KUGscholar (University of Music and Performing Arts Graz)
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Demo video of the letter day project - N
The videos are described in the paper: Katharina Gross-Vogt. 2024. The letter day project - designing sonic in- teraction for learning letters . In Proceedings of Audio Mostly 2024 - Ex- plorations in Sonic Cultures (AM ’24). ACM, New York, NY, USA, 9 pages. {https://doi.org/https://doi.org/10.1145/3678299.3678352
Demo video of the letter day project - Sch
The videos are described in the paper: Katharina Gross-Vogt. 2024. The letter day project - designing sonic in- teraction for learning letters . In Proceedings of Audio Mostly 2024 - Ex- plorations in Sonic Cultures (AM ’24). ACM, New York, NY, USA, 9 pages. {https://doi.org/https://doi.org/10.1145/3678299.3678352
Simulated A weighted direct sound pressure levels of line arrays at the IEM CUBE
Simulated A weighted direct sound pressure levels of line arrays at the IEM CUBE for DAGA 202
Exploration von Selektionsmechanismen im Zuge der Aufnahme zum Schauspielstudium an der Kunstuniversität Graz : Befragung von Studierenden, Bewerber:innen und Lehrenden. Studienbericht x-sample Sozialforschung im Auftrag der Kunstuniversität Graz
Theory of continuously phased planar sources for sound reinforcement
Modern large-scale sound reinforcement systems use line-source loudspeaker arrays with the goal to establish a desired direct sound level decay profile along a line into the audience by adjusting the splay angles or delays between the individual enclosures. To design such a profile not only in the depth but also in the width of the audience area, a two-dimensional source would offer sufficiently many degrees of freedom for adaptation. In practical applications, this task is often accomplished with discrete planar loudspeaker arrays. In this work, we suggest employing the stationary-phase approximation to get a continuous symmetric delay length profile, which is then discretized. The aim of the design is to achieve direct sound levels rolling off by −6 ⋅ β dB per distance doubling on the listening area. The efficacy of this method is demonstrated by simulations and measurements of coverage with a small planar array confirming the validity of the proposed theory in practice
DAW filter presets for IKO001013
MCFX Convolver/jconvolver preset (wav files and jconvolver conf files) for decoding 16 Ambisonics channels (3rd order) to 20 loudspeakers for IKO001013, including radial focusing filters and crosstalk cancellation
DAW filter presets for IKO001022
MCFX Convolver/jconvolver preset (wav files and jconvolver conf files) for decoding 16 Ambisonics channels (3rd order) to 20 loudspeakers for IKO001022, including radial focusing filters and crosstalk cancellation
DAW filter presets for IKO001020
MCFX Convolver/jconvolver preset (wav files and jconvolver conf files) for decoding 16 Ambisonics channels (3rd order) to 20 loudspeakers for IKO001020, including radial focusing filters and crosstalk cancellation