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    Inhaltsverzeichnis

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    Verzeichnis der Rezensentinnen und Rezensenten

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    Dante 2021: Una rassegna delle celebrazioni per i 700 anni dalla morte

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    The year 2021 witnessed the commemoration of the seven hundredth anniversary of Dante Alighieri’s passing. Across the globe, particularly in Italy, a plethora of undertakings were orchestrated to honor this significant milestone. This paper undertakes an examination of the primary events that transpired in homage to Dante. In particular, in juxtaposition to prior centenaries, the authors center their analysis on initiatives that highlighted the rekindling of interest in Dante within Italy as the progenitor of the Italian language, his pivotal role in the establishment of an Italian collective identity, and the broader proliferation of his literary oeuvre. Concurrently, the authors delve into the dissemination and reception of the Dante anniversary on the international stage

    ‚Rossini renaissance(s)‘ e discorsi identitari italiani: A margine di due studi di Emanuele Senici

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    Following thematic and theoretical lines set out in two recent ground-breaking studies by Emanuele Senici on Rossini’s music, this article questions Italian discourse on the Rossini renaissance. It thus highlights the identity-related meanings for Italians of three crucial moments in the history of this renaissance: in 1925, with the ‚cycle Rossini‘ at the Théâtre des Champs-Élysées in Paris; in 1952, with the „Armida“ at the Maggio musicale fiorentino with Maria Callas in the title role; in 1969, with the Italian debut of the critical edition of the „Barber of Seville“ at the Scala in Milan

    Riconversione e Ricostruzione: Il Reichskonkordat e la Repubblica Federale Tedesca

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    This article focuses on German-Vatican debates on the Reichskonkordat after 1945. For this purpose, it explores newly available documents in the Vatican Apostolic Archive from the West German Nunciature in Bonn. Thereby, this essay retraces how the Catholic Church followed German political discourses and how it sought to influence public debates. While Konrad Adenauer and the Christian-Democratic Party aimed to preserve the Reichskonkordat, which had been negotiated by Eugenio Pacelli in 1933, an inner-German opposition began to question the role that the Church had played in the Nazi regime. Already in the 1950s, a diverse alliance of Social Democrats, liberals and Protestant intellectuals accused both the Vatican and members of Adenauer’s government to have supported Nazism in order to establish a form of ‚clerical fascism‘. While these accusations were often of polemical nature, they initiated a profound re-calibration of church-state relations, showing the limits of both Adenauer’s political ambitions and the visions of Pius XII to re-establish a Catholic dominance in postwar culture

    Ikonen und Klischees: Tourismus in Italienbildern des ‚Falles Bond‘ & Co.

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    Astonishingly, the trio ‚action film – Italy – tourism‘ has to date received little attention from the perspective of cultural studies and semiotics. The aim of this article is thus to show that communication strategies have made tourist travel a complex phenomenon of contemporary everyday culture from a semiotics perspective: conceptually, theoretically, and through a cursory examination of select examples from film. By doing so, it outlines the ways in which the combination of tourism and action films contributes to common clichés about Italy

    Fakturen eines Faszinosums: ‚Italien‘ als multimedialer Assoziationsgegenstand

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    From the postwar period onwards, media pluralisation, mass tourism and internationalisation have not only led to an increase in the marketing of Italy as a historical place of longing, but they also enhanced the auditory and visual construction of ‚Italy‘ as an object with numerous associations in everyday culture. This essay offers some preliminary thoughts on a series of case-studies that examine the multimedia imagining of ‚Italy‘ from the mid-20th century. The aim is to better understand the construction of the powerful myth of Italy in modernity, as well as the frequently associated phenomenon of internationally disseminated clichés with national connotations

    Jahresbericht des DHI Rom 2022

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    Preface

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