Kultury Wschodniosłowiańskie - Oblicza i Dialog
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Odwołania do idei cykliczności w filmie „Wygnanie” Andrieja Zwiagincewa
Full text linkThe aim of this article is to show how the idea of cyclicality functions in the artistic world of The Banishment, directed by Andrei Zvyagintsev. We try to show that this idea works in conjunction with biblical motifs, but is also visible in a broader mythical-anthropological context. This idea is inseparably linked with the motive of the border, which is floating by its nature. We also try to put emphasis on the Zvyagintsev’sartistic method
Aleś Puszkin — czołowa postać białoruskiej awangardy?
Full text linkAvant-garde, a rebellious band of new trends and tendencies in art that appeared in the early 20th century, lasted for years being transformed, yielding the new forms of expression. It is also a trend of art most often associated with contemporaryBelarusian art (partially due to “school of Vitebsk”, Marc Chagall and Kazimir Malevich), still enjoying popularity in the country. One of the most recognizable Belarusian artistsis Ales Pushkin, born in 1965 in Bobr, associated with the Achremczuk’s National Schoolof Music and the Arts in Minsk and Vitebsk artistic environment. Pushkin is known for his indomitable, rebellious attitude towards the state regime. For many observers, art amateurs and even art critics, the character of his work immediately resembles avant-garde. However, as some researchers noted, Pushkins’ art enters a new dimension,paving the way towards new horizons of contemporary (avant-garde?) art of Belarus
Твори Лесі Українки у світлі рампи сучасного театру
Full text linkThe paper continues an earlier work on the stage production of dramatic works by Lesya Ukrainka in Ukrainian theatres. It presents the overview of stage productions put on in the years of 2012 to 2016, as well as productions, which had been staged earlier but are still performed on the stage. The study is based on the overview and the analysis of publications in Ukrainian theatre periodicals available online, as well as on the data presented on the websites of Ukrainian theatres. The analysis of the material leadsto the conclusion that Lesya Ukrainka’s dramatic works included in the current listof productions of Ukrainian theatres (drama, opera and ballet, experimental, puppet, and amateur ones) hold the attention of theatre directors, who take both modern and traditional approaches to staging her plays. Productions of the fairy drama Forest Songare the most frequent to be put on stage
Pomiędzy psychologizmem a psychoanalizą. Problem psychologicznej konstrukcji bohaterów w powieści „Kyś” Tatiany Tołstoj
No full textBetweenpsychologism and psychoanalysis. Psychological construction of characters in the novel “The Slynx” by Tatiana Tolstoy’sPomiędzy psychologizmem a psychoanalizą. Problem psychologicznej konstrukcji bohaterów w powieści „Kyś” Tatiany Tołsto
Процесс индивидуации как ключ к интерпретации главного героя романа Федора Достоевского „Бесы”
Full text linkThe article is an attempt to interpret Nikolay Stavrogin, the main character of Fyodor Dostoyevsky’s novel The Possessed, in the key of the analytical psychology. It is argued that Stavrogin may be undergoing the process of individuation by dealing with the collective unconscious. The attention is drawn particularly to the character of Matryosha, who can be perceived as the protagonist’s anima, showing him the way out of the tragic impasse.The article is an attempt to interpret Nikolay Stavrogin, the main character of Fyodor Dostoyevsky’s novel The Possessed, in the key of the analytical psychology. It is argued that Stavrogin may be undergoing the process of individuation by dealing with the collective unconscious. The attention is drawn particularly to the character of Matryosha, who can be perceived as the protagonist’s anima, showing him the way out of the tragic impasse
Герой Федора Достоевского и Миодрага Булатовича в сфере теории биоэнергетики. Вступление в разработке темы
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Widzialny symbol wiary. Motyw ikony w twórczości literackiej Fiodora Dostojewskiego
No full textThe present work is devoted to the analysis of the icon motif in the works of F. M Dostoyevsky (1821 – 1881). The author of this paper tries to prove her own thesis that the famous writer’s opinion of his literary characters depended distinctly on their attitude towards icons. In this paper Dostoevsky\u27s books such as The Landlady, Netochka Nezvanova, Demons, The Adolescent, The Meek One and The Brothers Karamazov are analyzed.The present work is devoted to the analysis of the icon motif in the works of F. M Dostoyevsky (1821 – 1881). The author of this paper tries to prove her own thesis that the famous writer’s opinion of his literary characters depended distinctly on their attitude towards icons. In this paper Dostoevsky\u27s books such as The Landlady, Netochka Nezvanova, Demons, The Adolescent, The Meek One and The Brothers Karamazov are analyzed
Агония „красного человека”: сложные дилеммы Светланы Алексиевич
Full text linkThe article is dedicated to the Svetlana Alexievich literary works in the cultural and social context of our time. As the writer has recognized, she writes about the end of the epoch which was called homo sovieticus. She paid a great attention to the traumatic experience regardless of to whom it belongs: to the Soviet servants or theirs victims – the ones who were repressed and called dissidents. Humanistic pathos is one of the main features of Svetlana Alexievich’s writings. It overestimates the value of individuality and private life in the contemporary society.The article is dedicated to the Svetlana Alexievich literary works in the cultural and social context of our time. As the writer has recognized, she writes about the end of the epoch which was called homo sovieticus. She paid a great attention to the traumatic experience regardless of to whom it belongs: to the Soviet servants or theirs victims – the ones who were repressed and called dissidents. Humanistic pathos is one of the main features of Svetlana Alexievich’s writings. It overestimates the value of individuality and private life in the contemporary society
Kilka słów o „Temacie petersburskim” w literaturze rosyjskiej pierwszej połowy XIX wieku
Full text linkThe aim of this study is to analyze the transformation and different approaches towards “the St. Petersburgtheme” in selected works of Russian writers at the end of the first part of the 19th century. This theme is known as the St. Petersburg text. The main focus of the study is put on the evolution of the St. Petersburg text in the literary historical process and the way it is presented in the literature of particular writers of the period. Furthermore, an attempt has been made to analyze how historical events and personal experiences of the writer affected the metamorphosis of the St. Petersburg text in the author’s literary works. In this paper, we shall confine our attention to Gogol’s Petersburg tales, a series of stories connected with the city ofSt. Petersburg of the 1830s and 1840s, as well as the poetry of that period.The aim of this study is to analyze the transformation and different approaches towards “the St. Petersburgtheme” in selected works of Russian writers at the end of the first part of the 19th century. This theme is known as the St. Petersburg text. The main focus of the study is put on the evolution of the St. Petersburg text in the literary historical process and the way it is presented in the literature of particular writers of the period. Furthermore, an attempt has been made to analyze how historical events and personal experiences of the writer affected the metamorphosis of the St. Petersburg text in the author’s literary works. In this paper, we shall confine our attention to Gogol’s Petersburg tales, a series of stories connected with the city ofSt. Petersburg of the 1830s and 1840s, as well as the poetry of that period
Kategoria maski w powieści „Biesy” F.M. Dostojewskiego
Full text linkThe category of mask in the novel “Demons” by F.M. Dostoevsky Kategoria maski w powieści „Biesy” F.M. Dostojewskiego