ATeM Archiv für Textmusikforschung
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Paula Rebecca Schreiber: Sprachliche Kontextualisierung von globalen und lokalen Popkulturen. Hip Hop Linguistics, Resistance Vernacular und italienischsprachiger Rap. Berlin et al.: Peter Lang, 2021. ISBN 9783631852491. 278 Seiten.
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David Charlton: Popular Opera in Eighteenth-Century France.Music and Entertainment before the Revolution.Cambridge: Cambridge University Press, 2022.ISBN 978116515846. xxiv+368 Seiten.
Full text linkJean-Nicolas de Surmont (éd.) : La chanson comme berceau del’identité québécoise. Mélanges en l’honneur de Bruno Roy.Drummondville : Éditions du Québécois, 2022.ISBN 9782923365688. 356 pages.
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Naturaleza, agua y resistencia ecológica en el rap del Cono Sur. Respuestas decoloniales y ecofeministas desde América Latina
Full text linkThis study explores which ecocritical perspectives are articulated in 21st century Latin American rap to give voice to nature alongside with subaltern subjects, women, and marginalized groups. Methodologically, certain concepts linking ecocriticism with decolonial and feminist ideas are used to show the interconnectedness of the corresponding social, gender, and environmental problems and the interaction of all elements in complex ecosystems. All lyrics discussed in this paper expose and denounce colonialist-patriarchal structures of capitalist-oriented power systems. Analyses of Ana Tijoux’s “Rio abajo” and Sara Hebe’s “Eco Sistema” reveal that nature, water and more specifically the balance in the earth’s ecosystem are more important than capitalist profit and raise decolonial and ecofeminist proposals for the liberation of nature, women, and subaltern subjects now with voice and agency.This study explores which ecocritical perspectives are articulated in 21st century Latin American rap to give voice to nature alongside with subaltern subjects, women, and marginalized groups. Methodologically, certain concepts linking ecocriticism with decolonial and feminist ideas are used to show the interconnectedness of the corresponding social, gender, and environmental problems and the interaction of all elements in complex ecosystems. All lyrics discussed in this paper expose and denounce colonialist-patriarchal structures of capitalist-oriented power systems. Analyses of Ana Tijoux’s “Rio abajo” and Sara Hebe’s “Eco Sistema” reveal that nature, water and more specifically the balance in the earth’s ecosystem are more important than capitalist profit and raise decolonial and ecofeminist proposals for the liberation of nature, women, and subaltern subjects now with voice and agency
Monique Giroux / Pierre Gince (éds) : Félix Leclerc et nous,40 regards sur l’homme et son oeuvre. Montréal : Les Éditionsde l’Homme, 2022. ISBN 2761958462. 295 pages.
Full text linkLangues et cultures en contact dans la production musicale trap italienne des jeunes chanteurs d’origine africaine francophone
Full text linkIn our work we analyse the language of contemporary music by young Italian singers of African origin. We consider the rap and trap songs of the new generations from Francophone African countries as a creative field where some representatives of these musical genres reproduce sociolinguistic structures and functions that reflect the current repertoire of Italian society. Our case studies concern songs of the Italian-Tunisian Ghali Amdouni and the Italian-Congolese Époque, whose originality lies in their use of a profound and significant mixture of linguistic systems in contact in order to create texts of protest and civil engagement.In our work we analyse the language of contemporary music by young Italian singers of African origin. We consider the rap and trap songs of the new generations from Francophone African countries as a creative field where some representatives of these musical genres reproduce sociolinguistic structures and functions that reflect the current repertoire of Italian society. Our case studies concern songs of the Italian-Tunisian Ghali Amdouni and the Italian-Congolese Époque, whose originality lies in their use of a profound and significant mixture of linguistic systems in contact in order to create texts of protest and civil engagement
