CINEJ Cinema Journal
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“Billions in Debt and Still Surviving”: Curing the Female Shopper in Confessions of a Shopaholic
This paper analyses P.J. Hogan’s Confessions of a Shopaholic (2009) in three sections. In the first section, it studies how the film maps shopping as an illness that needs to be cured onto the body of its female heroine. It does so, as is argued here, by portraying her as a patient suffering from Compulsive Buying Disorder (CBD). In the second part, it traces how Confessions necessitates the cure of the female shopper, given its background of the Great Recession and how this holds generic significance for the romantic comedy. The paper then concludes by charting the heroine’s cure in group therapy as predicated upon the principle of the Foucauldian confession and how this then resolves the narrative as, what Diane Negra calls, one of “adjusted ambitions.
Transformation of Love in the Digital Age: The film Her and Reaching God through the love in the Perspective of Sufism
In this research, two forms of love; digital love and the love for God are the chosen themes to analyse the movie Her with the method of semiotic analysis. Mentioning the differences between love simulacrums created in social media and love in real life, the semiotic analysis of the movie Her is carried out with the indicators that match the criteria to find God through love in Sufism. As a result, it is observed that these characteristics in Sufism correspond to the traits that form digital love. In other words, digital love is an emotional state in which someone or something is idealized without being seen in person just like the concept of love in Sufism. The digital age has transformed spiritual values despite the fact that the quest for emotional attachment has been constant since the beginning of human existence
Review of Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance
Michelle Langford, Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance. London: Bloomsbury Publishing, 2019. xiii + 278 pp. ISBN 978178076298
Transformation of Comedy with Streaming Services: The Case of Bartu Ben
Comedy has always been one ofthe most popular genres in Turkish cinema and television series. As the distinction between film and series has begun to blur in the post-television era, narratives are transforming according to the characteristics of the new medium. Streaming services targeting niche audience offer more freedom to creators of their content.Thisarticle aims tostudy the comedy series Bartu Ben (Its me, Bartu)which is one of the original series of Turkish streaming service Blu TV, in orderto interpret the differences ofthe series from traditional television comedies, and contributionof streaming servicesto the transformation of the genre
Crushing Life in the Anthropocene? Destroying Simulated "Nature" in The Cabin in the Woods
The Cabin in the Woods (2011) is a highly self-reflexive movie that is aware of its generic roots. In particular, the film struggles with the meaning of “the woods” in the horror genre. Cabin’s central twist in this respect is that the titular “woods” are not untamed nature, but rather a place of artifice. Cabin’s woods are not uncanny because they are far removed from “civilization,” but rather exactly because they are part of it. The film’s emphasis on the artificiality of nature suggests that the concept of “nature” is exactly that—a concept, a cultural construct, loaded with meaning. The film’s ending envisions the end of that discursive construct—but for that to happen, humankind must vanish
Venom: A Desiring Machine
This paper focuses on the protagonist in Venom (2018). The debate is based on the double character of Eddie-Venom and traces the Deleuzean desire of this folded identity. How Eddie’s dark desires are suppressed and united by Venom, a symbiote? Schizoanalysis, a counter-method of psychoanalysis, assumes a dual identity for dealing with the rational space surrounding us. Psychoanalysis however, establishes a family-based representational system. For Deleuze and Guattari, free associations during schizophrenic life are to be preferred instead of the representational approach in psychoanalysis. schizo-esthetics, a network of desiring machines, is the liberty of the subject to remain in the world non-hierarchically and the abandonment of the order of symbols
Evaluation of Neurocinema as An Introduction to an Interdisciplinary Science
Neurocinema is considered as one of the emerging interdisciplinary sciences and relies on neuroscience discoveries to explore various aspects of the movie effect on the viewer’s brain. The mentioned science not only investigates this effect but also seeks to answer how a good movie takes control of the neural pathways. Another part of neurocinema investigates movies that their content includes patients’ neurological and also psychiatric problems. As cinema is heavily influenced by technology, the quality of cinema and whatever it deals with, will vary to respond in advancements of technology. Considering that neurocinema will face a new world in line with these changes, the various aspects effect of this new world on the human brain should be thoroughly considered
Cinema, Life and Other Viruses: The Future of Filmmaking, Film Education and Film Studies in the Age of Covid-19 Pandemic
This issue of CINEJ Cinema Journal witnessed the devastating effects of COVID-19 global pandemic on filmmaking, film distribution and exhibition, and teaching film at HE institutions. Global shifts in production and distribution gave rise to new stars, streaming services. The diversity of film sets was gaining momentum as film productions were halted. New reports and new investment for the future of filmmaking are at stake at this juncture. As the year closed there have losses like Fernando Solanas and Sean Connery
Books Recevied 2018-19
In 2018-19 we have received a variety of books on cinema and media from these publishers: Bloomsbury Academic, Brill, BFI, Columbia University Press, Edinburgh University Press, IB Tauris, Manchester University Press, Peter Lang, Policy Press, Routledge, University of California Press, University of Illinois Press, Wayne State University Press
The Homosexual Male Gaze: Normalizing Homosexuality through the Use of Heteronormative Narrative Techniques in Film
An examination of the use of Mulvey’s “male gaze” by a homosexual character in the 2017 adaptation of Beauty and the Beast. Explores the potential of the use of this heteronormative narrative technique in the normalization of homosexuality in film and society.