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PAINTING PICTURES: TOWARDS CONNECTING THROUGH IMAGERY IN DIALOGUES WITH YOUNG PEOPLE WITH INTELLECTUAL DISABILITY
No full textThe authors discuss pivotal themes in the use of imagery (visual and verbal) as a method to engage in dialogue with young people with intellectual disability (ID). In their discussion they reflect on co-occurring changes in Dutch society, the nature of caregiving, and the increasing appeals for empowerment for and by people with ID. A critical dialogue is used to analyse experiences with imagery from their previous research, and the possibilities imagery harbours to improve dialogues on quality of life with young people with ID. Through analysis of the critical dialogue, five themes were identified: leitmotiv, ambiguity, choice, revelation, and distance. To conclude, the authors discuss why family members and professional support workers should consider using imagery as a productive methodology
Public Procurement and the Charbonneau Commission: Challenges in Preventing and Controlling Corruption
No full textEpisode 1 - The Water Sustainability Act, Groundwater Regulation, and Indigenous Rights to Water
No full textThis episode features two guests from the University of Victoria Faculty of Law. The first is Kathryn Gullason, a third-year student and the author of “The Water Sustainability Act, Groundwater Regulation, and Indigenous Rights to Water” (Appeal Volume 23, March 2018). The second guest is Professor Deborah Curran, who has expertise in the areas of land and water law and municipal law.The song that plays in the intro and outro of this episode is “Sum of My Fears” by Daizy Mae
Nothing is Good without Respect
No full textFor the production: The Merchant of Venice (2017, Bard on the Beach, Canada)
Emotional Storms: Verdi\u27s Otello at Vancouver Opera
No full textFor the production: Otello (2017, The O\u27Brian Centre for Vancouver Opera, Canada)
Slippery in Seattle: The Winter\u27s Tale
No full textFor the production: The Winter\u27s Tale (2016, Seattle Shakespeare Company, USA)
Why They Are So Sad in Merchant of Venice
No full textFor the production: The Merchant of Venice (2017, Bard on the Beach, Canada)
"Do Statues Dream of Puppet Sheep?”
No full textFor the production: The Winter\u27s Tale (2017, Bard on the Beach, Canada)
An Intersectional Feminist Two Gentlemen of Verona: The Women Choose the Forest
No full textFor the production: Two Gentlemen of Verona (2017, Bard on the Beach, Canada)