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What I learned by doing craft when I got terminal cancer: On woodcarving and psychophysical wellbeing from an insider perspective
In this paper I use theory on craft and psychophysical wellbeing to extract insights on the value and meaning I found in woodcarving after being diagnosed with terminal brain cancer. I continued to carve wood throughout the entire diagnosis and treatment period. I was already an experienced woodcarver and had done extensive research on my own making processes. Both the making and research provided meaning and value for me in my ordeal. I discuss three lessons I learned: 1) Deliberate controlling of attention on the here and now worked as a coping mechanism, giving meaning and value to my situation; 2) Grounding myself in physical touch with a close connection to the material contributed to maintaining my positive identity as both maker and researcher, and acted as another coping resource; and 3) As I made the objects, I re-made myself. My intention to save and finish these artifacts, and the joy I experienced as I finished them, gave meaning and purpose to my situation. These lessons support previous findings on craft and wellbeing, contribute insider insights on the use of wood in art making during cancer treatment, and they could potentially inspire others facing dire straits to use crafting to cope
Leder. FormAkademisk 15 år : – i full aktivitet
FormAkademisk - research journal for design and design education – has now published articles for 15 years! The editorial team started its work in January 2008 and published the first issue in October the same year. FormAkademisk publishes articles from research in a broad field, both design, such as industrial design, visual communication, interaction design, service design, architecture, landscape architecture and urbanism, and design education at all levels from kindergarten to doctorate. For such a broad field of design research, FormAkademisk is in need of a large editorial team.FormAkademisk – forskningstidsskrift for design og designdidaktikk – har nå publisert artikler i 15 år! Redaksjonen startet opp arbeidet i januar 2008 og publiserte det første nummeret i oktober samme år. Fordi FormAkademisk publiserer artikler fra forskning innen et bredt felt, både design, slik som industridesign, visuell kommunikasjon, interaksjonsdesign, tjenestedesign, arkitektur, landskapsarkitektur og urbanisme, og designdidaktikk på alle utdanningsnivå fra barnehage til doktorgrad, har vi behov for en stor redaksjo
From not yet knowing to achieving directionality : On the roles of materiality in multi-sited, interdisciplinary studio settings
This paper investigates the active role of materials in shaping ideation processes during interdisciplinary studio-based collaborations. Using ethnographic data collected from a graduate-level course conducted across multiple studio settings, we analysed how materiality facilitates interactions between students and studio instructors meeting for the first time when creative ideas are not yet fully formed and knowledge of unfamiliar materials is not yet embodied. The findings elucidate how certain materials are central to (1) demonstrating, (2) understanding, (3) sharing, (4) explaining, (5) generating and (6) challenging aspects related to ideation processes within such interactions. We conclude this work by emphasising the need for further research that focuses on material mediation in the context of student–instructor relationships
Preserving the past to serve the future : Lilli Zickerman’s inventory of textile handicrafts 1914–1931
Lilli Zickerman (1858–1949) was an entrepreneur who took part in organising the Swedish handicraft associations in the late 19th century. She was also a pioneer in the archives and active in the feminine sphere of textile handicraft. From 1914–1931 she conducted a huge inventory called Swedish Folk Textile Art that consists of more than 24,000 photographs and descriptions of vernacular textiles and manuscripts for a planned series of books and films. By mapping textile handicrafts, she aimed to preserve traditional textile craft techniques to inspire their continued production. Her intention was to create an archive for the inspiration and education of future textile artists. The inventory has had effects that are still apparent today; this paper illuminates the ways in which Zickerman’s ideas about textile handicrafts have contributed to the continuation of Swedish cultural heritage and how it has become an authorised heritage discourse that continues to guide the scholars and practitioners involved in the history of textiles and their production. Here, we will present the first article within an ongoing project on Swedish Folk Textile Art and how it was conducted. We will contextualise the ideas and knowledge that it contains by focusing on Zickerman’s intention to preserve the past to serve the future. From a critical craft perspective, we will discuss geographical mapping as a method for investigating the inventtory; the inclusion and exclusion of geographical areas, textile techniques, materials and people; the ideas and the knowledge that are expressed in the inventory; and the networks that it created. By doing so, we aim to highlight the connections between people, between people and materials, and between history and the current day
Negotiating Authenticity and Climate Change in Heritage Gardens
With this paper we explore and discuss the priorities of and possible goal conflicts between authenticity and climate change in heritage gardens. How can climate change mitigation, adaptation, resilience, and cultural heritage conservation be combined in heritage gardens? Our study was guided by the following research question: How do gardeners negotiate climate change and authenticity in heritage gardens? From Rachel Carson\u27s Silent Spring in the 1960s through to the 2002 report Gardening in the Global Greenhouse and the recent Gardening in a Changing World in 2022 mankind\u27s impact on the environment and the emerging climate change has been the focus of increasing attention. By investigating and interviewing multiple gardeners our objective was to pinpoint common challenges, as well as what can be learned from one another within the field of gardening and heritage conservation. The case study method was adopted for this study, involving three head gardeners in the United Kingdom. Interviews were conducted with Joseph Atkin at Aberglasney Gardens, Claire Greenslade at Hestercombe Gardens, and Steve Lannin at Iford Manor about their expertise and knowledge. The gardeners expressed concern regarding climate change and the challenges it poses. The interviewees shared their experience with drought, reduced use of pesticides and herbicides, and the peat legislation in relation to their role as head gardeners. We argue that authenticity and the traditional gardening practised before the advent of power tools, plastic, peat issues, and uninformed transportation can be part of the solution to loss of biodiversity and climate change. This paper identifies some of the obstacles encountered in relation to negotiating questions of authenticity and climate change in heritage gardens
Change and Transformation of Functions in Turkey’s Felt Objects
This study analyses felt and the practice of felting from the geography of Turkey, as a way to explore felt’s function in material culture. Felting is a method of craft making that consists of compressing fibres (wool or other). Felt, (in Turkish “keçe”) can be defined as the outcome product of felting process. However, keçe represents more than just a cloth or a textile. It was an important part of daily life in the geography of Turkey, for instance among nomads who produced their daily necessities from felt. For the study, first, I introduce some felt products from Turkey. Afterwards, I share the processes and results of a field study, through observations and interviews conducted with feltmakers in Tire region in Turkey. Then I share an analysis and results from the product research and field study. Nowadays felt is found through another range of accessories and artistic works, such as decorational products, hair bands, slippers, vase, tumbler, hats. While felt was commonly used for important functions such as carrying, moving; today, other materials are used for these functions. Therefore, felt objects can be perceived and bought as accessories rather than necessities in modern culture. Nevertheless, felt is still used for the representation of identities. Although felt is considered to have lost its value, for the context of Turkey, I argue that the functions have shifted to new contexts. Through different functionalities such as being tools for self-expressions/communication, felt has a similar value in the current culture
Exploring the Sustainability of Huizhou Bamboo Carving in the Perspective of Heritage Craft
Huizhou bamboo carving was produced in the Huizhou region of China and is one of the representative carvings of the Huizhou region. As an essential local intangible cultural heritage, the carving techniques, cultural connotations, and historical and artistic values of Huizhou bamboo carving have contributed to its own high craft research value. However, this local heritage craft is facing many problems, such as the difficulty of spreading skills, selling craft products, and separating products from market demand. Therefore, how help Huizhou bamboo carving to get out of these difficulties and develop sustainability is a problem that needs to be solved urgently. Based on the perspective of heritage craft, this study proposes ways of digital multi-dimensional transformation of Huizhou bamboo carving products, collaborative and cooperative training of bamboo carving skills, and market innovation of bamboo carving products. Thus, this paper proposed some practical approaches for the sustainability of Huizhou bamboo carving research
Editorial II. Design education in China: a brief overview
This editorial represents a brief overview of design education in China, and then it introduces Shandong University of Art & Design (SUAD). It contains three parts. The first section describes the development of design education in China and the current situation of College Entrance Examination for design students. The second section introduces SUAD from aspects of its location, the features of design teaching and learning, and design-related actives and achievements. The last part predicts the future of design education in China
Evaluation of pulmonary computed tomography angiography protocols: A multicenter audit in Togo
Introduction : Pulmonary CT angiography is among the most challenging protocols to execute, with significant inter-center variability in image acquisition protocols and iodinated contrast media injection. This study aimed to ascertain whether the use of iodinated contrast media (ICM) and acquisition protocols are optimized during pulmonary CT angiography procedures.
Materials and methods : This multicentric cross-sectional study, descriptive and analytical with a prospective data collection was conducted in three radiology departments in Togo. It encompassed all pulmonary CT angiography examinations carried out from March 1st to June 30th, 2023.
Results : In total, 89 patients, of which 52 were females (58.43%), were registered. The average age was 59.97±14.34 years. The average volume of injected ICM was 67.08±14.21 ml. The mean iodine dose was 0.31±0.07 gI/Kg. Catheters of 20 G (44.94%) and 18 G (43.82%) were most frequently used. The mean injection rate was 4.22±0.64 ml/s. The bolus test technique was the most employed (75.28%). The average acquisition delay was 17.77±12.26 seconds, while the average acquisition duration was 10.56±2.56 seconds. The average dose-length product (DLP) was 390.09±236.69 mGy.cm, and the average volumetric computed tomography dose index (CTDI_vol) was 12.31±11.69 mGy. Vascular enhancement was insufficient in 7.87% of cases. No statistically significant difference was found on the rate of insufficient enhancement and optimization factors. Similarly, there was no enhancement difference between bolus test and bolus tracking techniques.
Conclusion : The vast majority of examinations allowed for optimal opacification of the pulmonary arteries. However, the optimization measures for the use of iodinated contrast media are not consistently applied
The Peer Review Process - a Tutorial
Peer reviewers plays a crucial for scientific journals today. The review process is a critical view on the submitted work and should be evaluated by peers within the same scientific area. The experts perform this task outside normal working hours and will typically receive no compensation. The task is to improve the articles’ quality prior to publication.
The objective of this tutorial is to describe the peer reviewer process and provide a practical framework for current and future peer reviewers