Дигитални репозиторијум Института за књижевност и уметност
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Poetry in Times of Struggle: Walt Whitman and Young Bosnia
Get PDFThe paper examines the pre-World War I reception of Walt Whitman’s poetry in the Serbo-Croatian linguistic and cultural space, focusing on the interest shown in the American poet by the members of the Young Bosnia circle between 1908 and 1913. Young Bosnia was a loosely connected group of young intellectuals and high-school students who shared ideas of national liberation and South Slavic unification, introducing revolutionary tendencies to the domain of literature, as well, voicing requests for the modernization of literary expression. Whitman was among the foreign authors that this group found particularly inspiring, and the translations of his poems which the Young Bosnians published were vital for promoting this poet’s work among the Yugoslav intelligentsia and are significant in the overall Serbo-Croatian reception. The paper aims to point to the importance of these translations in the wider cultural context of the time, when the Young Bosnians were actively involved in the struggle for national independence and cultural progress of the South Slavs
Dvoglasje ekfraze. Figura ljubavi – ekfrastični oblici u stvaralaštvu Svetislava Mandića
No full textU radu se polazi od najsvježijih teorijskih okvira ekfraze, koja je prepoznata kao figura ili čak i vrsta još u antici, da bi se isti uposlili u razmatranju raznorodnog i iz fokusa srpskog kanona skrajnutog djela Svetislava Mandića. Ne samo zbog profesionalnog opredjeljenja, mada je ono nesumnjivo uticalo čak i na one ekfraze koje nemaju stručne i naučne pretenzije, nego možda i prije zbog specifične autorske perspektive dvostruko orijentisane prema piktoralnosti i narativnosti, u Mandićevom djelu ekfraza je jedna od ključnih poetičkih pretpostavki. Na to nesumnjivo utiče i poseban književnoistorijski trenutak u kome se Mandić formira kao autor, odnosno očevidno prisustvo ekfraze u srpskom pjesništvu počev sa pedesetim godinama 20. vijeka. Istovremeno, treba neprekidno imati na umu da je Mandićeva slika, zavodljiva i dinamična, istovremeno i sirenska za proučavaoca, te svakoj treba pristupiti pažljivo prije nego što se ona proglasi za ekfrastičnu konstrukciju
