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Momčilo Nastasijević’s poem 'Gluhote' in the light of Riffaterre’s intertextual method of interpretation
No full textU ovom radu intertekstualni metod tumačenja Mišela Rifatera primenjen je na analizu hermetičke pesme "Gluhote" srpskog pesnika Momčila Nastasijevića. Rifaterova intertekstualna teorija interpretacije pokazuje se kao podesna za razumevanje lirike, posebno "nejasnih" pesama koje se naizgled "opiru" tumačenju, pri tome vešto skrivajući sopstveni smisao. Poezija je, kazuju nam "Gluhote", neprekidno otkrivanje duhovne suštine univerzuma putem reči, koje izaziva radost i lepotu otkrivanja Bića i bol suočavanja sa Apsolutnim. Pesnik je odabran od mnogih, svêt i pravedan, jer jedino duhovnost pesnika, putem poezije, može izraziti duhovnu suštinu Bića.This paper applies Michael Riffaterre’s interpretative method on the hermetic poem "Gluhote", wrote by Momčilo Nastasijević. Riffaterre’s intertextual theory of interpretation demonstrates relevance in interpretation of lyric, especially when interprets "obscure" poems "resistant" to interpretation. In this particularly case, Riffaterre’s intertextual method of interpretation shows that the subject of the poem "Gluhote" is poetics. The matrix of the poem "Gluhote" is poetry as expression of the God and his essence. Therefore, the existence of poetry is possible only as divine mercy and providence
Nahlik Evgen: Dolja-Los-Sud'ba: Ševčenko o pol's'ki ta rosijski romantiki, Nacionalna akademija nauk Ukraini, L'vis'ke vidilennja institutu literaturi im. T. G. Ševčenka, L'viv, 2003
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Učenie I.A. Sternina o kommunikativnom povedenii
No full textU radu se iznose teorijske osnove nauke o komunikativnom ponašanju, koju je zasnovao I. A. Sternin, zatim se navode neki od praktičnih rezultata do kojih se došlo u dosadašnjim ispitivanjima, a na kraju se daje kritička ocena tih rezultata.V pervoj časti raboty privodjatsja svedenija o teoretičeskih osnovah nauki o kommunikativnom povedenii, osnovopoložnikom kotoroj javljaetsja I. A. Sternin. Provoditsja različie meždu verbal'nym i neverbal'nym kommunikativnym povedeniem, opisyvajutsja obščekul'turnye, gruppovye situacionnye i individual'nye normy kommunikativnogo povedenija utočnjajutsja teoretičeskie, deskriptivnye i ob''jasnitel'nye zadači nauki o kommunikativnom povedenii. Perečisljajutsja terminy, s pomošč'ju kotoryh utočnjaetsja ponjatijnyj apparat dannoj nauki. Vo vtoroj časti rabotoe illjustriruetsja (v. vide kratkogo obzora nekotoryh predyduščih issledovanij) metodologija i rezul'taty nauki o kommunikativnom povedenii Privodjatsja, naprimer, stereotipnye predstavlenija russkih o finnah nemcah, nemeckom jazyke, dajutsja osobennosti russkogo neverbal'nogo kommunikativnogo povedenija v sopostavlenii s finskim i russkogo verbal'nogo povedenija v sopostavlenii s kitajskim. V konce rabotoe daetsja kritičeskaja ocenka issledovanij kommunikativnogo povedeniija I. A. Sternin
Proverbial style
No full textU radu se razmatra odnos između pojedinih poslovičkih stilova i njihovih varijanata, kao i proces unutrašnjeg stilskog oblikovanja poslovica.According to all we have set forth clearly that the proverbs have the status of very specific kind of popular creativity: (a) in terms of formal qualities they are determined structures with characteristics of linguistic stereotypes, compression as well as expressions symmetry; (b) following those they mean they are expressions of the spirit of the nation and expressions of the popular wisdom and they have been coming closer to aphorism as the top form of proze-telling and figurative condensation of the expressions; (c) on the subject of aesthetic qualities the proverb is a form of the artistic text of very high poetic value
The critical reception of Evelyn Waugh's works in the former Yugoslavia
No full textU ovom radu prikazana je slika kritičke recepcije dela Ivlina Voa, odnosno,
odjeka njegovog stvaralaštva u književnoj kritici na teritoriji bivše Jugoslavije, dok su iz oblasti prevodne književnosti samo izloženi bibliografski podaci o prisutnosti dela
ovoga pisca kod nas, bez zadržavanja na kritici prevoda...This paper begins with a brief general outline of Evelyn Waugh's life and work, and proceeds to a survey of the critical reception of Waugh's novels in Serbo-Croat journals, periodicals and literary studies, which are presented chronologically, from the first mention of his work until the end of the period under consideration, in 1992, when former Yugoslavia fell apart. Research shows that, although this writer has been regarded by many British critics as the leading satirical novelist of his day, during his lifetime, translations of his novels were not available to a Yugoslav readership to the extent to which his international fame would deserve. This especially holds in the case of Waugh's early novels, which reflect the modernist crisis by depicting the rootlessness, alienation and disorientation of British youth in the aftermath of World War I, and even more in the case of his war trilogy, assessed by critics in his own country as the best English novel about World War II. However, besides a few short informative critical commentaries, several comparatively complete accounts of Waugh's life and work have been published, two of them written by Vida Marković and one by Svetozar M. Ignjačević
Critical reception of William Golding's works by Serbs and Croats
No full textOvaj rad bavi se recepcijom dela Vilijama Goldinga od prvog njihovog spominjanja u našoj kritici, pa sve do raspada jedinstvenog srpskohrvatskog jezičkog područja 1992. godine. Vilijam Golding je prvi Englez koji je posle Vinstona Čerčila dobio Nobelovu nagradu za književnost, 1983. godine, što je dodatno skrenula pažnju naših kritičara i izdavača na dela ovog spisatelja, tako da interesovanje naše književne javnosti za stvaralaštvo engleskog romansijera možemo da ocenimo kao veoma zadovoljavajuće. Prvi deo rada posvećen je istraživanju prevodne recepcije Goldingovog opusa na srpskohrvatskoj jezičkoj teritoriji, a zatim i istraživanju kritičke recepcije romana Vilijama Goldinga kod nas pre nego što mu je dodeljeno ovo veliko priznanje.The first part of this paper deals with the translations of William Golding's works and their excerpts published in Serbo-Croat literary journals and periodicals, as well as with the critical reception of Golding's novels before he received the Nobel prize in 1983. The research has shown that, unlike the critical response, translation of this writer's opus did not do him justice, because only two of his nine published novels and one excerpt were translated into our language before he was awarded the highest prize for literature. The same holds after 1983, as only two more novels, several excerpts and two essays appeared in our literary magazines until the end of the analyzed period in 1992, when the former Yugoslavia fell apart. Thus, it can be concluded that the translations of William Golding's novels were not available to the Yugoslav readership to the extent to which their significance would have deserved it, regardless even of the fact that he was awarded the Booker prize in 1980 and became the Nobel prize-winner three years later. Fortunately, our critics paid due attention to Golding's opus, especially to his first novel which was the object of many, though somewhat late, articles in Serbo-Croat literary periodicals. Before the British writer was completely forgotten by our reviewers in the seventies, several complete accounts of his life and work were also published during this initial period
Nova gramatika gornjolužičkosrpskog jezika - Faska Helmut: Pućnik po hornoserbšćinje, Ludowe nakladnistwo Domowina, Budišin, 2003
No full textУ вртлогу историје. Видан Николић, Пријезда и Јелица, Народна књига/Алфа, Београд, 2004, стр. 349
No full textPrikaz jednog rečnika: osveženje u domaćoj leksikografiji
No full textPrikaz rečnika: Osnovni englesko-srpski i srpko-engleski rečnik sa engleskom i srpskom gramatikom, Boris Hlebec, ZUNS, Beograd, 200