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YY. Kryptonimy Jerzego Jankowskiego
Get PDFThe article is an attempt to interpret the only book published by Jerzy Jankowski, a forerunner of Polish futurism who is often overlooked in literary history related to the beginnings of the avant-garde movement. Tram wpopszek ulicy (Tram crossways on the street), published in 1920, is presented in terms of innovative phenomena in Polish and European poetry. Such a point of view reveals its precursory character, despite its passeism repeatedly diagnosed by critics. The key word and the starting point of the analysis is the first word of the title – tram, whose ambiguity makes it not only a sign of a modern city but also a metaphor of the construction of the entire book and its historical location. Further analysis leads to conclusions that, on the one hand, reveal the complicated meaning of the vitalistic futurist concept of life and, on the other, indicate aporias and tensions between symbolism and avant-garde, originality and repetition, materiality and spirituality, as well as aesthetics and the social function of art. These seem to be a hidden dimension of Jankowski’s work.The article is an attempt to interpret the only book published by Jerzy Jankowski, a forerunner of Polish futurism who is often overlooked in literary history related to the beginnings of the avant-garde movement. Tram wpopszek ulicy (Tram crossways on the street), published in 1920, is presented in terms of innovative phenomena in Polish and European poetry. Such a point of view reveals its precursory character, despite its passeism repeatedly diagnosed by critics. The key word and the starting point of the analysis is the first word of the title – tram, whose ambiguity makes it not only a sign of a modern city but also a metaphor of the construction of the entire book and its historical location. Further analysis leads to conclusions that, on the one hand, reveal the complicated meaning of the vitalistic futurist concept of life and, on the other, indicate aporias and tensions between symbolism and avant-garde, originality and repetition, materiality and spirituality, as well as aesthetics and the social function of art. These seem to be a hidden dimension of Jankowski’s work
Transdziedzinowość – retoryczność – cyfryzacja. W stronę tekstów transdziedzinowych i eksplozji strukturalnej
Get PDFThe article analyses the agency of transgression and transcendence at the domain level. It characterizes the specificity of this process and points to factors that influence its intensification (especially the development of digital technologies). The text presents the effects of this process – the impact on the way cultural texts and their structures exist. The article examines the rhetorical dimension of a trans-disciplinary nature, the effect of which is the creation of trans-disciplinary texts. It proves the thesis that in the interaction between disciplines a structural explosion takes place, which leads to the creation of new textual figures and structures and the formation of new types of texts. These issues are illustrated using specific examples of trans-disciplinary texts.The article analyses the agency of transgression and transcendence at the domain level. It characterizes the specificity of this process and points to factors that influence its intensification (especially the development of digital technologies). The text presents the effects of this process – the impact on the way cultural texts and their structures exist. The article examines the rhetorical dimension of a trans-disciplinary nature, the effect of which is the creation of trans-disciplinary texts. It proves the thesis that in the interaction between disciplines a structural explosion takes place, which leads to the creation of new textual figures and structures and the formation of new types of texts. These issues are illustrated using specific examples of trans-disciplinary texts
Tęsknota za ideałem. Rola dzieci w filmach i filozofii twórczej Andrieja Tarkowskiego
Get PDFThe topic of the article is the role of child characters in Andrei Tarkovsky’s oeuvre. The first part concerns the early films in which children appear as main characters and represent a spiritual ideal. In the second part, later films are analysed in terms of the presence of adult characters striving for this ideal.The topic of the article is the role of child characters in Andrei Tarkovsky’s oeuvre. The first part concerns the early films in which children appear as main characters and represent a spiritual ideal. In the second part, later films are analysed in terms of the presence of adult characters striving for this ideal
Światy możliwe planety Solaris: świadomość czytelnika w warunkach nieoznaczoności
Get PDFThe article examines the specifics of the reader’s reception of Stanisław Lem’s novel Solaris in the context of indeterminacy, and the openness of the work to interpretation. The paper examines literary approaches to the formation of meaning in the process of reading this novel, in particular those implemented in Manfred Geier and Istvan Jr. Csicsery-Ronay works. Marie-Laure Ryan’s adaptation of the theory of possible worlds to literary analysis is employed as the methodological basis of my research. On the one hand, the effect of indeterminacy corresponds to the fantastic nature of the conditionality of Lem’s novel. Indeed, the key issue of the work – the encounter of humans with the unknown – requires the author to apply the potential of secrecy. On the other hand, this highly literary work (as well as Andrei Tarkovsky’s film adaptation) is endowed with multiple and ambiguous semantic codes that appeal to the depths of human consciousness and the unconscious. These codes cannot be interpreted unambiguously and, therefore, also provoke a state of uncertainty in the reader. In the textual actual world, semantic codes produce indeterminacy. They are linked to the essence of the single inhabitant of the Solaris, the Ocean, and phantoms created by it who visit the Station. In the novel protagonist’s Kris Kelvin personal world, the state of indeterminacy is associated with the existential essence of his relationship with his beloved Rheya and the problem of making contact with extraterrestrial intelligence. The surreal imagery of Kris’s dreams and visions provide for possible interpretations of the semantic codes of his world.The article examines the specifics of the reader’s reception of Stanisław Lem’s novel Solaris in the context of indeterminacy, and the openness of the work to interpretation. The paper examines literary approaches to the formation of meaning in the process of reading this novel, in particular those implemented in Manfred Geier and Istvan Jr. Csicsery-Ronay works. Marie-Laure Ryan’s adaptation of the theory of possible worlds to literary analysis is employed as the methodological basis of my research. On the one hand, the effect of indeterminacy corresponds to the fantastic nature of the conditionality of Lem’s novel. Indeed, the key issue of the work – the encounter of humans with the unknown – requires the author to apply the potential of secrecy. On the other hand, this highly literary work (as well as Andrei Tarkovsky’s film adaptation) is endowed with multiple and ambiguous semantic codes that appeal to the depths of human consciousness and the unconscious. These codes cannot be interpreted unambiguously and, therefore, also provoke a state of uncertainty in the reader. In the textual actual world, semantic codes produce indeterminacy. They are linked to the essence of the single inhabitant of the Solaris, the Ocean, and phantoms created by it who visit the Station. In the novel protagonist’s Kris Kelvin personal world, the state of indeterminacy is associated with the existential essence of his relationship with his beloved Rheya and the problem of making contact with extraterrestrial intelligence. The surreal imagery of Kris’s dreams and visions provide for possible interpretations of the semantic codes of his world
Antynomie Trzeciego w myśli Emmanuela Lévinasa
Get PDFThe ethics of Emmanuel Lévinas – the idea of asymmetrical, unconditional responsibility for and devotion to the Other – is founded on the dichotomy between the Same (I) and the Other. The objective of the article is to demonstrate that, in spite of this dichotomous foundation, Lévinas’s argument paradoxically eludes the binary logic of the Western logos. Employing the ‘close reading’ method with Otherwise than Being or Beyond Essence, the author shows how Lévinas’s way of thinking and the main concepts of his argument situate themselves beyond binary oppositions – in the realm of the excluded middle or, otherwise, in the realm of the Third, construed as transgression of dichotomies. The main argument is preceded by a discussion of the antinomies introduced into the I-Other relation by the appearance of the Third construed as the Third Party (le tiers).The ethics of Emmanuel Lévinas – the idea of asymmetrical, unconditional responsibility for and devotion to the Other – is founded on the dichotomy between the Same (I) and the Other. The objective of the article is to demonstrate that, in spite of this dichotomous foundation, Lévinas’s argument paradoxically eludes the binary logic of the Western logos. Employing the ‘close reading’ method with Otherwise than Being or Beyond Essence, the author shows how Lévinas’s way of thinking and the main concepts of his argument situate themselves beyond binary oppositions – in the realm of the excluded middle or, otherwise, in the realm of the Third, construed as transgression of dichotomies. The main argument is preceded by a discussion of the antinomies introduced into the I-Other relation by the appearance of the Third construed as the Third Party (le tiers)
Biomitografia zakwestionowana. Sendlerowa. W ukryciu Anny Bikont jako performans tekstualny
Get PDFThe article is a performative interpretation of Sendlerowa. W ukryciu, a biography of Irena Sendlerowa by Anna Bikont. The author of the article presents the biography as a textual performance, whose aim is to contest the well-known image of Irena Sendlerowa (described within the category of biomythography introduced by Michael Benton). The author analyses how Anna Bikont distances herself from the biomythography and reintroduces the parts of Sendlerowa’s biography that had been omitted for years through being incompatible with the role of a national hero. She also evaluates the extent to which biography can serve as a critical tool with respect to Polish historical policy.The article is a performative interpretation of Sendlerowa. W ukryciu, a biography of Irena Sendlerowa by Anna Bikont. The author of the article presents the biography as a textual performance, whose aim is to contest the well-known image of Irena Sendlerowa (described within the category of biomythography introduced by Michael Benton). The author analyses how Anna Bikont distances herself from the biomythography and reintroduces the parts of Sendlerowa’s biography that had been omitted for years through being incompatible with the role of a national hero. She also evaluates the extent to which biography can serve as a critical tool with respect to Polish historical policy
Spekulatywny zwrot czy powrót do źródeł? O „kwartetach” Martina Heideggera i Grahama Harmana
Get PDFThe article contains reflections on the “speculative realism”, a direction in 21st century philosophy initiated by Graham Harman, whose books (The Quadruple Object, Object-Oriented Ontology. A New Theory of Everything) continue and process Martin Heidegger’s concept of “the quadruple” (das Geviert), and they also use the ideas of such thinkers as Edmund Husserl and Bruno Latour. The basic problem formulated in this text arises from the following questions: is speculative realism another turn in scientific research, or rather a return to those sources of thinking that take into account the complexity and the irreducibility of reality to any metaphysical instance? What is the role of the “speculative turn” in cultural studies, in various interpretative practices?The article contains reflections on the “speculative realism”, a direction in 21st century philosophy initiated by Graham Harman, whose books (The Quadruple Object, Object-Oriented Ontology. A New Theory of Everything) continue and process Martin Heidegger’s concept of “the quadruple” (das Geviert), and they also use the ideas of such thinkers as Edmund Husserl and Bruno Latour. The basic problem formulated in this text arises from the following questions: is speculative realism another turn in scientific research, or rather a return to those sources of thinking that take into account the complexity and the irreducibility of reality to any metaphysical instance? What is the role of the “speculative turn” in cultural studies, in various interpretative practices
Postmodernizm jako kryzys mentalny
Get PDFThe article is devoted to the crisis situation of postmodernism. The author assumes that the crisis of postmodernism is a historical process phenomenon and therefore inevitable. The postmodernism of the last decades of the 20th century is presented as most probably the last crisis of the post-rhetoric formation in its culture-creating productivity. The author believes that the recessive reconstruction of the dominant role of authority’s discourse with its imperative, legislative and regulatory competencies, or neo-rhetorical breakthrough of the convergent mentality leading to the domination in people’s spiritual lives as more or less likely scenarios for the further development of the historical situation together with the surging globalism of the human civilization may prove to be universally significant. Moreover, the author focuses on the media tools used to carry out each discursive formation. Those tools open up unique possibilities for executing the neo-rhetorical impulse towards the universal solidarization of life.The article is devoted to the crisis situation of postmodernism. The author assumes that the crisis of postmodernism is a historical process phenomenon and therefore inevitable. The postmodernism of the last decades of the 20th century is presented as most probably the last crisis of the post-rhetoric formation in its culture-creating productivity. The author believes that the recessive reconstruction of the dominant role of authority’s discourse with its imperative, legislative and regulatory competencies, or neo-rhetorical breakthrough of the convergent mentality leading to the domination in people’s spiritual lives as more or less likely scenarios for the further development of the historical situation together with the surging globalism of the human civilization may prove to be universally significant. Moreover, the author focuses on the media tools used to carry out each discursive formation. Those tools open up unique possibilities for executing the neo-rhetorical impulse towards the universal solidarization of life