ZRC SAZU, Založba ZRC
Not a member yet
2953 research outputs found
Sort by
Iacobus Gallus: Opus musicum II/1. De passione Domini nostri Iesu Christi
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. The publication of his famous collection of motets, Opus musicum, consisting of four books containing a total of 374 motets, partially achieved this goal in 1990. The transcriptions and critical commentaries were prepared by Edo Škulj, and Gallus’s motets were published in thirteen volumes between 1985 and 1990. The edition is enriched by numerous facsimiles from Gallus’s original prints, published between 1586 and 1590 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus divided the second book of his Opus musicum (1587) into four sections, which have been retained in the MAMS edition. The first volume (II/1) consists of 4-, 5-, 6- and 8-part motets for the liturgy of Holy Week. The volume also contains three polyphonic settings of the Passions, two based on the Gospel of John and one on the Gospel of Matthew.
The 2024 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Ta cilj je začela uresničevati izdaja slovite zbirke Gallusovih motetov Opus musicum, ki jo sestavljajo štiri knjige s 374 moteti. Transkripcije in revizijska poročila je pripravil Edo Škulj in Gallusovi moteti so v letih med 1985 in 1990 izšli v trinajstih zvezkih. Izdajo bogatijo številni faksimili iz Gallusovih originalnih tiskov, ki jih je v letih med 1586 in 1590 natisnil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je drugo knjigo svojega Opus musicum (1587) uredil v štirih razdelkih, ki jim sledi tudi izdaja MAMS. Prvi zvezek (II/1) vsebuje 4-, 5-, 6- in 8-glasne motete, namenjene za liturgijo velikega tedna. Vsebuje tudi tri večglasne uglasbitve pasijonov, dva po Janezevem in enega po Matejevem evangeliju.
Digitalizirana poizdaja iz leta 2024 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu.
Iacobus Gallus: Opus musicum II/2. Lamentationes Ieremiae Prophetae
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. The publication of his famous collection of motets, Opus musicum, consisting of four books containing a total of 374 motets, partially achieved this goal in 1990. The transcriptions and critical commentaries were prepared by Edo Škulj, and Gallus’s motets were published in thirteen volumes between 1985 and 1990. The edition is enriched by numerous facsimiles from Gallus’s original prints, published between 1586 and 1590 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus divided the second book of his Opus musicum (1587) into four sections, which have been retained in the MAMS edition. The second volume (II/2) consists of settings of the Lamentations of the Prophet Jeremiah for two four-part choirs, settings of two psalms and an eight-part motet. These compositions are intended for the liturgy of Holy Week.
The 2024 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.
Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Ta cilj je začela uresničevati izdaja slovite zbirke Gallusovih motetov Opus musicum, ki jo sestavljajo štiri knjige s 374 moteti. Transkripcije in revizijska poročila je pripravil Edo Škulj in Gallusovi moteti so v letih med 1985 in 1990 izšli v trinajstih zvezkih. Izdajo bogatijo številni faksimili iz Gallusovih originalnih tiskov, ki jih je v letih med 1586 in 1590 natisnil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je drugo knjigo svojega Opus musicum (1587) uredil v štirih razdelkih, ki jim sledi tudi izdaja MAMS. Drugi zvezek (II/2) vsebuje uglasbitve žalostink preroka Jeremije za dva 4-glasna zbora, uglasbitvi dveh psalmov in motet za 8 glasov. Skladbe so namenjene za liturgijo velikega tedna.
Digitalizirana poizdaja iz leta 2024 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu
Iacobus Gallus: Opus musicum II/3. De resurrectione et ascensione Domini nostri Iesu Christi
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. The publication of his famous collection of motets, Opus musicum, consisting of four books containing a total of 374 motets, partially achieved this goal in 1990. The transcriptions and critical commentaries were prepared by Edo Škulj, and Gallus’s motets were published in thirteen volumes between 1985 and 1990. The edition is enriched by numerous facsimiles from Gallus’s original prints, published between 1586 and 1590 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus divided the second book of his Opus musicum (1587) into four sections, which have been retained in the MAMS edition. The third volume (II/3) consists of 4- to 16-part motets for church festivals lying between the Resurrection and Ascension of Christ.
The 2024 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.
Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Ta cilj je začela uresničevati izdaja slovite zbirke Gallusovih motetov Opus musicum, ki jo sestavljajo štiri knjige s 374 moteti. Transkripcije in revizijska poročila je pripravil Edo Škulj in Gallusovi moteti so v letih med 1985 in 1990 izšli v trinajstih zvezkih. Izdajo bogatijo številni faksimili iz Gallusovih originalnih tiskov, ki jih je v letih med 1586 in 1590 natisnil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je drugo knjigo svojega Opus musicum (1587) uredil v treh razdelkih, ki jim sledi tudi izdaja MAMS. Tretji zvezek (II/3) vsebuje 4- do 16-glasne motete za cerkvene praznike med Kristusovim vstajenjem in vnebohodom.
Digitalizirana poizdaja iz leta 2024 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu
Iacobus Gallus: Opus musicum III/1. De sancta Trinitate et de Corpore Christi
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. The publication of his famous collection of motets, Opus musicum, consisting of four books containing a total of 374 motets, partially achieved this goal in 1990. The transcriptions and critical commentaries were prepared by Edo Škulj, and Gallus’s motets were published in thirteen volumes between 1985 and 1990. The edition is enriched by numerous facsimiles from Gallus’s original prints, published between 1586 and 1590 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus divided the third book of his Opus musicum (1587) into two sections, which have been retained in the MAMS edition. The first volume (III/1) consists of 4-, 5-, 6-, 7- and 8-part motets for the church season lying between the Feast of the Holy Trinity and that of Corpus Christi.
The 2024 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.
Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Ta cilj je začela uresničevati izdaja slovite zbirke Gallusovih motetov Opus musicum, ki jo sestavljajo štiri knjige s 374 moteti. Transkripcije in revizijska poročila je pripravil Edo Škulj in Gallusovi moteti so v letih med 1985 in 1990 izšli v trinajstih zvezkih. Izdajo bogatijo številni faksimili iz Gallusovih originalnih tiskov, ki jih je v letih med 1586 in 1590 natisnil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je tretjo knjigo svojega Opus musicum (1587) uredil v dveh razdelkih, ki jima sledi tudi izdaja MAMS. Prvi zvezek (III/1) vsebuje 4-, 5-, 6-, 7- in 8-glasne motete za cerkveni čas med praznikom svete Trojice in praznikom svetega Rešnjega telesa.
Digitalizirana poizdaja iz leta 2024 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu
Iacobus Gallus: Opus musicum IV/3. Harmoniae quinque vocum
No full textFrom the very beginning, one of the most important and ambitious goals of the MAMS collection has been publication of the collected works of Iacobus Handl-Gallus in a modern transcription tailored to the needs of contemporary performers. The publication of his famous collection of motets, Opus musicum, consisting of four books containing a total of 374 motets, partially achieved this goal in 1990. The transcriptions and critical commentaries were prepared by Edo Škulj, and Gallus’s motets were published in thirteen volumes between 1985 and 1990. The edition is enriched by numerous facsimiles from Gallus’s original prints, published between 1586 and 1590 by the Prague printer Georg Nigrin (Jiří Černý).
Gallus assigned the fourth book of his Opus musicum (1590) to feasts of the Virgin Mary, the Apostles, the Martyrs, the Witnesses and the Holy Virgins. Gallus arranged the motets not according to the chronological order of the church year, but according to the number of voices. The third volume (IV/3) consists of 5-part motets for the feasts of the Mother of God and the Saints.
The 2024 digitized post-edition is accompanied by a new preface and an introductory study by Dr Marc Desmet that summarizes and compiles all recent findings about the composer and his work.Med glavne in najambicioznejše cilje zbirke MAMS je že od vsega začetka sodila izdaja zbranih del Iacobusa Handla - Gallusa v sodobni transkripciji, prilagojeni zahtevam sodobnega izvajalca. Ta cilj je začela uresničevati izdaja slovite zbirke Gallusovih motetov Opus musicum, ki jo sestavljajo štiri knjige s 374 moteti. Transkripcije in revizijska poročila je pripravil Edo Škulj in Gallusovi moteti so v letih med 1985 in 1990 izšli v trinajstih zvezkih. Izdajo bogatijo številni faksimili iz Gallusovih originalnih tiskov, ki jih je v letih med 1586 in 1590 natisnil praški tiskar Georg Nigrin (Jiří Černý).
Gallus je četrto knjigo svojega Opus musicum (1590) namenil za praznike Device Marije, apostolov, mučenikov, pričevalcev in svetih devic. Motetov ni uredil po kronološkem vrstnem redu cerkvenega leta, pač pa po številu glasov. Tretji zvezek (IV/3) vsebuje motete za 5 glasov, namenjene praznikom Matere Božje in svetnikov.
Digitalizirana poizdaja iz leta 2024 je opremljena z novim predgovorom in uvodno študijo dr. Marca Desmeta, ki na enem mestu povzema vsa nedavna spoznanja o skladatelju in njegovem delu.
Digitalne vezi
No full textThe publication Digitalne vezi (‘Digital Connections’) is the 17th book in the series ‘GIS v Sloveniji’ [GIS in Slovenia]. Its aim is to present diverse findings of researchers from the world of geographic information systems in Slovenia from recent years. Powerful data acquisition sensors and geoinformation tools enable research of various processes and phenomena, and a number of web-based applications are being developed to display spatial information. The book presents the results of projects and research findings in fields such as geomorphology, environmental protection, geography, geodesy, forestry, transport, tourism, remote sensing, agriculture and others. Readers will find in the book new possibilities for the use of geographic information systems and can find out about interesting research results in a wide range of fields.Publikacija Digitalne vezi je 17. knjiga v zbirki GIS v Sloveniji. Njen namen je predstaviti najrazličnejša spoznanja raziskovalcev v svetu geografskih informacijskih sistemov na območju Slovenije v zadnjih letih. Zmogljivi senzorji za zajem podatkov in geoinformacijska orodja omogočajo raziskave raznih procesov in pojavov, za prikaz prostorskih informacij pa se razvijajo tudi številne spletne aplikacije. V knjigi so prikazani rezultati projektov in izsledki raziskav s področij, kot so geomorfologija, varovanje okolja, geografija, geodezija, gozdarstvo, promet, turizem, daljinsko zaznavanje, kmetijstvo in druga. Bralci bodo v knjigi našli nekatere novosti v uporabnosti geografskih informacijskih sistemov, hkrati pa se bodo lahko seznanili tudi z zanimivi rezultati raziskovalnega dela na številnih področjih
Studio et labore, arte et humanitate. Jubilejni zbornik za Marjeto Ciglenečki
No full textThis Festschrift includes four commemorative essays, twenty-two scholarly contributions as well as an extensive bibliography of the art historian Dr Marjeta Ciglenečki’s work. In celebration of the seventieth birthday of a respected colleague, whose work spans the fields of university education, scientific research, museology and heritage preservation, her former collaborators, colleagues and students have contributed papers which range chronologically from antiquity to the present day. These contributions also cover all artistic disciplines and address every aspect of art historical work. The diversity of the contributions reflects the breadth of Dr Ciglenečki’s oeuvre, as many of them focus on topics that Marjeta Ciglenečki herself has explored or deal with the region of Ptuj, Maribor and Styria more generally, where she has conducted extensive research and made a particularly significant contribution to scholarship. The contributions are thus intended for a wide range of scholars and professionals – art historians, museum professionals, conservators, architects, historians, cultural historians, ethnologists, and theologians – though, at the same time, many of the topics discussed will undoubtedly also appeal to a broader readership.Jubilejni zbornik za Marjeto Ciglenečki prinaša štiri spominske zapise, dvaindvajset znanstvenih prispevkov in obsežno bibliografijo umetnostne zgodovinarke dr. Marjete Ciglenečki. V počastitev življenjskega jubileja spoštovane kolegice, ki deluje na pedagoškem, znanstvenoraziskovalnem, muzealskem in spomeniškovarstvenem področju, so njeni nekdanji sodelavci, kolegi in študentje pripravili prispevke, ki časovno segajo od antike do sodobnosti, obravnavajo vse likovne zvrsti in posegajo na vsa področja umetnostnozgodovinskega dela. Objavljeni prispevki s svojo raznolikostjo odslikavajo širino jubilantkinega opusa, saj se v veliki meri navezujejo na teme, ki se jim posveča Marjeta Ciglenečki, ali pa na prostor Ptuja, Maribora in Štajerske, v katerem je pustila največ sledi ter ga hkrati intenzivno raziskovala. Članki nagovarjajo umetnostne zgodovinarje, muzealce konservatorje, arhitekte, zgodovinarje in kulturne zgodovinarje, etnologe in teologe, nedvomno pa so številne teme zanimive tudi za veliko širši krog bralstva
Rokopisna zbirka slovenskih krajevnih imen iz Metelkove zapuščine. Druga knjiga
No full textThe historical source, the manuscript collection of Slovenian place names from Metelko’s Legacy, which is kept by the Slovenian National and University Library, has been published in two volumes. The first volume contains the transcription and translation of the German-Slovene lists of 3,178 place names from Upper Carniola, Lower Carniola and the Villach department of Carinthia from 1823, compiled by district clerks. The material is supplemented by a bilingual list of 446 place names, including towns, market towns, parishes, vicariates, local chaplaincies and the names of seigneuries, estates, small seigneuries, manors, castles and monasteries, all of which Metelko recorded in a small notebook.
Volume 2 contains the localization of places and their identification with modern name forms, as well as a linguistic commentary on the name forms attested in the clerks’ lists and Metelko’s notebook, with references to older and more recent historical records. The names are arranged by seigneuries in the same order as in the original manuscript and are presented in four parallel columns: the modern Slovenian form, the genitive form, the Slovenian form from Metelko’s material, and the historical German form. For easier orientation within the name material, the book is accompanied by a comprehensive name index. The volume also includes Metelko’s additional instructions for recording the genitive forms of Slovenian place names.Zgodovinski vir Rokopisna zbirka slovenskih krajevnih imen iz Metelkove zapuščine, ki ga hrani NUK, izhaja v dveh knjigah. Prva knjiga obsega prepis in prevod nemško-slovenskih seznamov 3.178 krajevnih imen na Gorenjskem, Dolenjskem in v beljaškem okrožju Koroške iz l. 1823, ki so jih napravili okrajni pisarji. Gradivu je priložen tudi dvojezični seznam imen 446 krajev s statusom mest, trgov, župnij, vikariatov, lokalij ter imen gospostev, posestev, imenj, dvorcev, gradov in samostanov, ki jih je Metelko poknjižil v drobnem zvežčiču.
Druga knjiga vsebuje lokalizacijo krajev in identifikacijo s sodobnimi imenskimi oblikami ter jezikoslovni komentar imenskih oblik, izpričanih v pisarskih seznamih in v Metelkovem zvežčiču, z navedbo starejših in mlajših historičnih zapisov. Imena so razvrščena po gospostvih v istem zaporedju kot v originalu, podana so v štirih vzporednih stolpcih: sodobna slovenska oblika, rodilniška oblika, slovenska oblika iz Metelkovega gradiva, zgodovinska nemška oblika. Za lažjo orientacijo po imenskem gradivu so knjigi priložena izčrpna imenska kazala. V knjigi je objavljeno tudi Metelkovo dodatno navodilo za zapisovanje rodilnških oblik slovenskih krajevnih imen
Pesemsko izročilo Kočevske. Adolf Hauffen – Nemški jezikovni otok na Kočevskem. Znanstvenokritična izdaja
No full textAlmost 130 years after the publication of Adolf Hauffen's ethnographic study and collection of Gottscheer songs, the book Pesemsko izročilo Kočevske ('The Folk Song Tradition of Kočevje area') has made the treasure trove that is the folk song tradition of the wider Kočevska region, mostly written in the Gottscheer dialect, available in Slovenian. In addition to the translation of the book Die deutsche Sprachinsel Gottschee. Geschichte und Mundart, Lebensverhältnisse, Sitten und Gebräuche, Sagen, Märchen und Lieder ('The German Language Island in Kočevska Region. History and Dialect, Living Conditions, Customs and Habits, Folktales, Fairy Tales and Folk Songs', 1895), the work also contains an article by the aforementioned author (from 1896), in which he published additional folk songs and information he received after the publication of his book. This is followed by nine scholarly-critical studies by seven authors, Peter Lozoviuk, Anja Moric, Marija Klobčar, Marjetka Golež Kaučič, Zmaga Kumer, Saša Babič and Helena Ložar-Podlogar, who examine the Gottscheer folk song tradition from ethnological, folkloristic and historical perspectives. They focus on the collection of Gottscheer folk songs that formed the core of Hauffen's monograph, but also offer broader critical reflections. The book is also the first translation of the entire folk song collection from any foreign language into Slovene.S knjigo Pesemsko izročilo Kočevske je skoraj 130 let po izidu etnografske študije in zbirke kočevarskih pesmi Adolfa Hauffna zakladnica pesemskega izročila območja širše Kočevske, zapisana večinoma v kočevarskem narečju, dostopna tudi v slovenskem jeziku. Poleg prevoda knjige Nemški jezikovni otok na Kočevskem. Zgodovina in narečje, življenjske razmere, šege in navade, pripovedke, pravljice in pesmi (1895) delo vsebuje tudi članek istega avtorja (iz leta 1896), v katerem je objavil dodatne pesmi in informacije, ki jih je prejel po izidu svoje knjige. Sledi devet znanstvenokritičnih študij sedmih avtorjev, Petra Lozoviuka, Anje Moric, Marije Klobčar, Marjetke Golež Kaučič, Zmage Kumer, Saše Babič in Helene Ložar-Podlogar, ki kočevarsko pesemsko izročilo obravnavajo iz etnološkega, folklorističnega in zgodovinskega vidika. Osredinjajo se na zbirko kočevarskih ljudskih pesmi, ki je bila temeljni del Hauffnove monografije, a hkrati podajajo tudi širše kritične premisleke. Knjiga je hkrati prvi prevod celotne zbirke ljudskih pesmi iz kateregakoli tujega jezika v slovenščino
Jurij Slatkonja (1456–1522). Od Kranjske do Dunaja
No full textThe book by seven internationally renowned authors from the fields of history, musicology and art history deals with the life, work and portraits of Georg Slatkonia from Ljubljana, an ecclesiastical dignitary and organiser of Maximilian I’s court music chapel. The book is divided into three thematic sections. The first deals with Slatkonia’s life and career. Particular attention is paid to his local and social origins, the influence of his network of acquaintances on his career and his role after his consecration as Bishop of Vienna in 1513. The second part is dedicated to Slatkonia as a musician. The first chapter provides a historiographical overview of the writings on Georg Slatkonia as a musician and assesses his known compositions. This is followed by an account of the organisation of the imperial court chapel in Slatkonia’s time and an assessment of his role. The third chapter of this section provides an overview of musical activities in the territory of present-day Slovenia at the time of Slatkonia. The final section offers a study of Slatkonia’s portraits from the early modern period and an analysis regarding the authorship of his epitaph in Vienna Cathedral. All contributions are based on archival sources, some of which have been used for the first time in this publication. Slatkonia’s life and work are placed in both a national and a wider European context.
Co-publisher Slovenska matica.Knjiga sedmih mednarodno uveljavljenih avtorjev s področij zgodovinskih, muzikoloških in umetnostnozgodovinskih znanosti govori o življenju, delovanju in upodobitvah Jurija Slatkonje iz Ljubljane, cerkvenega dostojanstvenika in organizatorja dvorne glasbene kapele Maksimilijana I. Delo je razdeljeno v tri tematske sklope. Prvi obravnava Slatkonjevo življenjsko in karierno pot. Posebno pozornost namenja njegovemu krajevnemu in socialnemu izvoru ter vplivu mreže njegovih poznanstev na njegovo delovanje in se ukvarja z njegovo vlogo po posvetitvi v dunajskega škofa leta 1513. Drugi sklop je posvečen Slatkonji kot glasbeniku. Prva razprava podaja pregled dosedanjih obravnav Jurija Slatkonje kot glasbenika ter ovrednoti njegovo znano skladateljsko delo. Sledi prispevek o tedanji organizaciji cesarske dvorne kapele in Slatkonjevi vlogi. Sklop zaključuje pregledna predstavitev glasbenih aktivnosti na Slovenskem v njegovem času. Zadnji sklop prinaša analizo Slatkonjevih upodobitev iz obdobja zgodnjega novega veka ter analizo Slatkonjevega epitafa v dunajski stolnici, zlasti glede na njegovo avtorstvo. Vsi prispevki temeljijo na arhivskih virih, nekateri so bili za to publikacijo uporabljeni prvič.
Slatkonjevo življenje in delo umeščajo tako v slovenski nacionalni kot tudi širši evropski prostor.
Sozaložnik Slovenska matica