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    Stained Glass, Depicting Absence

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    Stained Glass, Depicting Absence is a collection of poetry that weaves between the speaker’s familial history in an eastern Ohio coal town, the speaker’s return to a Catholic faith left behind by her family, the storied relationship between French medieval Catholic scholars Heloise d\u27Argenteuil and Peter Abelard, and the speaker’s own restless and complicated relationships and the small and daily conversions they bring her to. These poems are, at their core, devotional. Each of the collection’s threads return again and again to the ways that the observable and imperfect things of this world—from Pittsburgh’s bridges and Wheeling’s crumbling buildings, to Heloise’s erotic desires, letters, and loss, to thin apartment walls and windowless English department offices—testify to what exists between and beyond, and to a God who remains close and personally knowable not merely in spite of, but because of, the many failures of our language, our loves, and our selves

    I Love Getting Mad at the Internet

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    This book discusses the changing ecosystem of the internet in relation to my installation ‘In These Worlds’. This is not a direct translation of the installation, but shares the research and thought that informs the work, as well as sharing some of the work that preceded

    Mementos

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    Relevance: Personal Relevance: This project merges my passion for film photography and modern technology, aiming to create a design that bridges traditional and modern practices. Local Relevance: Richmond’s rich historical context provides an ideal setting to illystrate that traditional arts like analog photography can be preserved while integrating modern digital technology. Global Relevance: Globally, there is an increasing trend toward combining traditional and modern design approaches, particularly in architecture and interior design. Synthesizing analog and digital means is used to meet the balance between materiality and modern technology (Rose, 2014; Pelizzari & Scrivano, 2011). Designers balance tactile materials like wood and stone with digital tools to design spaces that honor tradition while embracing innovation. Issues in Interior Design: Interior design faces similar challenges to photography, material experience is significant. Designers must be able to integrate modern technologies without losing the sensory engagement that traditional techniques achieve (Minniti, 2016). Photography studios and other adaptive reuse projects require a balance between materiality and innovation, which ensures that analog and digital elements can coexist within the space (Keightley & Pickering, 2014). Research Question: Design Conflict: Interior design can be used to fill the gap between the physical experience of analog photography and the accuracy of digital technology. Similar to photography, it is challenged to retain material richness in the face of changing digital demands and to reconcile sincerity with innovation. Design Objective: This project explores strategies in the using contrasting materials, flexible layouts, and sensory-focused details to support both analog and digital workflows. The objective is to design a soace where material interaction and technological flexibility further enhance the creative process. Method: Literature Review: Source Keightley & Pickering (2014) will be reviewed for the role of materiality in analog and digital photography. Fackler (2019) provides insights into the resurgence of analog methods in digital spaces, highlighting the importance of balancing both elements. Case Studies: Explore flexible and adaptable space designs that can accommodate both analog and digital workflows, informed by projects such as Minniti (2016), which investigates hybrid creative spaces. Interviews: Engage with photographers who use both analog and digital techniques to discover their spatial needs in a studio setting. These interviews can offer insights into how spaces can be designed to support hybrid workflows. Outcomes: Reasons for Interest: Dematerialization refers to the reduction of physical, tangible experiences in virtual environments. In photography, it is evident in the loss of the tactile process of film development, which many designers and photographers are attempting to preserve (Fackler, 2019). Outcomes: This project proposes a photography center integrating analog and digital modes through materiality and sensory engagement. Modular furniture designs and spaces will support shifting creative needs. Contrasting materials, textures, light, and touch will enhance the user experience in an interactive environment that seamlessly merges traditional tactile with modern technological accuracy

    Understanding the Experiences of People of Color who Engage in Psychedelic Use

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    There is a growing body of research that supports the potential of psychedelic substances being used to support individuals with alleviating mental health symptoms such as depression, anxiety, and existential distress. Though it has been labeled that Western society is within a psychedelic renaissance, it should also be noted that many indigenous cultures have utilized plant-based medicines as a form of healing and connection. Despite the ever increasing amount of studies being conducted, a consistent deficit is the lack of representation of non-White individuals in research samples. Utilizing the theoretical framework of set and setting, the present study aims to examine the lived experiences of POC in the psychedelic community to help gain insight into the way individuals perceive the impact that psychedelic experiences have on one\u27s racial and spiritual identity development. The four group experiential themes (GETs) reflect the convergence and divergence of participants\u27 experiences with psychedelics, including (1) racial identity, (2) aspects of psychedelic journeys, (3) spirituality and spiritual connections, and (4) the future of the psychedelic ecosystem. Eleven subthemes were created among the four GETs. The following study provides implications for mental health providers and those part of the psychedelic ecosyste

    Radical hope amid generational oppression and Puerto Rican well-being

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    Oppressive systems (e.g., colonialism, racism, capitalism) create a disparate distribution of power that, through various mechanisms, negatively impacts the health and well-being of members of the oppressed group. Boricuas have experienced over 500 years of oppression, with the island currently maintaining a colonial relationship with the United States. As these adverse effects of oppression are identified, the need for protective factors (e.g., hope) has emerged. This study explored how islander Boricuas practice radical hope, understand their history of oppression and resistance, and how they perceived it to impact their overall well-being. Utilizing a phenomenological qualitative approach, I conducted 15 semi-structured interviews with Boricuas living on the island. Then, I used thematic analysis with an abductive approach to analyze the transcripts, guided by the radical hope framework. Findings revealed several themes around five overarching qualitative research questions in the area of: (1) understanding the island’s history of colonial and governmental oppression and islander Boricuas’ resistance to internalized inferiority and through activism, (2) recognizing the impact of oppression across psychological, physical, economic, educational, and collective well-being domains, (3) embracing ancestral pride through familial and cultural pride, (4) envisioning future possibilities for Puerto Rico through seeking knowledge, being open to change, and asking for governmental reform, and (5) meaning-making and purpose through positively impacting others and intentional rootedness

    Sarge

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    A short story on how a service dog can change a man\u27s life. Articles, stories, and other compositions in this archive were written by participants in the Mighty Pen Project. The program, developed by author David L. Robbins, and in partnership with Virginia Commonwealth University and the Virginia War Memorial in Richmond, Virginia, offers veterans and their family members a customized twelve-week writing class, free of charge. The program encourages, supports, and assists participants in sharing their stories and experiences of military experience so both writer and audience may benefit

    Junior Recital, Indy Bennett and Skylar Novak, percussion

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    Junior RecitalIndy Bennett, percussionSkylar Novak, percussionTuesday, April 29, 2025 at 7:00 p.m. Sonia Vlahcevic Concert HallW.E. Singleton Center for the Performance Arts922 Park Avenue | Richmond, VirginiaThe presentation of this junior recital will fulfill in part the requirements for Bachelor of Music degree in Music Education and the Bachelor of Music degree in Performance. Indy Bennett and Skylar Novak study percussion with Dr. Justin Alexander

    VCU Guitar Ensemble, video

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    VCU Guitar Ensemble, videodirected by David ToussaintTuesday, April 22, 2025 at 7:00 p.m.Recital HallJames W. Black Music Center1015 Grove Avenue | Richmond, VirginiaEnsemble MembersSimon BarrettMason BerdecioJosh HuddleNate JohnsonAidan McMullanRyelyn NordengAlex Turne

    Saxophone Studio, disc two

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    disc two of twoSaxophone Studio Recital, disc twoStudents from the studio of Dr. Sheri Oyanwith James O\u27Brien, David Robbins, and Russell Wilson, pianoMonday, April 14, 2025 at 8:00 p.m.Sonia Vlahcevic Concert HallW.E. Singleton Center for the Performing Arts922 Park Avenue | Richmond, Virgini

    String Area Recital

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    String Area RecitalWednesday, March 26, 2025 at 7:00 p.m.Recital HallJames W. Black Music Center1015 Grove Avenue | Richmond, Virgini

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