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Od tradycji ludowej do nowoczesnej tożsamości. Wernakularne krajobrazy w poezji Bruna Casilego
No full textThis paper discusses attitudes towards the southern Calabrian landscape as described in Bruno Casile’s poetry collection Strafonghia sto Skotidi (A Light in the Darkness, 1991). It demonstrates that the experience of the landscape, related to the lives of shepherds and farmers and expressed in the vernacular, oral Greek-Calabrian language, is rooted in the tradition of folk songs and distinct from the approach of the elites (Edward Lear, Antonio Marzano). It is argued that Casile seeks in the multigenerational engagement with the landscape a source of Greek-Calabrian identity, combining class consciousness and a narrative of the linguistic minority’s shared origin. The interpretations of Casile’s poetry contribute to discussions about the meanings of vernacular (social, participatory) landscapes and the class dimension of aesthetic landscape experience
Krajobraz jadalny w prozie polskiej XXI wieku – próba typologii
No full textThe article characterizes one of the non-visual approaches to landscape – the edible landscape. The term, introduced to describe home gardens combining aesthetic and utilitarian values, is treated by the author as a starting point for identifying landscapes where the cultural component is weakened in favor of the environmental one. The author uses the concept of ecosystem services and tracks how provisioning, supporting, and regulatory functions are realized in the landscape. In the first part of the article, the author presents research tools (new materialism, dark ecology, ecosystem services). Edible landscapes are interpreted as practices of “hacking the Anthropocene” – deconstructing agrologistics techniques. In the second part of the article, the author creates a typology of edible landscapes present in 21st-century Polish prose, which includes: the landscape of consumption, edible mnemotopos, terroir, urban garden. The author considers the works of D. Słowik, M. Lebda, J. Fiedorczuk, M. Płaza, Ł. Barys, K. Fedorowicz, A. Muszyński, Ł. Łuczaj, M. Książek. The edible landscape is considered as an adequate way of literary manifestation of nature in the Anthropocene era, and at the same time, in the form of urban gardening, an intervention practice aimed at socio-environmental justice. Consequently, the edible landscape is seen as a landscape enabling survival in the face of ecological catastrophe. At the same time, the environmental/climatic profile of early 21st-century Polish prose is noted
Wiedza psychologiczna jako część badań literackich - perspektywa historyczna
No full textThis article addresses the use of psychological knowledge in literary research throughout history. It analyses the methods of literary research from different eras in terms of the possibility of relating their elements to what is nowadays understood as the ‘psychology of literature’. At the same time, it proposes a broader understanding of both psychology and literary research, including a pre-scientific approach. The aim of the analysis is to observe more accurately than before the role of broad psychological knowledge in the development and application of the various theories of literary research.This article addresses the use of psychological knowledge in literary research throughout history. It analyses the methods of literary research from different eras in terms of the possibility of relating their elements to what is nowadays understood as the ‘psychology of literature’. At the same time, it proposes a broader understanding of both psychology and literary research, including a pre-scientific approach. The aim of the analysis is to observe more accurately than before the role of broad psychological knowledge in the development and application of the various theories of literary research
Metaforyczne archiwum przeobrażenia. Krajobrazy antropocenu w elektronicznym albumie fotograficznym "Przemiany" Krzysztofa Szlapy (2021)
No full textOdkrycie krajobrazu
No full textThis article reinterprets Natsume Sōseki’s Theory of Literature (Bungakuron, 1906) as a historically premature intervention that exposes the contingent, nineteenth-century construction of “literature” and “literary history.” It argues that Sōseki’s apparently eccentric question – “What is literature?” – targets the hidden historicity behind claims of Western universality and rejects linear developmental narratives and “-isms” as explanatory wholes. In place of periodizing categories, the article highlights Sōseki’s formalist impulse (including his F+f model), which treats “romanticism” and “naturalism” as variable elements within works rather than successive stages. The article further links this critique to the Meiji-era “discovery of landscape” as an epistemological shift: landscape becomes visible only through an inversion of perception associated with the “inner man.” By reading Kunikida Doppo’s Unforgettable People alongside the reclassification of sansuiga under Western pictorial frameworks, it shows how realism and interiority co-produce modern forms of representation. Ultimately, the article suggests that Sōseki’s theoretical impasse does not simply precede his fiction but helps generate it, making critical distance from “literature” the condition of his creativity.This article reinterprets Natsume Sōseki’s Theory of Literature (Bungakuron, 1906) as a historically premature intervention that exposes the contingent, nineteenth-century construction of “literature” and “literary history.” It argues that Sōseki’s apparently eccentric question – “What is literature?” – targets the hidden historicity behind claims of Western universality and rejects linear developmental narratives and “-isms” as explanatory wholes. In place of periodizing categories, the article highlights Sōseki’s formalist impulse (including his F+f model), which treats “romanticism” and “naturalism” as variable elements within works rather than successive stages. The article further links this critique to the Meiji-era “discovery of landscape” as an epistemological shift: landscape becomes visible only through an inversion of perception associated with the “inner man.” By reading Kunikida Doppo’s Unforgettable People alongside the reclassification of sansuiga under Western pictorial frameworks, it shows how realism and interiority co-produce modern forms of representation. Ultimately, the article suggests that Sōseki’s theoretical impasse does not simply precede his fiction but helps generate it, making critical distance from “literature” the condition of his creativity
Doświadczenie przestrzenne postaci w filmie – rekonesans teoretyczny i propozycja terminologiczna
No full textThe article outlines a possibility of analyzing the spatial experience of the film character. The first part presents important theories of experienced space taken from philosophy, cultural geography and literature studies, while also noting a lack of such concepts in film theory. The second part aims to fill this gap and provide tools for the systematic analysis of spatial experience in film. Most importantly, the terms ‘widening world’ and ‘narrowed world’ are proposed and discussed using selected film examples.The article outlines a possibility of analyzing the spatial experience of the film character. The first part presents important theories of experienced space taken from philosophy, cultural geography and literature studies, while also noting a lack of such concepts in film theory. The second part aims to fill this gap and provide tools for the systematic analysis of spatial experience in film. Most importantly, the terms ‘widening world’ and ‘narrowed world’ are proposed and discussed using selected film examples
„Pełną piersią chłonąc życie” – podmiot jako „rekwizyt” (wobec istnienia) w poezji Natalii Dzierżkówny
No full textArticle titled „Absorbing life to the fullest” – the subject as a „prop”( towards existence) in the poetry of Natalia Dzierżkówna presents the strategies of the lytic subject in the poetry of the artist from Podolia, the stages of overcoming the fears of existence, and the existence of a „prop” in a world perceived as a palimpsest (a large prop room). Natalia Dzierżkówna’s poetic work is vitalistic and dominated by figures such as repetition, paradox, chiasm, which describe ways of coping with the experience of internal imprisonment. An alternative to the existence of a „prop”, a unreflective ex istence among other „props”, include the processes of self-improvement and creativity. These are important components of modern vitalism, which foreshadowed twentieth-century perspectivism.Article titled „Absorbing life to the fullest” – the subject as a „prop”( towards existence) in the poetry of Natalia Dzierżkówna presents the strategies of the lytic subject in the poetry of the artist from Podolia, the stages of overcoming the fears of existence, and the existence of a „prop” in a world perceived as a palimpsest (a large prop room). Natalia Dzierżkówna’s poetic work is vitalistic and dominated by figures such as repetition, paradox, chiasm, which describe ways of coping with the experience of internal imprisonment. An alternative to the existence of a „prop”, a unreflective ex istence among other „props”, include the processes of self-improvement and creativity. These are important components of modern vitalism, which foreshadowed twentieth-century perspectivism
Słowa i ciało w Słońcu i stali Yukio Mishimy
No full textErnest Rojek’s work The Word and The Body in Yukio Mishima’s ‘Sun and Steel’ aims is to provide an original interpretation of this text, taking the titular opposition as its starting point. These assumptions allow the coherent structure of this Japanese author’s essay to be presented, and his unique philosophical anthropology. The author of the paper makes use of the tools provided by Mieletinski’s semiotic theory of the myth and autotheory. Additionally, by providing the historical context, he draws attention to the Japanese and European influences of Mishima. He also shows that Mishima was a thinker with a profound conviction about the inner conflict in human existence, which lay between the bodily, and the linguistic reality. Inspired by Bataille and Neo-Confucian philosophy, Mishima was able to overcome this divide. In doing so, he creates his own original ars moriendi, in which death becomes the moment of return to the full being.Ernest Rojek’s work The Word and The Body in Yukio Mishima’s ‘Sun and Steel’ aims is to provide an original interpretation of this text, taking the titular opposition as its starting point. These assumptions allow the coherent structure of this Japanese author’s essay to be presented, and his unique philosophical anthropology. The author of the paper makes use of the tools provided by Mieletinski’s semiotic theory of the myth and autotheory. Additionally, by providing the historical context, he draws attention to the Japanese and European influences of Mishima. He also shows that Mishima was a thinker with a profound conviction about the inner conflict in human existence, which lay between the bodily, and the linguistic reality. Inspired by Bataille and Neo-Confucian philosophy, Mishima was able to overcome this divide. In doing so, he creates his own original ars moriendi, in which death becomes the moment of return to the full being
Krajobraz poruszony
No full textThe editorial in the issue, Landscape as a Way of Experiencing the World – Theories, Aesthetics, Practices (Part 1), serves to present diverse research perspectives, whose common starting point is reflection primarily on action in various fields of experience. Landscapes, viewed as experiencing the world, exist in spaces in theory, art practices and aesthetics