KUGscholar (University of Music and Performing Arts Graz)
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KÍREANA kammerkonzert for three instruments
No full textPartitur, Kompositionswettbewerb Klaviertrio 202
Fremdes Erbe: Nelisiwe Xaba and German Dance Heritage
No full textNelisiwe Xaba’s Fremde Tänze opens up questions of contemporary implications of dance history. Situated within the cultural politics of dance in Germany, especially funding programs such as Tanzfonds Erbe (dance funds heritage), Xaba’s work and the curatorial frame of the Julius-Hans-Spiegel-Zentrum project contest the notion of “cultural heritage” from a postcolonial perspective
Figure 2-1 score-time-C-Karajan-Berlin-T : Edvard Grieg, “Solveig’s Song”, beat duration graphs in score time for first and second instances of the refrain; top-to-bottom: Karajan with the Berlin Philharmonic Orchestra, Karajan with the Vienna Philharmonic Orchestra, Sir Neville Marriner with the Academy of St. Martin in the Fields, Bjarte Engeset with the Malmö Symphony
No full textAppendix-4-2 (mp4) Karajan Vienna : Edvard Grieg, “Solveig’s Song”, loudness-beat duration graphs in performance time comparing the introduction and concluding bars; top-to-bottom: Karajan with the Berlin Philharmonic, Karajan with the Vienna Philharmonic, Sir Neville Marriner with the Academy of St. Martin in the Fields, Bjarte Engeset with the Malmö Symphony Orchestra
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