CINEJ Cinema Journal
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Books received
Get PDFIn 2016 we have received a variety of books on cinema and media from these publishers: Bloomsbury Academic, Brill, Cambridge Scholars Publishing, Edinburgh University Press, Manchester University Press, Peter Lang, Policy Press, Routledge, University of California Press, University of Illinois Press, Wayne State University Press
“Ever heard of EVEL Knievel?”: James Bond meets the Rural sheriff
Get PDFJames Bond emerged as an international film hero because he represented an aspirational cosmopolitan ideal offering viewers an opportunity to escape to an exciting international arena of adventure during the Cold War. Sheriff J. W. Pepper’s appearance in Guy Hamilton’s Live and Let Die (1973) and The Man with the Golden Gun (1974) disrupts such cosmopolitan aspirations by calling attention to a cosmopolitan-rural divide that lurks in the shadows of these films. As a provincial throwback, Pepper presents a starker contrast to Bond than any of the most brutal villains he encounters, thus requiring Bond filmmakers to neutralize the conceptual threat that Pepper’s localism poses to Bond’s trans-global battle against evil on movie screens around the world
The politics of spectatorship in the Tree of Wooden Clogs
Get PDFThis article reassesses the politics of Ermanno Olmi’s 1978 Palme d’Or winner, The Tree of Wooden Clogs. It specifically addresses charges made against the film by the novelist and critic, Alberto Moravia. The Marxist writer asserted that the film promotes the life and ideology of the farmers featured in the work. By looking closely at the film, I demonstrate how the formal strategies utilized by Olmi negate Moravia’s assessment and controvertibly position spectators to re-evaluate their political relationships to those in their range of influence
The architecture of David Lynch
Get PDFRichard Martin, The architecture of David Lynch. London: Bloomsbury, 2014. 234 pp
Same-sex love in Muslim cultures through the lens of Hindustani Cinema
Get PDFThis paper tries to explore same-sex love in Muslim cultures in India as represented in Hindustani cinema. My focus will be on Muslim female same-sex love which is generally not touched upon. Female same-sex love and male same-sex love is widely discussed and debated upon. The recent film Dedh Ishqiya (Bhardwaj, 2014) is taken as a case study to examine female same-sex love in a Muslim context. Other films will be dealt in periphery. The influence of language, place and peer group is to be checked. Amradparashti or male same-sex love is discussed in comparison to female same-sex love for which no particular term in North India is used that frequently.
For Those Who Seek Mastery and Personality, by Halit Refiğ
Get PDFHalit Refiğ had impact on Turkish national cinema both as a thinker and practitioner. He worked his way up from the 1950s as a film critic and became a film director practicing until the day he died. He also worked along with other directors like Metin Erksan, Lütfi Akad, Memduh Un, Duygu Sagiroglu. Ertem Görec, Nedim Otyam, Ilhan Arakon at Mimar Sinan University’s Turkish Film Institute, the first cinema training department at a University for 25 years training generations of film directors. This excerpt is from a 1968 film magazine essay
Editorial
Get PDFThis issue of CINEJ focuses on a variety of topics: Animated documentary, political cinema, female sexuality, religion, mythology and culture, orientalism, globalization and action movies, Halit Refiğ and Turkish cinema
A hybrid documentary genre: Animated documentary and the analysis of Waltz with Bashir (2008) Movie
Get PDFThe word documentary has been described as an advice” in “Oxford English Dictionary” in the late 1800s. Document is a main source of information for lawyers. And in cinema, basic film forms are defined with their own properties. The common sense is to separate documentary from fiction, experimental from main current and animation from the live action films. While these definitions were being made, it has been considered that which expression methods were used. The film genre which is called documentary has been defined in many different ways. In this study, animated documentary genre which is a form of hybrid documentary has been concerned with Baudrillard’s theory. In this context, Ari Folman’s animated documentary Waltz with Bassir (2008) has been analyzed with genre criticism method
HBO Effect
Get PDFDean J. DeFino, HBO Effect, London: Bloomsbury Academic, 2013. ISBN: 978-0-8264-2130-2. Paperback, 245 pp
Zippo Marx
Get PDFGoddesses, like Norse Hel, signify love for women, and between women, because `woman`s seed` is the `seed` of Eve represented by Jesus, who was tortured to death by the Romans as a `dissident` Jewish rabbi nailed to a cross of wood on the hill of Calvary outside the city of Jerusalem in occupied Palestine and left there until he died. Jesus` Resurrection and Ascension to heaven thereafter prefigured that of `woman`s seed`, which is why his mother, the Virgin Mary, approaches to the role of goddess in Christianity, because women who`re loved appear to be worshipped as goddesses by those who don`t love women. So God specifically punishes Eve and Adam for accepting that they`ll be `as gods`, because Eve is Adam`s `goddess`, who he`s to love in order to be redeemed through `woman`s seed`, and the birth of human brainpower to liberate the species from host womb slavery in parasitism, which wants ephemerality for humans in order to keep them as slaves without labor saving technologies conferring freedom