Annali online Unife (Università degli Studi di Ferrara)
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Dal gusto gastronomico al buon gusto intellettuale. Le radici medievali di un percorso culturale \u27moderno\u27
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Un nuovo frammento delle Decretales di Papa Gregorio IX
Get PDFThis paper gives notice of a XIV century parchment fragment of pope Gregory IX’s Decretals found in the binding of a 1548 edition containing the first part of Felino Sandeo’s Commentary on five books of the Decretals, which is currently held by the Department of Law Library in Ferrara University with the marking III A 691
Sculture nel verde. Le prime esposizioni all’aperto di scultura contemporanea: le esperienze italiane in relazione alla scena europea (1948 – 1957)
Get PDFThis contribution focuses on the analysis of the origin and diffusion of the open air sculpture exhibitions, in Europe and in Italy. The article intends to explain how and where this particular type of exposition was born and in which way it changed the museologists’ and artists’ approach to the organization of sculpture exhibitions. In this sense, it contributed to create a new connection between sculptures and nature, not only intended in its concept of “space”, but also of “place”. The London exposition in Battersea Park in 1948 can be considered the first example of open air sculpture exhibition; it became a model for the successive exhibitions as Sonsbeek ‘49 in Arnhem and Exposition internationale en plein air de sculpture 1900-1950 in the Middelheim Park of Antwerp. At the same time, the diffusion of the open air sculpture exhibitions took place in Italy; in 1949 and in 1953 two major exposition of international contemporary sculpture have been organized in Villa Mirabello’s gardens in Varese. In 1957, another important open air sculpture exhibition — completely dedicated to the Italian contemporary sculpture — was organized in Villa Mazzini’s garden, in Messina
Manifestazioni di creatività “imprevista” nell’arte delle donne in Italia negli anni Settanta. Ketty La Rocca e Irma Blank: operare tra gesto e linguaggio
Get PDFThe paper analyses the Italian historical-artistic context in the Seventies with reference to the role played by women. The most debated issues surrounding the manifestation of female creativity are reinterpreted in a performative key, understood as a form of gesture.In this perspective there is a focus on the work of Ketty La Rocca and Irma Blank during the Seventies, based for both on the disarticulation and decomposition of language and, consequently, of dominant communication systems
SERENA FELOJ, ESTETICA DEL DISGUSTO: MENDELSSOHN, KANT E I LIMITI DELLA RAPPRESENTAZIONE
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