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Il soggiorno di Caterina da Siena a Pisa nel 1375: Alcune riflessioni
This essay aims to shed light on the period spent by Catherine of Siena in Pisa during the year 1375. Catherine was not only a woman of faith and devotion, but also a leading political player in late 14th-century Tuscany, in direct contact with the Apostolic See through the members of her clique. Why did the lord of Pisa, Pietro Gambacorta, summon her to his city? What networks of relations did Catherine’s arrival fit into? What were the tangible consequences of her stay in Pisa
Frieden um jeden Preis?: Beobachtungen zum Agieren Papst Alexanders III. in den Verhandlungen mit Kaiser Friedrich Barbarossa (1159–1177)
The Peace of Venice (1177), which ended the nearly twenty-year-long schism between Pope Alexander III and his opponents supported by Emperor Frederick I Barbarossa, has long been the subject of controversy among scholars, who focused initially on the concrete provisions of the treaty and more recently on the symbolic acts that affirmed it. This paper uses Alexandrian sources to concentrate on peace itself as the pope’s most important political goal: the biography of Alexander written by his cardinal Boso, the frescoes in the Lateran Palace painted after the victory, and other statements made by the pope himself and his supporters reveal his primary goal to be the restoration of unity and peace. This thinking may have been rooted in the Christian ethic of peace as well as in the enduring ideal of cooperation between pope and emperor. It offers an explanation for the pope’s willingness to compromise in Venice, often viewed with astonishment today, expressed through the choice of location, the staging, as well as personnel and material decisions. Alexander did not aim to supercede the emperor, nor to achieve victory on specific issues in detail; instead, his goal throughout the schism seems to have been a return to peace and cooperation
Dei monasteri e di altre chiese: Note diplomatico-archivistiche nelle carte beneventane e irpine di VIII–XII secolo
This paper stems from the research for my PhD thesis to identify, survey and classify the surviving documentary sources, published and unpublished, on Irpinia and the Sannio Beneventano: almost 1600 documents, both public and private, produced in the Lombard and Norman period. More specifically, this study investigates the conservation methods adopted within the archives of religious institutions whose existence and functioning depended on their titula and munimina. While the sources are very reluctant to provide information on the archival practices adopted in major churches and monasteries, the analysis of the diplomatic-archival notes affixed to the verso of the charters nevertheless provides some additional information. Adopting an approach combining palaeography, diplomatics and archive science thus allows us to paint a less generic picture than that hitherto known. The survey and examination of the verso annotations, usually given little attention in editions of the documents, proved highly significant for the identification of historic ecclesiastical archives, for the practices of archiving and preserving the papers, as well as for the identification of specific and recurrent methods of managing and conserving the documentary heritage of the old churches and monasteries, urban or rural, which represented significant gathering and reference places for the territory under their control. For some of these foundations, moreover, the study of unpublished documents has made it possible to add new evidence to what is already historically known
„Was willst du in Milano?“: Musical Images of Italy in Cold-War East Germany
The article examines the significance of musical images of Italy in the GDR. On the basis of travel documentaries, films and Italienschlager, especially from the 1950s and 1960s, it demonstrates that the traditional image of the South was aimed at a domestic audience – especially because, since the construction of the Wall in 1961, travel to capitalist foreign countries was impossible for ordinary citizens. East German criticism of capitalism, exploitation and, in part, neo-fascism in Italy was intended to cause the people of the GDR to lose interest in Italy. Finally, the debates about the ideal East German Schlager lyrics of around 1960 shed light on another aspect that is also relevant for the Italienschlager