ATeM Archiv für Textmusikforschung
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Audrey Coudevylle-Vue et al. : Charles Trenet. Que reste-t-il de ses beaux jours ? Aix-en-Provence : Presses Universitaires de Provence, 2021. ISBN 9791032003299. 350 pages.
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Dagmar Reichardt / Domenica Elisa Cicala / Donatella Brioschi / Mariella Martini-Merschmann (ed.): Polifonia musicale. Le tante vie delle melodie italiane in un mondo transculturale. Firenze: Franco Cesati, 2020. ISBN 9788876678264. 248 pagine.
Full text linkGilles Bonnet : Auteur-Compositeur-Interprète-Écrivain. L’âge de l’ACIÉ (2000-2020). Aix-en-Provence : Presses Universitaires de Provence, 2021. ISBN 9791032003541. 150 pages.
Full text linkCharles Ofaire: Der Tag hat keine Türe. Weggedichte. Mit 9 Farbfotografien und Titelbild von Margret Riegels. Marburg: Verlag Blaues Schloss, 2020. ISBN 9783965770263. 60 Seiten.
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Stéphane Chaudier / Joël July (éds) : Chanson. Paris : Sorbonne PUPS, 2021. ISBN 979102310714. 230 pages [= Génésis. Revue internationale de critique génétique ITEM 52 (2021). ISSN 22681590].
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« Poétiser son vécu » dans les autofictions de Magyd Cherfi et Abd al Malik
Full text linkThis article examines the journey to becoming a writer for two French singers-songwriters-authors, Magyd Cherfi, lead singer of the group Zebda and rapper Abd al Malik. Having identified a major common theme in their writing, namely the “who am I in today’s France?” trope, we will analyze their autofiction to see what it brings to the “new national narrative that would integrate Europe and the world” (Abd al Malik).This article examines the journey to becoming a writer for two French singers-songwriters-authors, Magyd Cherfi, lead singer of the group Zebda and rapper Abd al Malik. Having identified a major common theme in their writing, namely the “who am I in today’s France?” trope, we will analyze their autofiction to see what it brings to the “new national narrative that would integrate Europe and the world” (Abd al Malik).This article examines the journey to becoming a writer for two French singers-songwriters-authors, Magyd Cherfi, lead singer of the group Zebda and rapper Abd al Malik. Having identified a major common theme in their writing, namely the “who am I in today’s France?” trope, we will analyze their autofiction to see what it brings to the “new national narrative that would integrate Europe and the world” (Abd al Malik)
“Mettimi giù due righe”: Sergio Caputo tra scrittura musicale e letteraria
Full text linkThe article focuses on the Roman singer-songwriter Sergio Caputo, known for his eclectic crossover between jazz and pop and his inventive and linguistically rich lyrics. A literary author since 2008, Caputo has developed an articulated dialogue between the two artistic identities – writer and musician. Here, I intend mostly to discuss the already literature-oriented nature of Caputo’s song lyrics, how they informed his actual literary works, and how, in turn, the latter tell us something about his songwriting. In between, Caputo’s specific literary influences, particularly the Beat Generation, and their role in both musical and literary writing, will be also discussed.The article focuses on the Roman singer-songwriter Sergio Caputo, known for his eclectic crossover between jazz and pop and his inventive and linguistically rich lyrics. A literary author since 2008, Caputo has developed an articulated dialogue between the two artistic identities – writer and musician. Here, I intend mostly to discuss the already literature-oriented nature of Caputo’s song lyrics, how they informed his actual literary works, and how, in turn, the latter tell us something about his songwriting. In between, Caputo’s specific literary influences, particularly the Beat Generation, and their role in both musical and literary writing, will be also discussed.L\u27articolo si concentra sul cantautore romano Sergio Caputo, noto per il suo eclettico crossover tra jazz e pop e per i suoi testi fantasiosi e linguisticamente ricchi. Autore letterario dal 2008, Caputo ha sviluppato un dialogo articolato tra le due identità artistiche: scrittore e musicista. Qui, intendo principalmente discutere la natura già orientata alla letteratura dei testi delle canzoni di Caputo, come questi abbiano informato le sue opere letterarie reali e come, a loro volta, queste ultime ci dicano qualcosa sulla sua scrittura. Nel contempo, verranno discusse anche le specifiche influenze letterarie di Caputo, in particolare la Beat Generation, e il loro ruolo nella scrittura sia musicale che letteraria.The article focuses on the Roman singer-songwriter Sergio Caputo, known for his eclectic crossover between jazz and pop and his inventive and linguistically rich lyrics. A literary author since 2008, Caputo has developed an articulated dialogue between the two artistic identities – writer and musician. Here, I intend mostly to discuss the already literature-oriented nature of Caputo’s song lyrics, how they informed his actual literary works, and how, in turn, the latter tell us something about his songwriting. In between, Caputo’s specific literary influences, particularly the Beat Generation, and their role in both musical and literary writing, will be also discussed