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In Terence Blanchard’s hands, a trumpet is an instrument of protest
No full textProfile of Oscar-winning composer, trumpeter, and bandleader Terence Blanchard on his Black Lives Matter-inspired protest albums
A House Among the Trees
No full textGlass’s fifth novel, A House Among the Trees, tells the story of an unusual bond shared between a world-famous writer and his assistant. The sudden death of the world-famous writer leaves the survivors to grapple with his legacy and long kept secrets. In this novel there are deeply rooted themes of friendship, artistic ambition, perils of celebrity, love, and the power of an unexpected legacy
Digital Politics Taking A Visual Turn in Canada: Instagram, Justin Trudeau, and Political Image-Making
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Impulse and Discipline: Sixty Years of Paintings by Rober S. Neuman, 1950-2010. Exhibition Catalog, September 22- December 6, 2017. Additional Essays by Lisa Crossman and Carl Little. Thorne-Sangdorph Art Gallery
No full textKetner served as the guest curator at Keene State College’s Thorne-Sangdorph Art Gallery, where 60 years of work by the American Artist and Keene State College Professor Emeritus, Robert Neuman, was exhibited
The House of Erzulie
No full textTHE HOUSE OF ERZULIE tells the eerily intertwined stories of an ill-fated young couple in the 1850s and the troubled historian who discovers their writings in the present day. Emilie St. Ange, the daughter of a Creole slave-owning family in Louisiana, rebels against her parents\u27 values by embracing spiritualism, women\u27s rights, and the abolition of slavery. Isidore, her biracial, French-born husband, is an educated man who is horrified by the brutalities of plantation life and becomes unhinged by an obsessive affair with a notorious New Orleans voodou practitioner. Emilie\u27s and Isidore’s letters and journals are interspersed with sections narrated by Lydia Mueller, an architectural historian whose fragile mental health further deteriorates as she reads. Imbued with a sense of the uncanny and the surreal,
THE HOUSE OF ERZULIE also alludes to the very real horrors of slavery and makes a significant contribution to the literature of the U.S. South, particularly the tradition of the African-American Gothic novel