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Distinct effect of body mass index by sex as a prognostic factor in localized renal cell carcinoma treated with nephrectomy ~data from a multi-institutional study in Japan ~
Get PDF大阪医科薬科大学博士（医学）2022doctoral thesi
Mechanical, Histological, and Scanning Electron Microscopy Study of the Effect of Mixed-Acid and Heat Treatment on Additive-Manufactured Titanium Plates on Bonding to the Bone Surface.
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Development of a Self-management Scale for Lower Urinary Tract Symptoms in Patients with Cancer after Radical Prostatectomy
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Biomechanical assessment of a novel meniscal scaffold compared to partial meniscectomy: a study on porcine meniscal injury
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Evaluation of a Nursing Intervention Program to Promote Psychological Adjustment of Adult Women Diagnosed with Metastatic Breast Cancer
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Structure Based Drug Design（SBDD）を活用した分子設計による種差克服を目指した新規キマーゼ阻害剤の創製
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The role of MreB in intrabacterial nanotransportation system for cholera toxin in Vibrio cholerae
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Validation of a Patient-Derived Xenograft Model for Cervical Cancer Based on Genomic and Phenotypic Characterization
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A Study on Taking Antipsychotic Medication for Patients with Schizophrenia to Continue Living in the Community - Through Patient Narratives-
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Fancy in As You Like It
Get PDFThis paper discusses the elements of“fancy”, that is, disguise, sight (especially, love at first sight) and figures of
speech in William Shakespeare’s As You Like It (1599), revolving around the role of the heroine Rosalind disguised as a
man who is the representation of fancy in the play. Fancy reverses and unites opposites, and is relevant to inspiration,
love, figures in rhetoric, objects, beauty in appearance and otherness. Fancy indicates the passivity of the subject which
obeys the object or the other in passion. In other words, love at first sight or fancy in the subject is aroused by looking at
the beauty of the object’s appearance (or external beauty). Rosalind makes use of fancy and manipulates Orlando with
sight and rhetoric to give him lessons in fancy or love. Similarly, Touchstone as the fool makes use of fancy and reverses
and unites opposites, leading to the unity between fancy and true love at the end of the play. Although this paper was
originally an extended version on a part of Chapter 1 and 2 of my book Gerard Manley Hopkins and His Poetics of Fancy
(Cambridge Scholars Publishing, 2015) as well as on the paper read in my presentation at a seminar of the Shakespeare
Society of Japan, held at Konan University on the 2nd October, 2022, it has become much more extensive than before,
because I gained new insights and perspective later about the way in which Rosalind disguised as Ganymede and a
magician is concerned with alchemy (magic), Diana (Artemis) and Queen Elizabeth I, and I have come to realize that they
are the most significant elements of fancy in this play. This paper also discusses variations of fancy with the elements of
metamorphosis, Nature, beauty, cheerfulness, the future, the other and abrupt parallelism, and especially marriage seen in
the last stage of the experiment of alchemy as the representation of the unity of opposites, which Rosalind as magician or
alchemist organizes with Hymen as the god of marriage at the end of As You Like It.departmental bulletin pape