger/Leodegarius ( Legier , 10/2); St. Francis (“Francois”, 10/4); St. Foy (10/6); St. Denis, patron of France (in red, 10/9); St. Nicasius, bishop of Rouen (“Nicaise,” 10/11); the Archangel Michael ( Michiel , actually the dedication of the monastery of Mont-St-Michel, Normandy, 10/16); St. Luke the Evangelist (10/18); St. Vitus ( Vist , 10/19); St. Mellon, bishop of Rouen (10/22); St. Rommain, archbishop of Rouen (in red, 10/23); the apostles Simon and Jude (10/28); the Octave of St. Rommain (10/30); and the feast of St. Quentin (10/31), with the vigil of All Saints (11/1). The inclusion of Sts. Nicasius, Mellon, and Rommain (whose name is given in red and whose octave is also included) points to a probable origin in Rouen or the surrounding region.
Single folio ruled in pale red ink and written in a single column of 16 lines in black and red inks, with generous margins (especially a large bottom margin). One initial KL (Kalends) at the top of the recto page decorated in blue, gold, and red. Rectangular border in outer margin of recto filled with blue and yellow acanthus leaves and blue (lily?) and red (thistle?) flower sprigs.https://digitalcommons.ncf.edu/manu/1011/thumbnail.jp
Unknown Portrait of a Woman
No full textAn abstracted portrait of a woman with two faces and an umbrella.https://digitalcommons.ncf.edu/pubart/1024/thumbnail.jp
The Nursing Madonna (copy)
No full textA copy of a Madonna and Child painting. Mary is nursing the Baby Jesus and is dressed in red, blue, and yellow cloth.https://digitalcommons.ncf.edu/pubart/1049/thumbnail.jp
Portrait of Anne Leigh
No full textA portrait of an 18th century lady in a blue dress.https://digitalcommons.ncf.edu/pubart/1053/thumbnail.jp
Academic Portrait
No full textA black and white lithograph depicting bust-length, 3/4 profile figure in cap and gown, with exaggerated, elongated features and a down-turned mouth.https://digitalcommons.ncf.edu/pubart/1063/thumbnail.jp
Abstract Human Face
No full textAn abstract painting of a human face.https://digitalcommons.ncf.edu/pubart/1066/thumbnail.jp