Journals of Kasdi Merbah Ouargla University
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The perception of the professionql project among vocqtionql trqining qnd educqtion trqinees
Get PDFThe current study aims to identify the nature of the perception of the professional project among trainees in vocational training and education, as we relied on the exploratory descriptive approach. To achieve this, a tool was built to measure the perception of the professional project by the researcher based on theoretical literature as well as theories of growth, choice, vocational guidance, and previous studies in The subject is on the subject of perception, and the scale in its final form consisted of (49) items distributed over three dimensions, and it was applied to a sample selected in a simple random manner, estimated at (200) trainees, both male and female, distributed among four vocational training centers in the city of Tougurt, from the total number of trainees integrated during the course. The estimated number is (936) in February 2023, and after measuring the psychometric properties of the scale, the results resulted in the following:
There is an unclear perception of vocational training trainees about their professional project.
There are no differences in the nature of the perception of the professional project due to the gender variable.
There are differences in the nature of the perception of the professional project due to the specialization variable.
There are differences in the nature of the perception of the professional project due to the educational level.
Which was discussed in light of theoretical literature and previous studies, with a set of suggestions and recommendations for the sample and specialists in the fiel
Jamal al-Din Atiya's stance on the Five Necessities.
Get PDFThe knowledge of the objectives of Islamic jurisprudence is essential for the jurist, the mufti, and the scholar. Many jurists have considered it a prerequisite among the conditions of ijtihad. As is well known, the noble Islamic Sharia is built upon the consideration of the interests of the worshipers in both the immediate and distant future. Scholars of Islamic jurisprudence have classified the legal objectives according to their necessity into essential, improvement-oriented, and circumstantial objectives. The essential objectives hold the highest rank and are necessary and imperative for every community and nation, regardless of their beliefs and legal systems.
Jamal al-Din Atiya is regarded as one of the leading figures in the field of Islamic jurisprudential objectives. This is not surprising, as he was a proponent of their activation and accorded great attention to the essential objective
Married working woman between Work Anxiety and Social-personal Adjustment
Get PDFThe study aimed to know the level of work anxiety and social-personal adjustment among married working women at the social sciences faculty at the University of Laghouat and the differences in the variables of the study as seniority variable ( 5 years or less, 6 years or more ) and the age variable ( 30 years old of less, 31 years old or more), distance or proximity from the place of residence from the work place. We follow a descriptive method by distributing the questionnaire to a sample of 60 married working woman, at the Faculty of Human and Social Sciences at Amar Telidji laghouat University. After ascertaining the psychometric characteristics of the study's tools and statistical processing of the data, we came to the following conclusions:
-The level of work anxiety among married working women is higher .
- The level of social- personal adjustment for of the marries women worker is low.
- The are differences in the levels of work anxiety of the members the sample of study, mainly related to seniority.
- There are differences in the levels of work anxiety of the members of the study sample, mainly related to age.
-There are no differences in the levels of work anxiety and social personal adjustment in the members of the study sample that differ in terms of the far or near distance between home and wor
الفعالية التنظيمية في المؤسسة الوقفية دراسة مونوغرافية حالة مؤسسة الغفران الخيرية ولاية غرداية الجزائر
No full textThis study aims to explore the organizational effectiveness phenomenon within charitable and endowment institutions. The researcher posed a general problematic which was: When was Al-Ghufran Charitable Foundation established, and what were the motivations behind its establishment?
The study also aimed to understand how the criteria for organizational effectiveness are manifested in reality from the perspective of those in charge.
The study adopted a descriptive approach following a monographic research method, focusing on a single entity to thoroughly examine its characteristics. Data collection methods included participatory observation and conducting interview sessions with officials and volunteers within the charitable institution over a period of approximately three months. Additionally, the study had the opportunity to review key organizational documents, which helped the researcher gain insights into the spirit of organization within this 31-year-old institution.
The study's conclusion emphasized the vital role of endowment institutions in society. They are among the most influential social organizations, with a significant impact on people's beliefs and thoughts, particularly when they provide essential services addressing fundamental human needs. The study underscored the importance of intensifying research and field studies on such institutions to achieve two main goals: first, discovering experiences and expertise no less valuable than those in other economic institutions, and second, enhancing the efforts of volunteers and those responsible for such institutions while drawing attention to certain shortcomings that may affect any human endeavo
Determinants of Taxation in Algeria
Get PDFIn this study, we analyze the impact of macroeconomic variables on direct tax revenuesin Algeria, which are considered determinants of taxation, using data, we study empirically duringthe period 2004-2022.Each of the effects of six variables are GDP, public spending, unemploymentrates, savings, investment and inflation rates using multiple regression rates method, Calculation ofexplanatory variables and dummy variable. In conclusion, the analysis confirmed in first model thatthe strongest correlation is between direct tax revenues and direct investments and unemploymentrate, and there is a negative correlation between GDP and direct tax, this explains that thedevelopment in GDP is in sectors that do not produce direct tax base, which is the hydrocarbonsector, which means that Algeria is still in the stage of dependence on this sector. The study alsofound that taxes are influenced by economic factors to varying degrees.In this study, we analyze the impact of macroeconomic variables on direct tax revenuesin Algeria, which are considered determinants of taxation, using data, we study empirically duringthe period 2004-2022.Each of the effects of six variables are GDP, public spending, unemploymentrates, savings, investment and inflation rates using multiple regression rates method, Calculation ofexplanatory variables and dummy variable. In conclusion, the analysis confirmed in first model thatthe strongest correlation is between direct tax revenues and direct investments and unemploymentrate, and there is a negative correlation between GDP and direct tax, this explains that thedevelopment in GDP is in sectors that do not produce direct tax base, which is the hydrocarbonsector, which means that Algeria is still in the stage of dependence on this sector. The study alsofound that taxes are influenced by economic factors to varying degrees.Keywords: Tax; Determinants of Taxation; Macroeconomic Variables; Algeri
Multimedia platform” of La Théorie de l’Information Inventorising (Inter-)Media Affordances of Aurélien Bellanger’s Flat Novel-Writing
No full textAurélien Bellanger’s La Théorie de l’Information (2012) traces back the history of French telecommunications, recounted principally from an encyclopaedic standpoint, all the while interweaving a factual account of recent advancements in IT with narrative fiction in the strictest sense. Stylistically, Bellanger’s novel is charac-terised by “flat” writing (nearing “zero degree” theorised by Roland Barthes) and by a sustained encyclopaedic interest in technical details reflective of its largely factographic approach to representing the digital through recounting the deve-lopments in computer network technologies. An analysis carried out from an inter-medial standpoint aims at demonstrating that novelistic writing of the specified nature is not, however, exempt from abiding by the general principles inherent to any variety of intermedial dialogue that gets established vicariously in the territory of fiction inasmuch as it involves proportionally both mediums in contact.
Hence, the paper aims to engage with novelistic remediation of the digital by way of interdiscursive means, which entails Aurélien Bellanger’s novel appropriating poeti-cally distinctive elements of marketing discourse introduced textually in the interest of facilitating the interaction between the analogue medium of a traditionally publi-shed novel and some relatively recent computer technologies that have, however, gone nearly obsolete (cf. PC equipped with CD-ROM reader). As he revisits the iconography of the early Internet, Bellanger is brought to mobilise poetic devices belonging to the registry of literary “inventory” deployed in the text in order to faci-litate reinterpreting the represented digital medium in accordance with the novel’s own inherent predispositions that define it as a narrative genre.Dans son roman La Théorie de l’Information (2012), Aurélien Bellanger retrace,d’une façon essentiellementencyclopédique, l’histoire destélécommunica-tions françaises tout en l’entremêlant adroitement avec la fiction au sens strict. Stylistiquement, le roman de Bellanger se caractérise par une écriture « plate » (se rapprochant du « degré zéro » théorisé par Roland Barthes) et par une préoccupation de lafactographie technicienne en tant qu’approche de la représentation du numérique et des technologies de télécommunication. L’ambition de la lecture effectuée d’un point de vue de l’intermédialité serait de démontrer qu’une telle écriture romanesque n’échappe pourtant pas aux régularités et principes inhérents à tout dialogue intermédiatique s’établissant sur le territoire de la fiction en tant qu’engageant à parts égales les deux médiums se mettant en contact.
L’article envisage d’étudier plus spécialement la mise en texte (ou remédiation) des médias numériques par la voie interdiscoursive.Il s’agira, en particulier, d’appro-priation poétique dans le roman d’Aurélien Bellanger des éléments du discours marketing mis à l’œuvre textuellement dans l’intérêt de faciliter l’interaction du médium analogue (celui à la portée du roman d’édition traditionnelle) et des technologies informatiques récentes et pourtant, vite rendues obsolètes suite à l’avancée de l’Internet à haut débit (cf. PC équipé d’un lecteur CD-ROM). En revisitant l’iconographie d’Internet à ses débuts, Bellanger est amené à mobiliser des procédés appartenant au registre du soi-disant « inventaire » littéraire déployés dans le texte afin de retravailler le médium numérique représenté en concordance avec les prédispositions inhérentes au roman comme genre narratif
The Trans-Writing of Game of Thrones From Adaptation to Creation
No full textThe television series Game of Thrones has had a major impact on the world of cinema, both in terms of its fantasy world and its many historical references. Broadcast between 2011 and 2019, it is an adaptation of the novels written by George R.R. Martin since 1996. It has been counted among the most watched series in the world and has acquired a remarkable fanbase. However, the Game of Thrones series has gone beyond George Martin’s novels and brought them to their own conclusion. This is a rare occurrence in the history of television, especially after years of using the literary medium to fuel five long seasons of the series. This raises an essential question: what are the expected consequences of having anticipated the continuation of the Game of Thrones story? It is at the heart of this question that this paper will focus. We will examine the concept of trans-writing as a basic notion, in order to analyse the adapt-ation processes that link literature and cinema, and then we will reveal the place of the literary text, which must serve as an unshakeable support without which the film adaptation would not see the light of day.La série télévisée, Game of Thrones, a considérablement marqué le panorama cinématographique par son monde fantaisiste mais aussi par ses nom-breuses références historiques. Diffusée entre 2011 et 2019, il s’agit de l’adaptation des romans écrits par George R.R. Martin depuis 1996. Elle a été comptée parmi les séries les plus regardées dans le monde et a acquis une Fanbase remarquable. Cependant, la série de Trône de Fer a dépassé les romans de George Martin et a apporté sa propre conclusion. On voit rarement pareil cas dans l’histoire de la télévision, surtout après que le support littéraire a servi pendant des années à nourrir cinq longues saisons de la série. De ce fait, une question essentielle s’impose : Quelles sont les conséquences attendues après avoir anticipé la suite du récit du Trône de Fer ? C’est au cœur de ce questionnement que s’inscrit cette communication. Nous nous interrogerons sur le concept de transécriture comme notion de base, afin d’analyser les procédés d’adapt-ation qui relie littérature et cinéma, puis nous révélerons la place du texte littéraire qui doit servir de support inébranlable sans lequel l’adaptation cinématographique ne verrait pas le jour
Depersonalize The Experience of The Sign To All Tests
No full textIn the age of absolute freedom, the consciences of men are irremediably extinguished without words being able to redeem them. It is the reign of master incomprehension that incommunicability has corrupted. At the end of the road, the depersonalization of men is manifested, whom the experiences of signs have distorted and misled. To counteract involution, men invented linguistic change that semasiology and onomasiology attempt to explain to belief and thought.À l’âge de la liberté absolue, les consciences des hommes s’éteignent irrémédiablement sans que les mots ne puissent les racheter. C’est le règne de l’incompréhension maîtresse que l’incommunicabilité a corrompue. Au bout du chemin, se manifeste la dépersonnalisation des hommes que les expériences des signes ont dénaturés et égarés. Pour contrecarrer l’involution, les hommes ont inventé le changement linguistique que la sémasiologie et l’onomasiologie tentent d’expliquerà la croyance et à la pensée
Towards a Reconfiguration of the Algerian Language of Literary Expression The Case of RabehSebaa’s novel Fahla
No full textAlgerian literature of the last decade is not only to be studied from a historical and aesthetic point of view, but also to be taken into account according to the conditions of its production, and according to the linguistic changes it undergoes. This contribution focuses on the implications of extra-linguistic reality or context on Algerian literary production. By extralinguistic context, we mean any kind of contextual or situational references in which the discourse is produced. We chose the Algerian writer Rabeh Sebaa, whose text Fahla, the first novel written in the Algerian language, was welcomed by readers and linguists and is essentially marked by linguistic rehabilitation. In order to identify the issues at stake in this new Algerian literary writing and at the basis of a sociolinguistic approach and a prospection of the novel, we strive to examine this path taken by RabehSebaa, towards a linguistic recon-figuration of Algerian literatureLa littérature algérienne de cette dernière décennie n’est pas seulement à étudier du point de vue historique et esthétique mais elle est aussi à prendre en compte en fonction des conditions de sa production et des changements linguistiques qu’elle subit.La présente contribution porte sur les implications de la réalité ou le contexte extralinguistique sur la production littéraire algérienne. Par contexte extralinguistique, il faut entendre, toute sorte de références contextuelles ou situationnelles dans lequelles le discours est produit. Notre choix s’est porté sur l’écrivain algérien RabehSebaa, dont le texte Fahla, premier roman écrit en langue algérienne et accueilli favora-blement par les lecteurs et les linguistes, est marqué essentiellement par une réhabilitation linguistique. Dans le dessein de cerner les enjeux de cette nou-velleécriture littéraire algérienne et à la base d’une approche socio-linguistique et d’une prospection du roman, nous nous évertuons à examiner cette voie empruntée par RabehSebaa, vers une reconfiguration linguistique de la littérature algérienn
Narrative Actuality and Characterization of The Narrated Actor A Semiostylistic Analysis in Antonia by George Sand
No full textThe novel written by George Sand, Antonia, is built up with narrative and descriptive settings. It is within one of its narrativo-descriptive pages that is given to be appreciated the characterization of the narrated actant, Antoine Thierry. A characterization of the character which has been done through the semiostylistic theory, by following a deductive and semasiologic method. It is the literary regime set to proceed to the characte-rization of our character which has built our motivation. The schematization of the characterization of the textual actant by the narrator-actant shows a literary regime which goes from the topographic description of the social space of the narrated actant, where the narrator presents him as an asocial being, keeping a distance relationship with the external world, disclosing his lack of love for the human race whom he hates, to end finally with the characterization of the intrinsic being of the narrated actant presented as an uncultivated, a misanthrope, a presumptuous, a jealous, a capricious and a lover of glory. The intrinsic nature of the narrated actant has come to explain the nature of the relation of disaffection that he is keeping with his neighbor. The literarization of that characterization sets this topic into the epidictic domain, revealing the author’s intention which is to give to have in horror inhumanity in the heart of man and his lack of love towards his fellow.La production romanesque de George Sand, Antonia, est mar-quée de pauses narratives et descriptives. C’est dans l’une de ses pages narrativo-descriptives que nous est donnée à apprécier la caractérisation de l’actant narré, Antoine Thierry. Une caractérisation du personnage que nous avons réalisée en nous servant de la théorie de la sémiostylistique et en empruntant une démarche déductive et sémasiologique. C’est le régime de littérarité mis en œuvre pour procéder à la caractérisation de notre person-nage qui a forgé notre motivation. La schématisation de la caractérisation de l’actant textuel par l’actant-narrateur montre un régime de littérarité qui part de la description topographique de l’espace social de l’actant narré où la narratrice le présente comme un être asocial, entretenant une relation de distance avec le monde extérieur, déclinant son désamour pour la race humaine qu’il abhorre, pour aboutir finalement à la caractérisation de l’être intrinsèque de l’actant narré présenté comme un inculte, un misanthrope, un présomptueux, un jaloux, un capricieux et un amateur de la gloire. La nature intrinsèque de l’actant narré a rendu compte de la nature de la relation de désaffection qu’il entretient avec son voisinage. La littérarisation de cette caractérisation inscrit ce sujet dans le genre épidictique, déclinant l’inten-tionnalité de l’auteure de donner à abominer l’inhumanité dans le cœur de l’homme et son manque de dilection envers son prochai