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Street scene with Registan Square in the background in the background in Samarkand, Uzbekistan, Central Asia, ca. 1932
Photograph of a street scene with Registan Square in the background, taken by Lotte Jacobi in Samarkand, Uzbekistan, Central Asia, December 7, 1932. People are walking on a dirt street and a car is parked at the base of an exterior wall and minaret of Registan Square. A man is riding a donkey near the foreground. Construction scaffolding is assembled over a large pishtaq (Islamic architectural feature) by the minaret.https://scholars.unh.edu/jacobi_ussr_central_asia/1696/thumbnail.jp
Cityscape of Bukhara, Uzbekistan, Central Asia, ca. 1932-1933
Photograph of a cityscape in Bukhara, Uzbekistan, Central Asia, taken by Lotte Jacobi, ca. 1932-1933. High-angle shot looking down into a courtyard with a smaller building being constructed in the center, and piles of material organized in the courtyard. A sprawling expanse of buildings, some with domed roofs, is visible in the distance. Words are carved into the edge of the balcony where the photograph is being taken from.https://scholars.unh.edu/jacobi_ussr_central_asia/1528/thumbnail.jp
Town in Central Asia, ca. 1932-1933
Photograph of an unidentified town in Central Asia, taken by Lotte Jacobi, ca. 1932-1933. Several people wearing coats and flat cloth caps or headscarves are standing along and behind a wooden fence in a yard. Several buildings are visible in the distance and two oil drums are laying by the fence.https://scholars.unh.edu/jacobi_ussr_central_asia/2934/thumbnail.jp
Girl with a sack over her shoulder in Central Asia, ca. 1932-1933
Photograph of a girl with a sack over her shoulder, taken by Lotte Jacobi in Central Asia, ca. 1932-1933. A girl is walking on a dirt street carrying a cloth sack over her shoulder and smiling back at the camera. She is wearing a coat and headscarf.https://scholars.unh.edu/jacobi_ussr_central_asia/2619/thumbnail.jp
Avenue at the Shah-i-Zinda complex in Samarkand, Uzbekistan, Central Asia, ca. 1932
Photograph of an avenue at the Shah-i-Zinda complex, taken by Lotte Jacobi in Samarkand, Uzbekistan, Central Asia, December 8, 1932. View down an empty narrow avenue paved with hexagonal stones between brick walls and intricately tiled, weathered buildings. Snow lines the sides of the avenue and covers a tiled dome in the distance.https://scholars.unh.edu/jacobi_ussr_central_asia/2383/thumbnail.jp
Adult education class in Central Asia, ca. 1932-1933
Photograph of an adult education class in Central Asia, taken by Lotte Jacobi, ca. 1932-1933. Women wearing coats and embroidered hats or headscarves are sitting at desks in a classroom with large windows. Piles of books and papers are on each desk.https://scholars.unh.edu/jacobi_ussr_central_asia/2604/thumbnail.jp
Public Trials and Plain Error
Courts are divided on the question of how Sixth Amendment public trial violations should be evaluated on appeal when a criminal defendant fails to object at trial to a courtroom closure. Typically, failing to object triggers plain error review on appeal, which demands a higher threshold of harm to obtain reversal compared to when an objection has been made at trial. Should this type of review also apply in its usual form to public trial errors? The article concludes that it should, despite the fact that public trial violations are considered “structural,” and, when properly preserved, do not require a showing of harm arising from the violation
Street corner in the USSR, ca. 1932-1933
Photograph of a street scene in the USSR, taken by Lotte Jacobi, ca. 1932-1933. A person is walking on a street by a sign with what appears to be many small clocks on it. A multi-story building is in the background on the street corner.https://scholars.unh.edu/jacobi_ussr_central_asia/3594/thumbnail.jp
Men at a bazaar in Stalinabad (Dushanbe), Tajikistan, Central Asia, ca. 1932-1933
Photograph of men at a bazaar in Stalinabad (Dushanbe), taken by Lotte Jacobi in Tajikistan, Central Asia, ca. 1932-1933. A man in a coat and turban is sitting on the ground weighing produce along a street crowded with other men seated on the ground or walking about. Behind the man in the foreground, a man in a patterned coat is standing and looking down the street, and a donkey is standing by a large muddy cart wheel.https://scholars.unh.edu/jacobi_ussr_central_asia/1938/thumbnail.jp