St. Ambrose University Digital Collections
Not a member yet
1778 research outputs found
Sort by
[Other Offset Lithographs 90]
No full textIn pink: "Quid retribaum Dno pro amnibus quae tribuit mihi? Calicem salutis accipiam et nomen Domini invocabo"; under this "PSALMVS CXV". Under the box: "Pray for JOHN HAGREEN ordained priest 8th June 1952"Quid retribaum Dno pro amnibus quae tribuit mihi? Calicem salutis accipiam et nomen Domini invocaboTiff file: 1306x861 pixels, 3.22 Mb; Display: jpeg, 326x215 pixels, 75dp
[Stations of the Cross-Original drawings BOH 1269]
No full textOriginal drawing for stations in which 3 onlookers in modern clothing talk over the fallen Jesus and His cross. Jesus is wearing a t-shirt and slacks. The onlookers include 2 girls and one boy, all wearing modern clothes. The boy wears a tie and has 2 pens in his pocket. One girl is talking, the other is smiling.Tiff file: 2071 x 1581 pixels, 18.7 Mb; Display: jpeg, 800 x 611 pixels, 72dp
[Stations of the Cross-Original drawings BOH 1255]
No full textJesus is carrying the cross.Tiff file: 2584 x 1737 pixels, 25.6 Mb; Display: jpeg, 800 x 538 pixels, 72dp
[Stations of the Cross-Original drawings BOH 1256]
No full textJesus falls under the cross.Tiff file: 2575 x 1740 pixels, 25.6 Mb; Display: jpeg, 800 x 541 pixels, 72dp
[Stations of the Cross-Original drawings BOH 1257]
No full textJesus is carrying the cross past Mary who has a dagger in her heart.Tiff file: 2599 x 1767 pixels, 26.2 Mb; Display: jpeg, 800 x 544 pixels, 72dp
[Stations of the Cross-Original drawings BOH 1266]
No full textJesus is taken down from the cross by two men. The used nails lay on the ground.INRITiff file: 2584 x 1737 pixels, 25.7 Mb; Display: jpeg, 800 x 538 pixels, 72dp
[Calligraphy Broadsides BOH 1566]
No full textLetterforms come together to form a text like image in the shape of a rectangle. Colors of red, green, brown/orange, gold, grey, black.Tiff file: 1503 x 1885 pixels, 16.2 Mb; Display: jpeg, 638 x 800 pixels, 72dp
[Calligraphy Broadsides BOH 1574]
No full text"G" in top left corner, other upper case and lower case letters on page in purple, blue, green, brown. Colors show the strokes used to make each letter. Added images: Mary holding a naked infant Jesus on her shoulder (Mary is in modern dress). Angels playing instruments: flute, harp, banjo, tuba, saxophone. A swaddled baby. Drops of paint (or possibly wax) in silver and gold are on the sheet. Letters: G ; RVPQVESNATV ; auivcoeniredgcitsDuring the past several centuries a misconception has arisen over the roles assumed by WRITING and LETTERING in the history of letters as well as in contemporary calligraphic practice. I define WRITING as making a letter in such a manner that essential parts are made complete in one stroke of the writing tool which may be pencil, pen, chalk, brush, etc. The letters can be joined or disconnected from each other, small or large, beautiful or ill-formed. On the other hand LETTERING is defined as making any letter in more strokes than it has basic or essential parts. For example, to make letter I in more than one, letter T more than two, letter H in more than three strokes is lettering. Size, tool, time expended, cost, permanence, end, skill are extrinsic factors having no bearing on the definition. Usually lettering is intended for permanceand when durable materials are used the letter making is generally after the fashion of lettering rather than writing. Writing usually is ephemeral, and not intended to be permanent. Writing more often is done in softer, perishable materials. It is clear that permanent materials containing letters will endure much longer than scipt written on skins, leaves, linen, wood, papyrus, etc. It is also possible that a project may begin as writing & end as lettering and this is precisely the case w. fine, Imperial inscriptions which first were written with a square-edged brush then lettered i.e., chiselled. Letters at the bottom & above are directly written with a brush with neither retouching nor retracing. In fact the various colors are used to show precisely the strokes of each letter.Tiff file: 2173 x 1828 pixels, 22.7 Mb; Display: jpeg, 673 x 800 pixels, 72dp
[Calligraphy Broadsides BOH 1577]
No full textLarge black "O" in top left corner surrounding a smaller letter "M" done in reverse. "ISTR" and an "E" in reverse browns colors. A "V" in brown with other letters lin lower case in red. Script and 'words' in red, black, brown and blue.There is a swell the widely held view thathe? chisel & glyptiC infuences combined to produce the sei (greek theta) rif some insisthathe imperialetterer was concernd abt: [about] the castshado made by th chiseled v-cut & this altered parts of some litter4eTiff file: 2140 x 1844 pixels, 22.5 Mb; Display: jpeg, 689 x 800 pixels, 72dp
[Pictoral Slate BOH 1353]
No full textFish outlined in gold with red, blue, gold 'scales'.Tiff file: 1773 x 2749 pixels, 27.9 Mb; Display: jpeg, 516 x 800 pixels, 72dp