Studia Europaea Gnesnensia
Not a member yet
612 research outputs found
Sort by
Od współpracy miast do współpracy akademickiej – przykład Państwowego Uniwersytetu im. Pawła Tyczyny w Humaniu i Uniwersytetu im. Adama Mickiewicza w Poznaniu (Instytut Kultury Europejskiej UAM)
Full text linkThe article describes various aspects of academic cooperation between two universities: the Pav- lo Tychyna Uman State Pedagogical University (Ukraine) and the Adam Mickiewicz University in Poznań (Poland), especially the AMU Institute of European Culture in Gniezno (formerly the Euro- pean College, Adam Mickiewicz University). The description of the scientific, cultural and teaching activities of both centers suggests a model of cooperation built on the basis of regular grassroots activity.The article describes various aspects of academic cooperation between two universities: the Pav- lo Tychyna Uman State Pedagogical University (Ukraine) and the Adam Mickiewicz University in Poznań (Poland), especially the AMU Institute of European Culture in Gniezno (formerly the Euro- pean College, Adam Mickiewicz University). The description of the scientific, cultural and teaching activities of both centers suggests a model of cooperation built on the basis of regular grassroots activity
Maradona bez maski, rec. książki: Jimmy Burns, Maradona. Ręka Boga
No full textMaradona without the mask, review of: Jimmy Burns, Maradona. Ręka Boga [Maradona: The Hand of God]Maradona bez maski, rec. książki: Jimmy Burns, Maradona. Ręka Bog
Krew i kurzawa w greckiej historiografii klasycznej albo o zmarginalizowanych elementach Homerowego opisu pola bitwy
Full text linkContemporary historians believe that Greek historiography emerging on the eve of the classical period adopted numerous elements from the Homeric description of battle scenery. The aim of this paper is to analyze the earliest historical works while looking for the blood and dust, the two greatly important attributes of the Homeric world of warfare. However, it turns out that blood and dust, so intimately associated with the portrayal of the physical site of battle in Homer, did not become a per- manent element in the historical accounts of military clashes in Greek historiography, even though it was an inevitable component of the military experience of historians and their readers.Contemporary historians believe that Greek historiography emerging on the eve of the classical period adopted numerous elements from the Homeric description of battle scenery. The aim of this paper is to analyze the earliest historical works while looking for the blood and dust, the two greatly important attributes of the Homeric world of warfare. However, it turns out that blood and dust, so intimately associated with the portrayal of the physical site of battle in Homer, did not become a per- manent element in the historical accounts of military clashes in Greek historiography, even though it was an inevitable component of the military experience of historians and their readers
Opowieści niesztampowe – o futbolu na poważnie, rec. książki: Kopalnia. Sztuka futbolu 5
No full textUncommon stories – seriously about football, review of: Kopalnia. Sztuka futbolu 5 [The Kicking Ground. The Art of Football #5] .Opowieści niesztampowe – o futbolu na poważnie, rec. książki: Kopalnia. Sztuka futbolu 5
 
36 x Rembrandt – wystawa na Zamku Królewskim w Warszawie w świetle wybranych ekspozycji rocznicowych
No full text36 times Rembrandt: Exhibition at the Royal Castle in Warsaw in the light of selected anniversary shows
In autumn 2019, the Royal Castle in Warsaw saw the exhibition associated with the Year of Rembrandt(Rembrandt-jaar) which celebrated the 350th anniversary of death of the Dutch painter. The publicity and promotion were well conceived and successful. The eloquent banner over the entrance featuring a section of Rembrandt’s portrait and the caption “36 x REMBRANDT” appealed to the imagination. The audience expected to see a substantial number of standalone masterpieces, but it turned out that the advertised pieces are chiefly prints along with two portraits from the permanent display. No efforts were made to have at least two high-quality works by Rembrandt brought from abroad, sourcing them instead from domestic collections only. Still, even those artefacts were not duly displayed to their best effect, which is saddening given the noble venue. The review discusses the assets and the shortcomings of the show, in order to acquaint museum professionals with the expectations of the viewers.36 x Rembrandt – wystawa na Zamku Królewskim w Warszawie w świetle wybranych ekspozycji rocznicowyc
O Polaku opisującym Włochy po francusku. Dzieło Bernarda Potok- kiego wznowione po 195 latach, rec. książki: Bernard Potocki, Voyage dans une partie de l’Italie
No full textAbout a Pole who describes Italy in French. Bernard Potocki’s work was re-issued after 195 years, review of: Bernard Potocki, Voyage dans une partie de l’Italie[A Journey to a Part of Italy]O Polaku opisującym Włochy po francusku. Dzieło Bernarda Potockiego wznowione po 195 latach, rec. książki: Bernard Potocki, Voyage dans une partie de l’Itali
O migracji żydów rosyjskojęzycznych do Niemiec, rec. książki: Joseph Cronin, Russian-Speaking Jews in Germany’s Jewish Communities, 1990–2005
No full textOn the migration of Russian-speaking Jews to Germany, review of: Joseph Cronin, Russian-Speaking Jews in Germany’s Jewish Communities, 1990–2005O migracji żydów rosyjskojęzycznych do Niemiec, rec. książki: Joseph Cronin, Russian-Speaking Jews in Germany’s Jewish Communities, 1990–200
„Ekstaza” czy „admiracja”? Ikonografia obrazu św. Franciszka z Muzeum Diecezjalnego w Siedlcach w kontekście wymowy wybranych płócien z serii franciszkańskiej El Greca
Full text linkThe widely adopted title of “Ecstasy of St Francis”, a painting at the Diocesan Museum in Siedlce, was introduced in literature in 1966 based on the typology developed by José Gudiol. The designa- tion continues to be used until today. However, the significance and the purport of the title has not been confronted with the representation, especially given the current knowledge about its details. No attention has been paid so far to the nature of the stigmata, nor have any conclusions been drawn from the arrangement of the fingers or the depiction of bone remains, their pattern and placement. An analysis of those motifs changes the previous interpretation of what the work seeks to convey. The paper also cites arguments in favour of amending the current dating, from 1578-80 to the early seventeenth century.The widely adopted title of “Ecstasy of St Francis”, a painting at the Diocesan Museum in Siedlce, was introduced in literature in 1966 based on the typology developed by José Gudiol. The designa- tion continues to be used until today. However, the significance and the purport of the title has not been confronted with the representation, especially given the current knowledge about its details. No attention has been paid so far to the nature of the stigmata, nor have any conclusions been drawn from the arrangement of the fingers or the depiction of bone remains, their pattern and placement. An analysis of those motifs changes the previous interpretation of what the work seeks to convey. The paper also cites arguments in favour of amending the current dating, from 1578-80 to the early seventeenth century