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Priročnik za interpretacijo dediščine / Priručnik za interpretaciju baštine
The interpretation of natural and cultural heritage is an increasingly popular form of raising visitors’ awareness of the importance of heritage for future generations. This manual presents the differentiation between natural and cultural heritage. It includes the benefits of interpretation and the process of planning it. The ecomuseum is illustrated as a successful example of merging natural and cultural heritage. The interpretative infrastructure differs outdoors and indoors. Special emphasis has been placed on personal interpretation with a presented example of an interpretative presentation. Interpretations are also becoming frequently included into festival events, performances, creative workshops, temporary and traveling exhibitions, artistic residency programs, scientific and research activities as well as sports programs and events. The final section of the manual contains writing aids, where the emphasis is on the fundamentals of writing and constructing an interpretative text and also features some tips for interpretative writing. The presented visual image also plays an important role in the interpretation.Interpretacija naravne in kulturne dediščine je vedno bolj priljubljena oblika ozaveščanja obiskovalcev o pomenu dediščine za prihodnje generacije. V priročniku je predstavljeno razlikovanje med naravno in kulturno dediščino. Prikazane so koristi interpretacije in proces njenega načrtovanja. Ekomuzej se kaže kot uspešen primer mreženja naravne in kulturne dediščine. Interpretativna infrastruktura se razlikuje med zaprtimi prostori in tisto na prostem. Poseben poudarek je na predstavitvi osebne interpretacije z izdelanim primerom interpretativnega nastopa. Interpretacija je vedno bolj vpeta tudi v festivalsko dogajanje, uprizoritvene dogodke, ustvarjalne delavnice, občasne in potujoče razstave, umetniške rezidenčne programe, znanstvenoraziskovalno dejavnost ter športne programe in dogodke. V sklepnem delu priročnika se bralec lahko seznani še z besedilno vsebino, kjer gre predvsem za poudarek na temeljnih načelih pisanja in zgradbi interpretativnega besedila ter nenazadnje na nasvetih za interpretativno pisanje. Pomembno vlogo pri interprtaciji pa ima tudi predstavljena vizualna podoba
Amandus Ivančič: Simfonije za dve violini in bas / Symphonies for Two Violins and Bass
Amandus Ivanschiz (in Slovenian literature “Ivančič”) belongs to a group of today little known 18th-century composers. He was, however, in his own time all over Central Europe well known and largely copied monastic composer. Around 100 compositions survived to this date in various copies now preserved in Slovenian, Croatian, Austrian, Czech, etc. archives. However, only a few of his compositions are available to modern performers. In volume 3 of the Monumenta artis musicae Sloveniae series are published three “Simphoniae” for two violins and bass, i.e. triosonatas, typical for Viennese musical circles of the 1750s and 1760s. The music is accompanied by an introductory presentation of the composer’s works as well as by a New Introduction and Corrigenda by Maciej Jochymczyk bringing to the reader’s attention new information on father Amandus and corrigenda of the earlier edition.Amandus Ivanschiz (Ivančič) sodi med danes manj znane skladatelje 18. stoletja, čeprav je bil v svojem času razmeroma močno prisoten v srednjeevropskem glasbenem prostoru. O tem priča ok. 100 njegovih skladb, ki so se v prepisih ohranile širom srednje Evrope: v slovenskih, hrvaških, avstrijskih in čeških arhivih. Izvajalcem in raziskovalcem glasbene kulture je še vedno dostopen le majhen del njegovega opusa. Tretji zvezek zbirke MAMS v sodobni notni izdaji prinaša tri Ivančičeve »simfonije« za dve violini in bas oz. triosonate, kakršne so bile značilne za dunajske skladateljske kroge 50-ih in 60-ih letih 18. stoletja. Zvezek je opremljen z uvodno študijo o življenju in delih patra Amandusa ter z novim uvodom Macieja Jochymczyka, ki prinaša novosti o skladatelju in popravke zgodnejšega vedenja
Arheološka najdišča Ptuja / Archaeological sites of Ptuj. Panorama
The hill of Panorama in Ptuj is one of the most important areas of Roman Poetovio. Chance finds and small-scale excavations in the past centuries have revealed the existence of significant archaeological remains that included buildings with numerous rooms and objects dedicated to a variety of deities, the remains of a sanctuary dedicated to the Nutrices, an Early Christian church, an aqueduct and a cemetery. The geophysical investigations have revealed the urban design with a rectilinear grid of streets and building plots.
The first few chapters of the book present the history of archaeological research on Panorama, the analytical approaches and the geophysical investigations with the methods employed and the final results. The main chapters correlate the archaeological data of differing quality and nature (chance finds, rescue excavations, old and modern archaeological investigations, geophysical surveys) and locate them with a series of plans. The comprehensive overview is supported by a Catalogue of stone monuments that presents the basic data, descriptions, bibliography, commentary and photographs of the stone objects recovered on Panorama.Na griču Panorama na Ptuju, kjer leži eden pomembnejših predelov antičnega mesta Poetovio, so geofizikalne raziskave razkrile urbanistično zasnovo s potekom ulic in pravokotnimi stavbnimi parcelami. V knjigi je združeno dozdajšnje vedenje o Panorami, hkrati gre za nadaljevanje sistematične predstavitve arheoloških najdišč Ptuja.
Uvodna poglavja prinašajo zgodovino arheoloških raziskav, izhodišča analize in potek geofizikalnih raziskav z uporabljenimi metodami ter glavnimi rezultati. V osrednjih poglavjih smo povezali arheološke podatke različne kakovosti (naključne najdbe, zaščitna izkopavanja, stara in moderna arheološka raziskovanja, geofizikalne preglede) in jih umestili v prostor s pomočjo številnih načrtov. Celovito sliko dopolnjuje dodatek – Katalog kamnitih spomenikov z osnovnimi podatki, opisi, literaturo, komentarjem in fotografijami
ePravopis 2019
Slovarski del ePravopisa 2019 prinaša besedje, ki se v slovar vključuje vzporedno s prenovo pravopisnih pravil. Predlog novih pravopisnih pravil, ki od decembra 2019 prinaša dve javno objavljeni poglavji (Pisna znamenja in Krajšave na portalu Pravopis 8.0), spremlja različno število gradivskih ponazoritev – odvisno od tipa problemskega sklopa. Problemske sklope predstavlja spremljajoča monografija Pravopisne kategorije ePravopisa. Slovar se obvestilno osredinja na probleme izrazne ravnine jezika, predvsem zapisa, začetnice, pisanja skupaj ali narazen. Vsi slovarski sestavki prinašajo tudi pregibnostno-naglasne vzorce.
 
Mapiranje prostorov modernističnih mest v kontekstu načel CIAM-ove Atenske listine / Mapping The Spaces Of Modernist Cities Within The Context Of CIAM’s Athens Charter. Zbornik prispevkov mednarodne konference / Proceedings of the international conference
The book of proceedings brings together contributions, submitted to the international conference Mapping the spaces of modernist cities within the context of CIAM's Athens charter, which is result of the applied national project Mapping the Urban Spaces of Slovenian Cities from the Historical Perspective: Modernism in Nova Gorica and its Contexts (L6-8262), financed by the Slovenian Research Agency, Municipality of Nova Gorica and the Slovenian Academy of Sciences and Arts. The papers critically reflect on the Athens Charter, which established the principles of a functionalist city at the 4th CIAM Congress (Congrès internationaux d'architecture moderne) in 1933. The case studies discuss cities, which were newly built in the 20th century in the Soviet Union, Germany, Italy, the Baltic States, Iran and Slovenia, with Nova Gorica at the forefront. They are organized into seven thematic sections, covering a number of previously poorly researched topics: the foundation and establishment of a functional city, the centres of new functionalist towns and the identity of a town, monotony or diversity of modernist residential architecture, the forgotten and decaying industrial heritage, religious architecture in new functionalist towns, monuments in the public space of functionalist city and mapping and visualization of a town.Zbornik prinaša prispevke mednarodne konference, ki je rezultat aplikativnega projekta Mapiranje urbanih prostorov slovenskih mest v zgodovinskem okviru: Nova Gorica in njeni konteksti (L6-8262), ki ga financirajo ARRS, Mestna občina Nova Gorica in SAZU. Prispevki v zborniku na primerih mest, ki so bila v 20. stoletju na novo zgrajena na področju Sovjetske zveze, Nemčije, Italije, Baltskih držav, Irana in Slovenije, kritično presojajo Atensko listino, ki je na 4. kongresu CIAM-a (Congrès internationaux d'architecture moderne) leta 1933 utemeljila načela funkcionalističnega mesta, v ospredje razmislekov pa zbornik postavlja Novo Gorico. Prispevki so razvrščeni v sedem tematskih sklopov, ki naslavljajo vrsto do sedaj redko tematiziranih vidikov: nastanek in utemeljitev funkcionalističnega mesta, središče funkcionalističnih novih mest in identiteta mesta, enoličnost ali raznolikost modernistične stanovanjske arhitekture, pozabljena in propadajoča industrijska dediščina, sakralna arhitektura v novih funkcionalističnih mestih, spomeniki v javnem prostoru modernističnih mest, mapiranje in vizualizacija mestnega prostora.
 
Zgodovinska antroponimija in toponimija vzhodne Tolminske
The study ('Historical Anthroponymy and Toponymy of the Eastern Tolmin region') examines 194 current and eighty-eight former surnames in the eastern Tolmin region as well as the names of forty-five settlements in the region and eighty-two appertaining hamlets. The study area is limited to the eastern Tolmin region and part of the Cerkno region, encompassing the Bača Valley together with Ljubinj, Bukovo together with Zakojca, the Saint Vitus Plateau (Sln. Šentviška planota) together with Police, Dolenja Trebuša and Gorenja Trebuša, Slap ob Idrijci, and Idrija pri Bači. The part of the study addressing anthroponyms investigates when and how surnames arose in the area examined, how they changed over the centuries due to phonetic developments, and how new variants were created as a result of these changes and standardization. Just under two-thirds of the indigenous surnames still present today were already attested in sources from 1515 to 1523, and with rare exceptions the remaining third all appeared by the end of the sixteenth century.
The great majority of settlement names examined arose through transonymization from microtoponyms (nineteen), oronyms (twelve), hydronyms (seven), demonyms (one), and choronyms (two). From the perspective of semantic motivation, the settlement names examined arose from geographical concepts (twenty-six), phytonyms (five), and human presence (twelve). Of the seventy-five hamlet names, a full fifty-four arose from geographical concepts, phytonyms, and zoonyms, thirteen are connected with human activities, and eight are derived from personal names, among which at least six are pre-Christian.V monografiji je obravnavanih 194 še prisotnih in 88 izumrlih vzhodnotolminskih priimkov ter imena 45 vzhodnotolminskih naselij in 82 njihovih zaselkov. Območje obravnave obsega Baško dolino z Ljubinjem, Bukovo z Zakojco, Šentviško planoto s Policami, obe Trebuši, Slap ob Idrijci in Idrijo pri Bači. Namen antroponimskega dela raziskave je bil ugotoviti, kdaj in kako so se na obravnavanem območju formirali priimki, kako so se v stoletjih zaradi glasovnega razvoja spreminjali, kako so zaradi teh sprememb in ob poknjiženju nastale njihove nove različice. Slabi dve tretjini danes živih avtohtonih priimkov je bilo izpričanih že v virih 1515–1523, ostala tretjina pa se je pojavila z redkimi izjemami že do konca 16. stoletja.
Večina naselbinskih imen je nastala s transonimizacijo iz ledinskih, gorskih, vodnih in stanovniških imen. S pomensko-motivacijskega vidika so imena naselij nastala iz geografskih pojmov (26), iz rastlinskih imen (5), s človekovo prisotnostjo pa je povezanih 12 imen. Imena zaselkov pa so nastala iz geografskih pojmov, rastlinskih imen in imen živali (54), 13 je povezanih s človekovo dejavnostjo in še 8 je izpeljanih iz osebnih imen, med njimi vsaj 6 predkrščanskih.
 
Doba velikih migracij na Slovenskem
In the mid-19th century, the area of today’s Slovenia saw the beginning of an era known as the period of mass migrations, when Central Europe, as other parts of the continent before it, began experiencing migrations on a larger scale. By the time World War II began, a total of around 440,000 inhabitants had left the Slovenian area. A demographic vacuum of such size in an area that by the end of the period numbered less than 1.5 million inhabitants, formed due to migration processes of varying intensity and type. These are closely linked to the political, economic, cultural and social happenings of the time. The book provides a general overview of mass migrations that played a key role in shaping the history of Slovenian territories. The work also presents the organisational, cultural and artistic achievements of Slovenian emigrants that found a new home. The aim of the book is to show, with the help of real-life stories, how migrations have always been an integral part of familial survival strategies and everyday life in the given area and historical period.
The work aims to approach emigration and immigration as two sides of the same coin, experienced simultaneously by the individual who is always both an emigrant and an immigrant.Sredi 19. stoletja se je na Slovenskem začelo obdobje, znano kot doba velikih migracij. Takrat so, tako kot že prej druge dele Evrope, širši srednjeevropski prostor zajela množična migracijska gibanja. Do druge svetovne vojne je ozemlje današnje Slovenije za stalno zapustilo okrog 440.000 prebivalcev. Takemu demografskemu primanjkljaju na ozemlju, ki je takrat štelo 1,5 milijona prebivalcev, so botrovali migracijski procesi različnih intenzivnosti in usmeritev, umeščeni med politična, ekonomska, kulturna in družbena dogajanja. Knjiga predstavi glavne obrise množičnih migracij, ki so ključno zaznamovale zgodovino slovenskega prostora, ter organizacijske in kulturno-umetniške dosežke slovenskih migrantov v novih domovinah. Namen knjige je tudi skozi življenjske zgodbe pokazati, kako so bile selitve vedno sestavni del vsakdanjega življenja v določenem zgodovinskem obdobju, v določenem lokalnem okolju in določeni družinski strategiji preživetja. Ob tem želi razprava istočasno obravnavati izseljevanje in priseljevanje kot skupno doživljanje in izkušnjo posameznega človeka, ki je vedno oboje hkrati, izseljenec in priseljenec
Cenzura na Slovenskem od protireformacije do predmarčne dobe
Authors of the monograph (' Censorship in Slovenia from the Counter-Reformation to the Vormärz') deal with the influence of censorship on literature and culture in general in Slovenia from the 16th to the 19th century. Nina Ditmajer analyses forbidden, especially Protestant books, kept in the monastic libraries in Lower Styria. Three chapters are dedicated to the 17th century: Luka Vidmar describes the reception of works, written by libertine Ferrante Pallavicino, Monika Deželak Trojar deals with banned Mariological works of Janez Ludvik Schönleben, and Boris Golec analyses self-censorship of Janez Vajkard Valvasor. Next chapters describe the consequences of the censorship in the period of Enlightenment: Matija Ogrin writes about the blockade of the Late Baroque Slovenian manuscripts, Andrej Pastar about the heyday of bookselling and newspapers, and Sonja Svoljšak about dissemination of forbidden books of (political) philosophy. Last chapters introduce the changes of the long 19th century: Marko Juvan rethinks the role of a censor in the Vormärz period, as he discusses Kopitar’s censorship of the Krajnska čbelica, and Marijan Dović analyses the encounters of Slovenian writers with the imperial censorship.Avtorji monografije obravnavajo vpliv cenzure na književnost in kulturo sploh na Slovenskem od 16. do 19. stoletja. Nina Ditmajer predstavlja prepovedane, v veliki meri protestantske knjige, ki so jih vsebovale knjižnice samostanov na Spodnjem Štajerskem. Tri poglavja so posvečena 17. stoletju: Luka Vidmar opisuje recepcijo del libertina Ferranteja Pallavicina, Monika Deželak Trojar se ukvarja s prepovedanimi mariološkimi deli Janeza Ludvika Schönlebna, Boris Golec pa analizira avtocenzuro Janeza Vajkarda Valvasorja. Naslednja poglavja predstavljajo posledice razsvetljenske cenzure na Kranjskem: Matija Ogrin blokado slovenskih poznobaročnih rokopisov, Andrej Pastar razcvet knjigotrštva in časopisja, Sonja Svoljšak pa razširjenost del prepovedanih filozofov in političnih teoretikov. Zadnji poglavji bralca seznanita s spremembami 19. stoletja: Marko Juvan na novo premisli vlogo cenzorja v predmarčni dobi na primeru Kopitarjeve cenzure Krajnske čbelice, Marijan Dović pa analizira srečanja tedanjih slovenskih literatov s cesarsko cenzuro
Literarna večjezičnost v slovenskem in avstrijskem kontekstu
The monograph Literary Multilingualism in the Slovene and Austrian Context deals with theoretical, methodological and contextual issues of literary multilingualism. In Slovenia, as in elsewhere in the world, literary multilingualism is a relatively new field of research. The monograph stems from the realisation that the traditional monolingual perspective on literature needs to be supplemented and expanded due to new epistemological and methodological findings, as well as developments in literary practice. It is grounded in literary-systemic theoretical approach, which is adapted for research of supra-regional interaction spaces. The collected discussions open up fresh perspectives to small and minority, supra-regional, immigrant or migrant, and transcultural literatures. It is shown how, in the cultural-historical framework and in the current social conditions, the spaces of literary interaction permeate each other and spread to neighbouring environments.Monografija se ukvarja s teoretskimi, metodološkimi in kontekstualnimi vidiki literarne večjezičnosti, ki je pri nas in v svetu sorazmerno novo področje raziskovanja. Izhaja iz spoznanja, da je tradicionalna monolingvalna perspektiva na literaturo v luči novih epistemoloških in metodoloških dognanj, pa tudi spričo dogajanj v literarni praksi, potrebna dopolnitve in razširitve. Razprave devetnajstih avtorjev iz petih različnih držav obravnavajo literarno večjezičnost s temeljnega literarnosistemskega vidika, prilagojenega za raziskave nadregionalnih literarnih interakcijskih prostorov, in pri tem odpirajo sveže pristope k malim, manjšinskim, nadregionalnim, priseljenskim oziroma migrantskim in transkulturnim literaturam. Pri tem je pokazano, kako v kulturnozgodovinskem pogledu in v aktualnih družbenih razmerah prostori literarne interakcije prehajajo drug v drugega in se širijo v sosednja okolja
Amandus Ivančič: Simfonije za dve violini in bas / Symphonies for Two Violins and Bass
Amandus Ivanschiz (in Slovenian literature “Ivančič”) belongs to a group of today little known 18th-century composers. He was, however, in his own time all over Central Europe well known and largely copied monastic composer. Around 100 compositions survived to this date in various copies now preserved in Slovenian, Croatian, Austrian, Czech, etc. archives. However, only a few of his compositions are available to modern performers. In volume 3 of the Monumenta artis musicae Sloveniae series are published three “Simphoniae” for two violins and bass, i.e. triosonatas, typical for Viennese musical circles of the 1750s and 1760s. The music is accompanied by an introductory presentation of the composer’s works as well as by a New Introduction and Corrigenda by Maciej Jochymczyk bringing to the reader’s attention new information on father Amandus and corrigenda of the earlier edition.Amandus Ivanschiz (Ivančič) sodi med danes manj znane skladatelje 18. stoletja, čeprav je bil v svojem času razmeroma močno prisoten v srednjeevropskem glasbenem prostoru. O tem priča ok. 100 njegovih skladb, ki so se v prepisih ohranile širom srednje Evrope: v slovenskih, hrvaških, avstrijskih in čeških arhivih. Izvajalcem in raziskovalcem glasbene kulture je še vedno dostopen le majhen del njegovega opusa. Tretji zvezek zbirke MAMS v sodobni notni izdaji prinaša tri Ivančičeve »simfonije« za dve violini in bas oz. triosonate, kakršne so bile značilne za dunajske skladateljske kroge 50-ih in 60-ih letih 18. stoletja. Zvezek je opremljen z uvodno študijo o življenju in delih patra Amandusa ter z novim uvodom Macieja Jochymczyka, ki prinaša novosti o skladatelju in popravke zgodnejšega vedenja