St. Ambrose University Digital Collections
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1778 research outputs found
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[Other Offset Lithographs 92a]
No full textCard front. Black tree and 5 birds with red berries. "TONIGHT ALL HEAVEN AND EARTH ARE BLESSED; SO SING WE CHRISTUS NATUS EST." Text in black.TONIGHT ALL HEAVEN AND EARTH ARE BLESSED; SO SING WE CHRISTUS NATUS EST.Tiff file: 1654x1191 pixels, 5.64 Mb; Display: jpeg, 413x298 pixels, 75dp
[Stations of the Cross BOH 1304]
No full textJesus falls under the cross.Tiff file: 2820 x 1734 pixels, 28 Mb; Display: jpeg, 800 x 492 pixels, 72dp
[Stations of the Cross BOH 1289]
No full textOriginal drawing for stations in which Jesus is, in modern clothing, carrying the cross.Tiff file: 2644 x 1758 pixels, 26.6 Mb; Display: jpeg, 800 x 532 pixels, 72dp
[Stations of the Cross BOH 1290]
No full textOriginal drawing for stations in which Jesus is in modern clothing and has fallen with the cross.Tiff file: 2617 x 1758 pixels, 26.3 Mb; Display: jpeg, 800 x 537 pixels, 72dp
[Stations of the Cross-Original drawings BOH 1263]
No full textJesus is undressed by a modern day man and woman. The man wears a hat and overalls, shoes with spikes on them and has a hammer in his pocket. The woman wears glasses, a dress and heels.Tiff file: 2587 x 1746 pixels, 25.8 Mb; Display: jpeg, 800 x 540 pixels, 72dp
[Stations of the Cross-Original drawings BOH 1268]
No full textJesus, wearing a crown of thorns, is holding a stem of a plant. He is wearing a cloak with the Star of David on the left shoulder. Surround Him is a snake climbing a tree; a mouse; a banner.REX IVD AEO RVMTiff file: 2680 x 1815 pixels, 27.8 Mb; Display: jpeg, 800 x 542 pixels, 72dp
[Calligraphy Broadsides BOH 1559]
No full textUpper case and lower case letters in pale colors of red, blue, green and gold. Center of the paper shows the three Kings bringing gifts to Mary and baby Jesus. Behind the initial letter R (illuminated letter) is a decorative design of birds (owls and doves) and vines.ROME'S INSCRIP-TION LETTERS; DE; E; raiorieudvegil; FOPAVNGRTiff file: 1683 x 2137 pixels, 20.5 Mb; Display: jpeg, 630 x 800 pixels, 72dp
[Calligraphy Broadsides BOH 1567]
No full textA large letter "B" to the top left corner in blue. Script letters in blue, black and in reverse on brown.[spaces added] BUT "DOUBLE LAYOUT" ASOME CONTEND WAS NOT USED, THAT IS, LETTERS WERE NOT OUTLINED THE FILLLED IN: THE WRITNG WAS THE IMPORTANT ITEMIN THE INSCRIPTION MAKING PROCESS & ALL ELSE SUBSERVIENT TO THE RITING IN ROMA ANTIQUA PRAESERTIMI AETATE IMPERATOR IS DIV TRAJANITiff file: 1523 x 1884 pixels, 16.4 Mb; Display: jpeg, 647 x 800 pixels, 72dp
[Calligraphy Broadsides BOH 1556]
No full textPink "A" to the upper left and smaller reverse in brown "ABC" to the upper right. Other upper and lower case letters in blues, orange, brown. Bottom left corner: manger scene wiht Mary holding baby Jesus, an angel playing a 'banjo'or lute, a sheep, cow, horse and rooster. A large star and several smaller stars and birds to right of image. Image is in blue and pink.Anuaeisu ; A F A ITiff file: 2202 x 1741 pixels, 21.9 Mb; Display: jpeg, 633 x 800 pixels, 72dp
[Calligraphy Broadsides BOH 1572]
No full textPink "S" to the left followed by lower case script in blue, grey, greens, and orange. Design in blue surrounds square of green/pink with white letters in lower left corner.I believe that most students of calligraphic history have paid more attention to the shapes of the Imperial capitals than they have to the formal & technical factors that are responsible for those shapes. Among the formal factors generally ignored was the acceptance by all Roman writers of a standardized alphabet AS THEIR MENTAL MODEL & though the writing of Romans was amateurish and the writing of professional scribes elegant, this same alphabet was the mental model behind all classes of writing whether cursive scrawling, librarial bookhands, or monumental SPQR inscriptions.Tiff file: 2140 x 1725 pixels, 21.1 Mb; Display: jpeg, 645 x 800 pixels, 72dp