KUGscholar (University of Music and Performing Arts Graz)
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Gestaltete Form : Interaktion von Mikro- und Makroform in 46 Interpretationen (1925–2018) von Arnold Schönbergs Sechs kleinen Klavierstücken op. 19
No full textBetween I and You in Music: : Shared Emotions, Relational Improvisation, and Artistic Research
No full textImagine an ensemble performance that is brimming with proximity: the players’ actions appear to emerge from one mind and one body, no matter how complex or conflict-laden the musical events they create or interpret. This is a highly desirable experience and artistic achievement even for a mature ensemble musician. Alfred Schütz and Angelika Krebs in the initial quotations compare a duo or ensemble in such a state—the state of profound musical togetherness—to that of lovemaking (Schütz) or even to love itself (Krebs). In the inverse case of weak or missing musical togetherness, there is an audible disconnect between..
Harp: Movement 2
No full textStimme Harfe, Mediterranean: Concerto for Guitar and Orchestra, John McLaughlin, orchestrated by Michael Gibbs, 202
Clarinet 1: Movement 3
No full textStimme Klarinette 1, Mediterranean: Concerto for Guitar and Orchestra, John McLaughlin, orchestrated by Michael Gibbs, 202
Flute 1: Movement 2
No full textStimme Flöte 1, Mediterranean: Concerto for Guitar and Orchestra, John McLaughlin, orchestrated by Michael Gibbs, 202
Bassoon 2: Movement 3
No full textStimme Fagott 2, Mediterranean: Concerto for Guitar and Orchestra, John McLaughlin, orchestrated by Michael Gibbs, 202
Flute 1: Movement 1
No full textStimme Flöte 1, Mediterranean: Concerto for Guitar and Orchestra, John McLaughlin, orchestrated by Michael Gibbs, 202
Contra Bass: Movement 1
No full textStimme Kontrabass, Mediterranean: Concerto for Guitar and Orchestra, John McLaughlin, orchestrated by Michael Gibbs, 202
Viola: Movement 2
No full textStimme Bratsche, Mediterranean: Concerto for Guitar and Orchestra, John McLaughlin, orchestrated by Michael Gibbs, 202
Percussion 1: Movement 2
No full textStimme Percussion 1, Mediterranean: Concerto for Guitar and Orchestra, John McLaughlin, orchestrated by Michael Gibbs, 202