ATeM Archiv für Textmusikforschung
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Das Protestlied „Le déserteur“ von Boris Vian: Wahrnehmung und Aneignung in Frankreich und in der Bundesrepublik Deutschland der 1960er Jahre
There is hardly any other politically committed chanson from France which received as much response worldwide as “Le déserteur” by Boris Vian. “Le déserteur” was censored by French public radio and caused great unrest during the already heated period of the Indochinese and Algerian wars of independence. With the pacifist Easter March movement in Germany and a few years later with the increasing protest against the Vietnam War, the war resister became a symbol of various political struggles that allied a generation. From a transnational perspective, this essay examines the reception and appropriation of this subversive protest song that conveyed war resistance and disobedience
Olaf Matthias Roth: Claudio Monteverdi. Marienvesper. Kassel: Bärenreiter, 2017. ISBN 978-37-618-2407-8. 115 pages.
Étienne Kippelen : Chanson française et musique contemporaine. Aix-en-Provence : Presses universitaires de Provence, 2020. ISBN 9791032002636. 190 pages.
Martín A. Biaggini: Rap de Acá: La historia del rap en Argentina. Buenos Aires: Editorial Leviatán, 2020. ISBN 9789874745781. 126 pages.
Simona Busni: La voce delle donne. Le sconosciute del melodramma, da Galatea a Lucia Bosè. Roma: Edizioni Fondazione Ente dello spettacolo, 2018. ISBN 9788885095847. 276 pagine.
Música y Coronavirus en el paisaje urbano español: espacios y ritmos
This article explores the ways in which the music contributes to the resilience in the COVID-19 pandemic confinement in Spanish cities. We analyze songs inspired directly by the health crisis and songs written by songwriters or pop artists from different eras or walks of life, and the process of re-contextualization. The present analysis focuses on how city dwellers express their identities andsense of belonging by means of these songs, and how this can be linked to an imaginary urban scene