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Le mentor et l’homme, l’exemple du Doyen de Killerine de l’abbé Prévost et du Nouveau doyen de Killerine de L-S. Mercier
Si l’œuvre de Prévost est marquée par le thème de l’éducation, seul Le Doyen de Killerine (1735-1740) structure l’intégralité du récit autour des aventures d’un guide moral dont l’inexpérience remettra constamment en question sa mission. Du reste, cette spécificité semble d’autant plus remarquable qu’elle inspirera quelques années plus tard L-S. Mercier dans son drame intitulé Le Nouveau Doyen de Killerine. La présente étude se propose d’étudier comment ces œuvres mettent en exergue le discours de mentors équivoques, aux prises avec leurs faiblesses d’homme, à travers l’étude de deux topoï, à savoir celui du changement d’identité et de la reconnaissance.If Prévost\u27s work is influenced by the theme of education, Le Doyen de Killerine (1735-1740) is the only work, which focuses on the adventures of a moral guide whose inexperience constantly casts doubt on his mission. Moreover, this specificity seems all the more remarkable as it will inspire L-S. Mercier in his drama entitled Le Nouveau Doyen de Killerine. The present study proposes to study how these works highlight the discourse of equivocal mentors, struggling with their weaknesses of man, through the study of two topoi, namely those of the change of identity and recognition.
De disciple à mentor : le parcours exemplaire de Christine de Pizan
De disciple à mentor, c’est le parcours suivi par Christine de Pizan. Elle commence par se mettre en scène guidée par des personnifications allégoriques comme la Sibylle de Cumes dans le Chemin de long estude, et Raison, Droiture et Justice dans le Livre de la Cité des Dames et le Livre des trois Vertus. Puis elle assume en son nom propre le rôle de mentor. Le périple initiatique qu’elle entreprend dans le premier de ces textes, renvoie au topos bien connu du voyage dans l’Au-delà sous la conduite d’une figure emblématique, représenté par deux œuvres majeures qui l’ont inspirée, la Divine Comédie de Dante et l’Énéide de Virgile. From disciple to mentor, this is the path followed by Christine de Pizan. She begins to stage herself under the guidance of allegorical personifications such as the Cumaean Sibyl in Chemin de long estude (The Long Road of Learning), and Reason, Rectitude and Justice in the Livre de la Cité des Dames (The Book of the City of Ladies) et le Livre des trois Vertus (The Book of the Three Virtues). Then she assumes in her own name the role of mentor. The initiatory quest she undertakes in the first of these texts, refers to the well-known topos of the trip to the Other World under the guidance of an emblematic figure, represented by two major works that inspired her, Dante’s Divine Comedy and Virgil’s Aeneid.
Singaporean Societies: Multimedia Communities of Student Migration
As young Singaporeans are evaluating their obligations towards their parents at home, the state of Singapore is implementing policies to entrench long-term connection between overseas Singaporean students and their families by using financial support to guide overseas Singaporean student societies. These methods reach far beyond Singapore’s borders and involve a combination of online and offline communities of practice that bring young overseas Singaporeans closer together by setting social boundaries across multiple media. Young Singaporeans learn about studying overseas through online communities, and Singaporean societies seek to control that form of communication. In this paper, the author describes the worldwide state-funded and student-run Singaporean societies and how they seek to govern overseas students’ relationships with family at home using methods such as social media, finances, and parties. Drawing from ethnographic and online methods of inquiry over three months in 2015, this article explores how students experienced Singaporean societies as a tool to access social and financial resources, which set boundaries for them when reevaluating their responsibilities at home while they live abroad. The author looks at the critical language that is present in an online community of young Singaporeans and shows how Singaporean societies limit opportunities for criticism
Interview with Kanti Pertiwi, Founder of PhD Mama Indonesia
Lily Yulianti Farid interviewed Dr. Kanti Pertiwi, founder of the PhD Mama Indonesia online forum (www.phdmamaindonesia.com). Dr. Pertiwi received her PhD from the Faculty of Business and Economics at the University of Melbourne in 2017. She is a mother of three daughters and a lecturer in the Faculty of Economics at the University of Indonesia. She defines a PhD Mama as a mother from Indonesia who is pursuing her doctoral degree overseas, accompanied by her husband and children.
Dr. Pertiwi created the PhD Mama Indonesia forum in 2016 as an online platform for Indonesian female doctoral students to share stories and ideas. As temporary migrants in Australia and elsewhere, these students discuss their shared problems and interests as mothers, wives, and foreign students. The site’s web administrator interviews the members and invites them to write their own stories for the website. Success stories balancing doctoral studies with family life have become the main focus. The digital interaction and connection afforded by the PhD Mama forum highlight the challenges faced by middle-class Indonesian women when their culture, traditional values, and religion influence their perceptions of how to be a good mother and wife while spending four to seven years overseas to pursue an academic career
Henry V at the Oregon Shakespeare Festival
A review of the 2018 Oregon Shakespeare Festival production of Henry V
So much for Bardolatry! (Drunken) Romeo and Juliet in Shit-faced Shakespeare
A review of the Atlanta production of Romeo and Juliet by the Shit-faced Shakespeare company. Argues that the performance "highlighted the populist nature of American Shakespearean appropriation and commodification and the intersection of highbrow and lowbrow culture in American society" and "explores these aspects of Shakespearean appropriation through engagement with the writings of Antonin Artaud, Guy Debord, and Lawrence Levine on the theatre of cruelty, the society of the spectacle, and highbrow and lowbrow culture, respectively.
The Fall of the Family-State and Rise of the Enterprise Society: Family as Ideology and Site of Conservative Power in Modern Japan
Recent literature on the history of family in Japan reveals that what is commonly understood as the “traditional” Japanese family—called the ie family—is largely a political construct that was institutionalized in Japan’s Meiji period (1868–1912). While the ie model was effectively removed from the US-imposed postwar constitution and replaced with the western nuclear family as the new ideal, this historical analysis reveals that the neo-Confucian principles and social structures of the ie model were reintegrated into Japan’s company work culture, to the degree that the ie continued to shape Japan’s collectivist social structures and identities well beyond the end of the war. This analysis highlights key ideologies employed by the ruling elite in modern Japan as a means of social control and nation building. It demonstrates a continuation of the historically close relationship between family and the state in postwar Japan that challenges deterministic notions of westernization applied to the Japanese context; it highlights articulations of family that complicate culturally bound conceptions that see it as inherently separate from the state, and clarifies the modern history of collectivist society in Japan
The Promise of Intergenerational Choir for Improving Psychosocial and Cognitive Health for those with Dementia: The Voices in Motion Project
Rates of dementia continue to increase along with life expectancy. As neither dementia’s causenor its cure is well understood from the perspective of medical science, further investigations ofcomplementary lifestyle and non-pharmaceutical interventions are imperative. Although arts-basedtherapies have been explored selectively, the significance of these interventions for persons withdementia (PwD) remains undervalued in both the general population and scientific literature. Thisstudy aims to examine one promising lifestyle intervention, the effect of intergenerational choirparticipation, on psychosocial and cognitive function for PwD. Participants (n = 32), in partnershipwith their family caregivers and local high school students, participated in an intergenerational choirfor as many as three choir seasons spanning up to 18 months of follow-up. Participants underwent anexpansive assessment of psychosocial, physiological, and cognitive function every four to six weeksas part of an intensive repeated measures design. Here, the potential benefits of choir for PwD wereexplored in relation to change for select cognitive (Mini-Mental State Examination: MMSE; TrailMaking Task A: TMT-A; Word Recall) and psychosocial (Patient Health Questionnaire: PHQ-9)indicators. Multilevel modelling was used to index initial levels (at baseline) and change (spanningup to eight follow-up assessments) in function for measures of global cognition, executive functioning,episodic memory, and depressive symptoms. Notably, no significant declines were observed for MMSEor TMT-A tasks. As expected, episodic memory function continued to decline, with a significantlessening of depressive symptoms and signs observed for the PHQ-9. These results suggest thatdespite the progressive nature of underlying neuropathology for dementia subtypes like Alzheimer’sDisease, preservation of select cognitive functions as well as mitigation of psychosocial comorbidities(depressive symptoms) is possible through participation in an intergenerational choir
The Living Wall: Implementing and Interpreting Pedagogical Documentation in Specialized ELCC Settings
The program approach in specialized early learning programs may result in adults focusing too intently on therapeutic treatment reports and disabilities and not on the stories children share through play. Observing, listening, and documenting play scripts can shift adults’ focus and make the self of children and their interests visible. Exploring different ways of documenting children’s experiences in specialized educational settingswas the impetus for this paper. The Living Wall—a form of pedagogical documentation—aligns with Ted Aoki’s notion of a “curriculum-as-lived-experience” that honours children and gives them a voice through the collection and interpretation of their artwork, dialogue, and imaginative play scripts