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    Le cri de la bête et la chute du géant : sons et mise à mort de l\u27adversaire dans l\u27aventure merveilleuse arthurienne

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    This article focuses on the presence and the treatment of sound in the killing of the adversary in the Arthurian novel. We begin by establishing a definition of the topos, based on a large list of occurrences, which leads us to see in the sound of the death of the enemy a variation of a larger and more widespread motif. We then study the evolution of this topos from the epic texts to the latest novels. Finally, we notice the significance of these sounds in a family of romances in which authors seem to seek to perpetuate the first forms of the Arthurian story.Cet article étudie la présence et le traitement du son dans la mise à mort de l’adversaire dans le roman arthurien. L’autrice établit tout d’abord une définition du topos, appuyée sur un large relevé d’occurrences, qui la conduit à voir dans la sonorisation de la mort de l’ennemi une variation d’un motif plus large et plus répandu. Elle étudie ensuite l’évolution de ce topos depuis les textes épiques jusqu’aux derniers romans. Elle remarque enfin la prégnance de ces sons dans une famille de récits dont les auteurs semblent chercher à perpétuer les premières formes du récit arthurien

    Editors\u27 Note

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    Moonlit Irony: Excavating the Metaphysics of Marginalized Relationships in “The Goose Fish”

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    Two Visions of Reconciliation in Canada

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    Reconciliation has become a popular and contentious term in Canadian politics, media, jurisprudence, and legal education. In this paper, I explore what is at stake in our approach to reconciliation by contrasting two prevailing forms. The first is a form pursued in Canadian jurisprudence which I refer to as “reconciliation to Crown sovereignty.” The second is a form advocated by numerous scholars and Indigenous leaders which I call “reconciliation as treaty.” Reconciliation to Crown sovereignty is a process whereby Indigenous polities’ interests in political autonomy and control of land are systematically undermined or rendered legally inert, thereby reconciling these interests with the sovereignty of the Crown. Reconciliation as treaty, by contrast, entails building and renewing treaty relationships through Crown engagement with Indigenous peoples robustly constrained by a principle of non-domination. I argue that these two forms of reconciliation are mutually exclusive and that reconciliation as treaty should be preferred because it respects and protects Indigenous peoples’ law and ontologies. I use the recent Federal Court of Appeal decision in Coldwater et al v Canada (Attorney General) as a case study to explore these two approaches to reconciliation

    D032 N07 C0MpU73: Exploring (Post)Human Bodies and Worlds with/in Droidial(ity) and Narrative Contexts

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    This article focuses on droidial bodies in children’s literature to explore how speculative literacies foster necessary spaces for thinking about (non)human and more-than-human connectivity. Specifically, we share what was produced when we applied a framework underpinned by posthumanist concepts to three children’s books centering robots. Using Jackson and Mazzei’s thinking with theory to plug into these books, this article raises (re)new(ed) questions about the intersections of literacy, humanism, and droids. It proposes that pairingposthumanist concepts with droidial texts can be generative in thinking about, critiquing, and predicting changes with the (ever-developing) relationship(s) between humans and machines

    Flourishing Together Like a Troupe of Dancers in the Early Childhood Art Space

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    This article describes drawing events with a group of toddlers and an educator that I observed during my master’s research study. The article demonstrates how their artmaking space became a pedagogical third site in which the children, educators, and materials flourished together. First, I discuss how posthuman and new materialist perspectives in early childhood education invite consideration of how humans and more-than-humans coconstruct their experiences of mutual teaching and learning. Then, discussing some of the findings from this study, I illustrate how the art space might become a meeting place where children, educators, and materials live together. Finally, I suggest some areas for future research

    Marrying Christ: Bernard of Clairvaux and the Song of Songs in Aemilia Lanyer’s "Salve Deus Rex Judaeorum"

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    In 1611, an Englishwoman named Aemilia Lanyer published a volume of poetry and prose titled Salve Deus Rex Judaeorum. Throughout the volume, which centres on an 1800-line retelling of Christ’s death and resurrection, Lanyer draws from the Song of Songs as well as other biblical texts to produce an image of Christ as a Bridegroom. In so doing, Lanyer inserts herself into a hermeneutical genealogy populated by both Protestant and Catholic writers. A key figure in this interpretive tradition is the twelfth-century abbot and mystic Bernard of Clairvaux, whose sermon cycle on the first part of the Song of Songs offers a detailed character study of the Bridegroom. This article examines the cross-confessional nature of the bridal-mystical tradition epitomized by Bernard before conducting a close reading of the images that Lanyer associates with Christ. Ultimately, this article suggests that Lanyer puts bridal theology to a new communal use by producing a devotional poetic space in which female readers can engage with each other through Christ and with Christ through each other

    Allied Interpreters: Exploring the Role Perception and Ethics of Uncertified Interpreters Supporting Migrant Agricultural Workers in British Columbia

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    Uncertified interpreters enable migrant agricultural workers in Canada’s Seasonal Agricultural Worker Program to access key resources and connect with community. Through providing a range of services, including support work and advocacy, interpreters assist migrant workers at risk of exploitation and injury in Canada. This article explores how uncertified interpreters navigate the power dynamics between migrant workers, interpreters, and other actors. Moreover, this article investigates how uncertified interpreters perceive their role and the ethical values that guide their communicative methods. This study’s research findings show that interpreters may adopt a pro-worker role perception as they gain knowledge of the disempowerment experienced by migrant workers. Arising from this role perception, interpreters may also adopt pro-worker ethical values that renounce interpreter neutrality in favour of accessibility and an explanatory communication style. Ultimately, this article contends that uncertified interpreters may reject some traditional interpretation guidelines to adopt a role perception, ethical framework, and communicative style perceived to be more well-suited to supporting migrant farm workers in British Columbia

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