19852 research outputs found
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[[alternative]]Helping Professionals' Ethical Practice in Grief Counseling
No full text[[abstract]]助人專業倫理是助人工作的核心價值，悲傷諮商是助人專業的專門領域之一。本研究旨在探討悲傷諮商助人工作者的專業倫理實踐經驗，並瞭解助人工作者進行悲傷諮商時應考量的倫理原則。本研究採取質性研究的深度訪談法，兩位受訪者均具有博士學位，從事諮商工作20年以上，其專業領域研究以悲傷相關議題為主，是具有特殊見識的關鍵參與者。經由「主題分析法」逐步將細部概念發展成主軸概念後，研究發現從事悲傷諮商工作前，助人者會先具備兩樣倫理態度：（1）覺察自己對生死的知見；（2）厚植悲傷諮商的專業知能與體驗。進行悲傷諮商工作時的倫理實踐則為：（1）開放地討論靈性／宗教信仰價值觀和核心信念；（2）評估個案自我傷害與傷害他人的風險；（3）評估結案的時機並善用結案讓個案成長。本研究建議悲傷諮商工作者可以參考本文受訪者的倫理實踐行動，並時時問自己：「什麼是身為悲傷諮商助人工作者的重要特質或美德？」方是最為良善的倫理實踐
論林希逸對老子《道德經》形上思想的解讀─以《老子鬳齋口義》為中心
No full text[[abstract]]論文提要：宋朝的學術發達，除了儒學具有高度成就之外，道家思想亦在文人雅士的推波助瀾下達到一定的高峰，其具體的成就則表現在《老子》、《莊子》的注釋解讀上，若南宋之林希逸則是以白話口語等易通易懂方式疏解書中道理，所以分別有了《老子鬳齋口義》、《莊子鬳齋口義》以及《列子鬳齋口義》等書的問世，本文即據其《老子鬳齋口義》以裁決他對老子形上之道的理解。老子的形上之道固有一般所常見之形式義，亦有其所獨顯之內容義，若林希逸對老子《道德經》之理解實能將此兩者做出有效的回應和掌握，特別是在老子自有的殊勝之處，林希逸已然能夠了然於文本、通曉於理趣而將其形上之道的重要概念或命題，如：道、玄、無、沖、弱、柔、反、復、虛靜、自然、無為而無不為等等，做出一以貫之的詮釋，最後並由「無所容心」一語以之總攝全部的意思。林希逸對於道家文獻的解讀誠然有其可觀之處，《莊子鬳齋口義》一書即是海內外學人重視的焦點，然而相較之下，他關於老子思想的成果卻是受盡冷落而少人留意，本文之作或許能夠為此現象略做補白並使自己免於遺憾
[[alternative]]Research on the Influence of Female Consumers' Behavioral Intention of Using E-Sports Software
No full text[[abstract]] 本研究旨在探討影響女性消費者評估電競軟體的決策因素，以計畫行為理論為基礎，使用結構方程模型進行分析。本研究以台灣地區18歲以上女性消費者為研究對象，透過問卷調查收集資料，總共回收有效問卷272份。研究結果顯示，女性消費者對於電競軟體的購買意願會受到態度、主觀規範和知覺行為控制等三個因素的影響。其中，態度是最重要的因素，對女性消費者的購買意願具有顯著的正向影響。認知和主觀規範對女性消費者的購買意願也有正向的影響，而知覺行為控制則對女性消費者的購買意願具有負向影響。因此，建議電競軟體廠商應該著重提高女性消費者對產品的認知程度，並積極塑造良好的品牌形象和消費環境，以提高女性消費者對產品的態度和主觀規範，進而增加其購買意願。此外，也應注意到知覺行為控制對女性消費者的購買意願具有負向影響，應該加強產品的易用性和操作性，以提高女性消費者的購買體驗。[[abstract]] This study employs structural equation modeling to analyze the decision-making factors that influence female consumers' assessment of e-sports software based on the theory of planned behavior. The research focuses on female consumers over 18 years old in Taiwan and collects data through a questionnaire survey, resulting in 272 valid responses. The findings reveal that attitudes, subjective norms, and perceived behavioral control significantly impact female consumers' willingness to purchase e-sports software. Notably, perspectives emerge as the most critical factor, exerting a positive and significant effect on female consumers' purchase intention. Cognitive and subjective norms also positively influence female consumers' purchase intentions, while perceived behavioral control has a negative impact. As such, it is suggested that e-sports software manufacturers prioritize enhancing female consumers' product awareness and proactively cultivating a favorable brand image and consumption environment to foster positive attitudes and subjective norms towards products and ultimately boost purchase intention. Additionally, perceived behavioral control should be addressed by improving product ease of use and operability to enhance female consumers' purchasing experience
[[alternative]]Some Archetypal Styles Expressed in Lu Li's To Those Who Are Not Present and a Belated Presence of Me taking Miao-Jin Qiu, Zhe-Sheng Yuan, and Guo-Jun Huang as Examples
No full text[[abstract]] 本論文以「李璐《致不在場的他們與遲到的我》之表現原型——以邱妙津、袁哲生、黃國峻為例」作為論題，欲解析李璐《致不在場的他們與遲到的我》中的表現原型，由於此書基於對臺灣內向世代代表作家，邱妙津、袁哲生及黃國峻三人作品之借鑑，故本研究亦納入三位作家之表現原型作為參照，藉此使研究更為縝密。 文中「原型」的概念源於諾思羅普．弗萊（Northrop Frye）之「原型批評」，但弗萊提到的原型太過寬泛，故本文將原型重新定義，是以本文之「原型」意指作者不變的寫作模式，即為作者之敘事功能中，存在固定之主題性或組織原則。 本文以三位作家對於李璐《致不在場的他們與遲到的我》之影響為主要依據，故以作者為分水嶺，下分為三個部分進行討論。第二章解碼邱妙津小說之原型，將其分為「創傷書寫」及「性別多面向意識」。第三章將袁哲生小說之原型劃分成「失去自我的寂寞」、「不被理解的寂寞」、「無人陪伴的寂寞」。第四章則是解析黃國峻小說原型中，「物化女性展現」、「社會議題反諷」及「探索愛情」之相關呈現。 透過上述討論並分別剖析如何影響《致不在場的他們與遲到的我》，是否有再現三人之原型。期望藉由表現原型的探討，進一步使李璐《致不在場的他們與遲到的我》之相應探究更為完善，同時讓邱妙津、袁哲生、黃國峻三者之相關研究更為完整。[[abstract]] This master’s thesis tries to delve into “Some Archetypal Styles Expressed in Lu Li’s To Those Who Are Not Present and a Belated Presence of Me taking Miao-Jin Qiu, Zhe-Sheng Yuan, and Guo-Jun Huang as Examples” In-depth study on Lu Li’s influence on them will also be discerned to attest to the literary magnetism of To Those Who Are Not Present and a Belated Presence of Me. Since this book focuses its literary critique on three major writers of Taiwan's Introverted Generation, Miao-Jin Qiu, Zhe-Sheng Yuan and Guo-Jun Huang, this study would also examine their novels to make the archetypal analysis more inclusive and comprehensible. The concept of “Archetypal Mythos” originates from Northrop Frye's “Archetypal Criticism“, in which major archetypes fall into two categories: characters and situations (symbolic). However, these mythos anatomized by Frye are too generalized, so this thesis tries to extend them into more specific templates, referring to these novelists’ unswerving patterns and foci, which predominate the internal logic in each of their narratives. This study would explore the influence of Lu Li’s To Those Who Are Not Present and a Belated Presence of Me on the three Introverted Generation writers. In consequence, a tripartite structure pops out in the introductory chapter to put their oeuvres into new categories. The second chapter decodes the prevailing archetypes in Miao-Jin Qiu's novels and further sub-divides them into “Trauma Writing” and ” Multi-Dimensional Gender Consciousness“. The third chapter classified the archetypal patterns in Zhe-Sheng Yuan’s novels as three major genres: “The Loneliness of Sacrificing Oneself“, “The Loneliness of Not Being Understood“, and “The Loneliness of Being Unaccompanied“. The fourth chapter analyzes the relevant presentations of “Materialized Women Expression“, “Irony of Social Issues” and “Exploration of Love” as Guo-Jun Huang's major archetypes. Based on the above analysis, Lu Li’s To Those Who Are Not Present and a Belated Presence of Me exerts great influence on the Introverted Generation’s collective unconscious. It is expected that this study may correspond to the most recent successful attempts to inspect Lu Li’s insights into the archetypal mechanism, and make use of them to probe into the three novelists’ novels for further new findings
[[alternative]]Writing Desire in Guo-Zhen Zhu's Novels
No full text[[abstract]] 本文以「朱國珍小說中的慾望書寫」為題，用以探討朱國珍小說中的慾望，有關慾望的相關題材貫徹於朱國珍的各部作品之中，諸如《夜夜要喝長島冰茶的女人》、《慾望道場》、《古正義的糖》等著作，皆有篇章將人性慾望置入其中，以此反應社會現實以及事態荒謬，然小說中的慾望僅為文本之表層，其內部深藏蘊含之書寫手法與技巧，才為慾望構建之本質，本文以此為始，試圖探討朱國珍小說中慾望的書寫方式，並深度剖析作者於文本之中的認同與意識形態。 本論文共計分為五章，首章為「緒論」，用以探討研究動機、前人研究，並深論章節安排及意義。 第二章為「敘事修辭」，此章由修辭作為考察對象，探討朱國珍小說中，使用何種修辭技巧構建出慾望，並且慾望透過何種方式，表現於文本之中，然此修辭技巧與傳統研究之修辭有所不同，論者以符號學之考察方式，深度挖掘朱國珍小說中敘事修辭的使用，以此分析慾望之深度意義。 第三章為「情節安排」，本章以胡亞敏之《敘事學》作為理論依據，以此探討敘事視角、敘事時間、序列，將上述三者作為分析工具，可以理解文本觀看慾望的方式、構建慾望事件的時間，以及文本中不變之敘事流程，經歷以上分析，可以釐清朱國珍小說中透過敘事構建慾望的方法。 第四章為「敘事意識」，此章使用高德曼(Lucien Goldmann)發生論結構主義作為論述主軸，以此清晰小說中意識形態的對立關係，並且透過隱含作者的價值判斷，得出朱國珍小說當中對於慾望的最終看法。 末章為「結論」，用以將上述篇章之論述，做出統一之總結。[[abstract]] This article is titled “Desire Writing in Zhu Guozhen's Novels” to explore the desire in Zhu Guozhen's novels. Desire Dojo” and “Ancient Justice's Sugar” and other works, all have chapters that put human desires into them, so as to reflect the social reality and the absurdity of the situation, but the desire in the novel is only the surface of the text, and the writing is deeply hidden inside. Techniques and techniques are the essence of desire construction. This article begins with this, trying to explore the writing style of desire in Zhu Guozhen's novels, and deeply analyze the author's identity and ideology in the text. This thesis is divided into five chapters in total. The first chapter is “Introduction”, which is used to discuss the research motivation, previous research, and discuss the chapter arrangement and significance in depth. The second chapter is “narrative rhetoric”. This chapter takes rhetoric as the research object, and discusses what kind of rhetorical techniques Zhu Guozhen uses to construct desires in his novels, and how desires are expressed in the text. However, this rhetorical technique and tradition The rhetoric of the research is different. The theorist uses the method of semiotics to dig deep into the use of narrative rhetoric in Zhu Guozhen's novels, so as to analyze the deep meaning of desire. The third chapter is “Plot Arrangement”. This chapter takes Hu Yamin's “Narratology” as a theoretical basis to discuss narrative perspective, narrative time, and sequence. Using the above three as analytical tools, we can understand the way and construction of text viewing desires. The time of desire events and the unchanging narrative process in the text, after the above analysis, can clarify the method of constructing desire through narrative in Zhu Guozhen's novels. The fourth chapter is “Narrative Consciousness”. This chapter uses Lucien Goldmann's genetic structuralism as the main axis of discussion, so as to clarify the ideological opposition in the novel, and through the implied author's value judgment, Zhu Guozhen The final view on desire in the novel. The last chapter is “Conclusion”, which is used to make a unified summary of the discussion of the above chapters