KUGscholar (University of Music and Performing Arts Graz)
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Lenore : Oper in drei Aufzügen : Duetto Lenore Conrad N° 10
No full textHerausgegeben von Tiziano Duca. - Partitur. - Graz : Universität für Musik und darstellende Kunst Gra
Do-it-yourself headphones and development platform for augmented-reality audio
No full textWe present an open DIY platform for augmented reality audio in the form of ultralight acoustically transparent headphones and a minimalist hardware platform serving as USB audio interface, signal conditioner, and head tracker. We outline the open hardware and electronics designs to permit reproduction, extension, or customiza-tion. Furthermore, we show the results of measurements that evaluate passive transparency, variation in the headphone transfer function (HpTF) due to repositioning, as well as tracking latency and maximal output of the headtracker/audio device. This design has the potential to promote research and development applications in audio augmented reality at low costs and size
“Last time, in the Kampong, Chinese Wayang, Bangsawan, and Kroncong, All One Place”: : Discourses on Singaporean Performance
No full textExpecting to find hybrid music and performances traditions that mix musical styles from the many different ethnic groups that populate the island-nation of Singapore - paralleling the much vaunted culinary and linguistic traditions, the author was surprised to find that many Singaporeans felt that there were no performance traditions that actually came from Singapore itself. This article explores the history of the development of this attitude toward indigenous Singaporean performance using ethnopgraphic and archival research
Odor cues rather than personality affect tadpole deposition in a neotropical poison frog
No full textIs there such a thing as Singaporean Performance?
No full textIt is often said (by both insiders and outsiders) that multicultural Singapore does not have its own performance culture, and that anything that might be called \u27Singaporean\u27 has been imported from outside. The articles in this book address and deconstruct the question of whether there is such a thing as Singaporean performance from multiple perspectives, including those of: local and foreign scholars; performers of music and dance from different local groups of same and mixed ethnicities; and composers. Issues of Singaporean history, politics, development strategies, and cultural policies necessarily inform the background of these essays, the research they represent, and the contexts of the performers/performances described. Constructions of group and individual identity through performance are investigated as questions about the value and the possibility of multiple identities claimed and demonstrated through performance are examined. Intentionally decentering the main topic of the volume – Singaporean Performance – the title of the book provokes and encourages discussion about the myriad traditional, newly composed, hybrid, and many other kinds of performing arts created and experienced in Singapore
Performative Form im ersten Satz von Gustav Mahlers Neunter Symphonie. Eine Diskussion der Deutungen von Erwin Stein, Bruno Walter, Leonard Bernstein und Michael Gielen auf Basis einer Korpusstudie zu 121 Aufnahmen
No full textThe concept of “performative composition,” guided by his conducting experience, leads Gustav Mahler to implement variable tempo design as a formal principle in the first movement of his Ninth Symphony (1909–10). The Schoenberg student and conductor Erwin Stein, who held Mahler’s conducting in high esteem, argued that the movement’s tempo design, that is, the various tempi employed throughout the movement’s sections, should be oriented toward the main tempo (Andante comodo). A review of comments on this principle by Theodor W. Adorno, Bruno Walter, and Nicholas Cook is complemented by record-ings of the movement by Walter, Leonard Bernstein, and Michael Gielen in a comparative study of over 100 recordings from 1938 to 2019 with respect to tempo design and “performative form.
Impulse Responses of Miniature Line Array
No full textImpulse Responses of Miniature Line Array measured in lecture hall i9 of University of Technology in Graz
Special thanks to Franz Zotter, Garcia-Leticia Gabriel, Gregor Schmidt, Niklas Urban, and Chonglian Yu for joint
efforts in measuring the coverage over distance (sound
reinforcement lab exercise summer term 2023
Demo Video for a-e-i-o-u Sonic Tilt
No full textSubmission for the Sonic Tilt Competition at ICAD 202
Lenore - Oper in drei Aufzügen - Recitativ zu Leonoras Arie im III Act N° 17
No full textHerausgegeben von Tiziano Duca. - Partitur. - Graz : Universität für Musik und darstellende Kunst Graz, [2023
Supplementary data for "Theory of Continuously Curved and Phased Line Sources for Sound Reinforcement"
No full textSet of measured impulse responses as used in the pape